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Jump into a reading hOle with hOle books!

A Short History of the hOle Books by Sayoni Basu, creator of the hOle books

front cover Chumki and The Elephants
Chumki and The Elephants || Lesley D. Biswas

 

When Duckbill was starting, and we were doing a systematic market survey to see what the obvious gaps were in the different kinds of Indian books for children being published, it was easy to spot that one gaping hOle was early chapter books for children. There were lots of internationally published ones, from the UK and US, but a dearth of locally published ones. There were many Indian picture books, and many storybooks, but there was a jump in level between them so that there was no smooth, natural transition We wanted a distinctive identity for the early chapter book series—one of the joys of series publishing is that one can think seriously long term—and the best identity is always through design, so we turned to Gunjan Ahlawat. He said he had always wanted to do books with a hole in them, and so the hOle books were born.

 

 

front cover The Clockwala's Clues
The Clockwala’s Clues || Varsha Seshan

 

The hOles on each page have been a great source of joy. For editors, it is fun to come up with concepts where hOles could be incorporated into the story. For illustrators, it was fun to make characters jump from one page to another through the hOle or transform hOles into elements of an illustration. We were very clear that the stories would be contemporary, Indian, and with protagonists who were the age of the potential readers (so about seven till nine), facing dilemmas and challenges which the readers would be familiar with. And while the first few books were commissioned and the series ideas carefully explained to the authors, very soon, we started getting manuscripts which were labelled ‘hOle books’, showing that people had started identifying the central characteristics themselves. Over the years, the hOle books have been shortlisted for or won every major book award in India. Several authors have written mini series within-series, such as the adventures of Petu, Timmi, Maya, Peanut and Chumki, who have appeared in two or more books.

 

front cover the chirmi chasers
The Chirmi Chasers || Arefa Tehsin

 

 

We are really thrilled that there are now twenty-five books in the series. Series publishing is the backbone of children’s books all around the world—and it makes us really happy that this series has sustained itself and taken on new dimensions and is known and loved by so many people. It is truly a moment to celebrate.

 

Fun, bright and excellent new stories to keep the young hearts warm!

It’s Decembrrrr, but we have wonderful new reads for you that will keep you warm through the chilly days. Welcome to a new month of amazing stories and illustrations that will keep you engrossed!

~

 

front cover Of Revolutionaries and Bravehearts
Of Revolutionaries and Bravehearts||Mallika Ravikumar

 

Of Revolutionaries and Bravehearts: Notable Tales from Indian History

by Mallika Ravikumar

History is often narrated as sagas of kings and queens, legends of battles and wars, or chronicles of art and architecture. But history is more than that. It is the story of ordinary people; their food and language, their thoughts and beliefs, their livelihood and culture. Tales of sweepers and sculptors, robbers and merchants, sailors and saint-why, even pirates!

In this book, Mallika Ravikumar pens eight historical stories that help you look upon the past, as less of a dry-as-bone set of facts, and more of a dynamic shift that shapes our present. Told through the lens of class and conflict, symbols and language, creativity and enterprise and power and perspective, these stories help younger readers see why history is relevant and meaningful.

 

front cover the chirmi chasers
The Chirmi Chasers||Arefa Tehsin

 

 

The Chirmi Chasers

by Arefa Tehsin

A sitola match between two rival schools is more than a game for Nanka-if they lose, he and his father have to leave town! Can Nanka and his unlikely teammates do it? Arefa Tehsin’s book is a classic underdog story featuring a ragtag group of friends fighting against prejudice.

 

 

 

 

front cover The Clockwala's Clues
The Clockwala’s Clues||Varsha Seshan

 

 

The Clockwala’s Clues

by Varsha Seshan

 

Jasmine and Sheba want to spend the holidays finding homes for stray puppies. But to do so, they have to first solve a series of puzzles set by Sheba’s father, Clockwala Uncle. Can they do this in time?

