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Confessions Of An Indian Woman Eater

Confessions Of An Indian Woman Eater

Sasthi Brata
,
Vinay Brahmania
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‘I now realize that leaving home was a gesture, like goodbye notes from failed suicides.’

Amit Ray leaves his upper-class home in India with nine books in his bag and seventy rupees in his pocket, beginning his journey into ‘Life’. His story runs a hectic course, from Calcutta to New Delhi and, after a poignant and disastrous Italian interlude, on to London whores, scatological misadventures, Paris, København and back to London. In-between he works variously as a shoeshine boy, cub reporter, lavatory attendant, engineer and writer. The twentieth-century Odysseus, Amit is obsessed with that contraband comestible?Woman. Adam-and-Eve confrontations lead the hero into situations which are in turn lurid, erotic, pathetic, tender and sometimes outrageously hilarious.

Like a beaver, Amit noses his way into that elusive enclave, the ‘Hampstead intellectual circuit’, and learns of the tribal customs, unspoken dogmas and ambiguous hostilities of fellow humans who would feign to know all the answers. And like the proverbial cork, he bobs up and down but never sinks. At the end of the story we find him packing his bags to revisit the land of his birth. There is a hint of thirst quenched. But if we have come to know the hero at all, we must assume that it is only a calm before another storm.

Imprint: Penguin

Published: Apr/2006

ISBN:

Length : Pages

MRP : ₹375.00

Confessions Of An Indian Woman Eater

Sasthi Brata
,
Vinay Brahmania

‘I now realize that leaving home was a gesture, like goodbye notes from failed suicides.’

Amit Ray leaves his upper-class home in India with nine books in his bag and seventy rupees in his pocket, beginning his journey into ‘Life’. His story runs a hectic course, from Calcutta to New Delhi and, after a poignant and disastrous Italian interlude, on to London whores, scatological misadventures, Paris, København and back to London. In-between he works variously as a shoeshine boy, cub reporter, lavatory attendant, engineer and writer. The twentieth-century Odysseus, Amit is obsessed with that contraband comestible?Woman. Adam-and-Eve confrontations lead the hero into situations which are in turn lurid, erotic, pathetic, tender and sometimes outrageously hilarious.

Like a beaver, Amit noses his way into that elusive enclave, the ‘Hampstead intellectual circuit’, and learns of the tribal customs, unspoken dogmas and ambiguous hostilities of fellow humans who would feign to know all the answers. And like the proverbial cork, he bobs up and down but never sinks. At the end of the story we find him packing his bags to revisit the land of his birth. There is a hint of thirst quenched. But if we have come to know the hero at all, we must assume that it is only a calm before another storm.

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Sasthi Brata

Born in 1939, Sasthi Brata grew up and was educated in Calcutta, reading physics at Presidency College. He left India soon after and has lived in London and various other capital cities in Europe and America.

Vinay Brahmania

Vinay Govind Brahmania has a creative workshop in Mumbai which caters to the advertising and animation industry.

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