 

 

 

front cover Chumki and The Elephants
Chumki and The Elephants||Lesley D. Biswas

 

 

Chumki And The Elephants

by Lesley D. Biswas

 

Dadi forgets everything, including Chumki’s name. When elephants escape from a nearby reserve, can it be a blessing in disguise and help Dadi remember? A fun story about a young girl, her forgetful grandmother and elephants, Chumki And The Elephants is a perfect read for young readers who are progressing from picture books!

 

 

 

 

 

 

 

Timeless classics from your favourite storyteller

Sudha Murty’s stories are eternal. We finish the books, we keep them back in the shelves, but we can never forget the wonder inspired by her stories and the fascinating characters she crafts. Here are some of her timeless classics that we keep returning to:

 

front cover How The Onion Got Its Layers
How The Onion Got Its Layers||Sudha Murty

 

 

How the Onion Got Its Layers

 

Have you noticed how the onion has so many layers? And have you seen your mother’s eyes water when she cuts an onion? Here is a remarkable story to tell you why.

India’s favourite storyteller brings alive this timeless tale with her inimitable wit and simplicity. Dotted with charming illustrations, this gorgeous chapter book is the ideal introduction for beginners to the world of Sudha Murty.

 

 

 

front cover Grandma's Bag of Stories
Grandma’s Bag of Stories||Sudha Murty

 

Grandma’s Bag Of Stories

 

Who can resist a good story, especially when it’s being told by Grandma? From her bag emerges tales of kings and cheats, monkeys and mice, bears and gods. Here comes the bear who ate some really bad dessert and got very angry; a lazy man who would not put out a fire till it reached his beard; a princess who got turned into an onion; a queen who discovered silk, and many more weird and wonderful people and animals.

Grandma tells the stories over long summer days and nights, as seven children enjoy life in her little town. The stories entertain, educate and provide hours of enjoyment to them. So come, why don’t you too join in the fun?

 

front cover The Daughter From A Wishing Tree
The Daughter From A Wishing Tree||Sudha Murty

 

The Daughter from a Wishing Tree

 

Did you know that the Trinity often turned to goddesses to defeat the asuras?

Did you know that the first clone in the world was created by a woman?

The women in Indian mythology might be fewer in number, but their stories of strength and mystery in the pages of ancient texts and epics are many. They slayed demons and protected their devotees fiercely. From Parvati to Ashokasundari and from Bhamati to Mandodari, this collection features enchanting and fearless women who frequently led wars on behalf of the gods, were the backbone of their families and makers of their own destinies.

India’s much-loved and bestselling author Sudha Murty takes you on an empowering journey -through the yarns forgotten in time-abounding with remarkable women who will remind you of the strong female influences in your life.

 

front cover The Magic of the Lost Temple
The Magic of the Lost Temple||Sudha Murty

 

The Magic Of The Lost Temple

 

City girl Nooni is surprised at the pace of life in her grandparents’ village in Karnataka. But she quickly gets used to the gentle routine there and involves herself in a flurry of activities, including papad making, organizing picnics and learning to ride a cycle, with her new-found friends.

Things get exciting when Nooni stumbles upon an ancient fabled stepwell right in the middle of a forest.

Join the intrepid Nooni on an adventure of a lifetime in this much-awaited book by Sudha Murty that is heart-warming, charming and absolutely unputdownable.

 

 

front cover Grandparents' Bag of Stories
Grandparents’ Bag of Stories||Sudha Murty

Grandparents’ Bag of Stories

 

It’s 2020 and children are stuck indoors as the novel coronavirus finds its way into India. A nationwide lockdown is announced and amidst the growing crisis, Ajja and Ajji welcome their grandchildren and Kamlu Ajji into their house in Shiggaon.

From stitching masks, sharing household chores, preparing food for workers to losing themselves in timeless tales, the lockdown turns into a memorable time for the children as they enter the enchanting world of goddesses, kings, princesses, serpents, magical beanstalks, thieves, kingdoms and palaces, among others. The myriad stories told by their grandparents become the biggest source of joy, making the children compassionate, worldly-wise and more resilient than ever.

Following the trail of the best-selling Grandma’s Bag of Stories, India’s favourite author Sudha Murty brings to you this collection of immortal tales that she fondly created during the lockdown period for readers to seek comfort and find the magic in sharing and caring for others. Wonderfully woven in her inimitable style, this book is unputdownable and perfect for every child’s bookshelf!

~

Our bookshelves have an entire section dedicated to Sudha Murty. That’s just how our young readers like it! What about you?

How to convert an idea into a venture; Become A Junior Entrepreneur

Entrepreneurs are bringing education online, connecting families at the touch of a button and revolutionizing the shopping experience-in short, they’re changing the way we live.

Following the success of Become a Junior Inventor, Vrunda Bansode gives every kid a hands-on crash course in entrepreneurship in her new book, Become a Junior Entrepreneur. Here is a checklist on how you can convert an idea into a venture, from the book.


Think of all the things that you can build on to develop your business as an entrepreneur and note them down. Right now, do not think of constraints. Just think of all that you would like to do. Innovate. Invent. Dream big! Now comes the reality check. Let us think of what you can actually work towards and have a good chance of succeeding at. How does one figure that out? Try to answer these questions for each of the businesses you have listed:

  • Do I myself have the skill of making this product or delivering this service?

(Hint: If you want to start a baking business but do not know how to bake, the answer would be No. If you want to start a web design service and are good at using design softwares yourself, your answer is Yes.)

  • Do I know who might be the customers for my business and can I reach them easily?

(Hint: If you are developing a book-trading app and know that many of your friends will use the service, your answer is Yes. But let’s say you are considering starting a garden clean-up service and don’t have any houses with gardens around you, the answer is No.)

  • Do many people need this product or service?

(Hint: Everybody needs and buys toothbrushes regularly, so the market is large. But not everyone needs dental braces, so the market is much smaller.)

  • Roughly how much money is needed to start this business and will I be able to get it through my savings, allowances and borrowings from family and friends?
  • Can I start working towards this right away – at least within a few months?

For any idea that you end up with more No-s than Yes-es, mark it as a passion to be pursued later. Where your Yes-es are more than the No-s, get going! If you have a Yes for all five questions, that’s a great place to start. But if you had to scrap all of your ideas, don’t be hassled. Just start again or see if you can modify an idea you like even a little until you get all five Yes-es.

Another great way to start is to team up with your friends. You will have more helping hands and great ideas on board, and there’s nothing wrong with having a little bit of fun on the side. Many great start-ups started with a team of founders rather than a single founder.

If it is not just you, but you and a group of friends who want to start a business together, then do the above as a group exercise. The group together will then have the skill of ideation, knowledge, access to prospective customers and the ability to get the money or seed capital—as it is called in the business world—to start your new business.

From sifting through ideas to running a business, Become a Junior Entrepreneur accompanies the reader through every stage of turning a nascent dream into a commercially viable start-up.

 

The arrival of rice and the children


Following the trail of the best-selling Grandma’s Bag of Stories, India’s favourite author Sudha Murty brings to you this collection of immortal tales that she fondly created during the lockdown period for readers to seek comfort and find the magic in sharing and caring for others. Wonderfully woven in her inimitable style, this book is unputdownable and perfect for every child’s bookshelf!

 

It was a pleasant afternoon in March. Ajji and Ajja were glued to the television. The worry on their faces deepened as they heard increasingly distressing news about the coronavirus situation. Ajja turned to Ajji, ‘The virus started in China, but look at what has happened. It has spread all over the world, becoming a pandemic!’ The anchor on the television announced, ‘The government is asking people to isolate themselves and follow social distancing protocols. All schools will be closed until further notice.’ Ajji’s thoughts turned to her grandchildren in Bangalore and Mumbai. The sound of an autorickshaw coming to a stop outside the house interrupted her thoughts and the bell rang. Ding-dong! Ajji opened the door and saw Kamlu, Ajja’s sister, and her granddaughter Aditi. Ajji was delighted and surprised to see them. ‘Come inside,’ she said. Kamlu Ajji smiled as she took the bags out of the autorickshaw. ‘Why didn’t you tell us you were coming?’ asked Ajji. ‘We would have picked you up from the railway station. Kamlu Ajji and Aditi entered the house. ‘Kamlu, why did you make this trip with the deadly virus around?’ Ajja demanded, concerned. ‘Oh, I didn’t know coronavirus had reached here too. Isn’t it time for the cart festival now? I haven’t seen it in so long! Aditi has her holidays now and her mother is working from home, so it is hard to keep her engaged. I thought she might enjoy the festival and brought her with me. Besides, I wanted to give you a surprise!’ Nine-year-old Aditi stood shyly behind Kamlu Ajji. ‘Come, child. Sit,’ said Ajji, inviting her with love. They all went to sit in the living room, and just then, the phone rang.

Ajji picked it up. It was her daughter, Sumati, from Mumbai. ‘Amma,’ she said, ‘I am sending both the kids to you in Shiggaon.’ ‘I’d be happy to have Raghu and Meenu, but what happened?’ ‘With Covid-19 spreading like wildfire, the schools are closing down for some time and no one knows when they will reopen. Most people live in small apartments in Mumbai and it is almost impossible to keep children from going outside. Moreover, we are working from home and can’t tend to their needs all the time. So we thought about it and spoke to Subhadra to see if I could send Raghu and Meenu to her, and she said yes . . .’ ‘All the children can come here, Sumati!’ Ajji interrupted her. ‘I knew you would say that and that’s why I called. Subhadra has also agreed to send her children to Shiggaon to be with you. You have a large compound around the house and there’s plenty of fresh air and space to move around. This way, the kids can be with you all and not get bored since they will be able toplay with each other. Now, don’t hesitate to be frank. Tell me, will it be a problem for you to handle the four of them without sending them outside the house?’

Front Cover Grandparents' Bag of Stories
Granparents’ Bag of Stories

‘No, Sumati, that is not a problem at all! My worry is—how will they come here?’ ‘We will take care of that, Amma! Raghu and Meenu have already taken a flight from Mumbai to Bangalore today and are about to reach Subhadra’s home,’ said Sumati. ‘They can come to Shiggaon tomorrow and stay for a few weeks.’ Ajja, who had been listening to Ajji’s side of the call, took the phone from her and spoke to Sumati, ‘Don’t worry, child. Kamlu and her granddaughter Aditi are also here. Send the children.’ Almost immediately, there was another call from Bangalore. Subhadra was on the line. She said the same thing. ‘My parents have already taken Anand with them, but Krishna and Anoushka want to see you and stay in Shiggaon. I have spoken to Sumati already and the four children will reach your home tomorrow. Our office manager has offered to drive them from Bangalore to Shiggaon, but he will come back immediately because there is a lot of work to be taken care of before things get worse, as is expected,’ said Subhadra.Ajji ended the call and looked at Ajja. ‘I am happy to hear that our grandchildren are coming, but I am concerned about the coronavirus situation. Will you call the temple and check if the cart festival is still going ahead as planned?’

Ajja nodded and dialled the temple’s number. While calling, he remarked, ‘It is unlikely that they’ll go ahead with the festival. We had a committee meeting yesterday and I suggested that we skip the cart festival this year, but others rejected my opinion. They felt that we shouldn’t worry because the coronavirus hasn’t reached us yet. I disagreed. Conducting the festival will be akin to giving coronavirus an invitation to come here.’ Kamlu Ajji’s face fell. ‘Instead of surprising you, I am the one who is surprised and disappointed. I think I will go back after a few days.’ Kamlu Ajji and Ajji were close friends. Ajji was pleased that her friend was with her. ‘You are not going anywhere,’ she said emphatically. ‘Cart festival or not, you are staying here with us.’ Ajja turned out to be right. The festival had been cancelled. Kamlu Ajji turned to Ajji and announced, ‘I am going to take charge of your kitchen. I love cooking. You can rest for a few days.’ Ajja added, ‘If the situation with respect to the coronavirus gets worse and a lockdown is announced, then we should not bring any outside help for the workaround the house. Let’s share the work. ‘Yes, I agree. We can’t call anyone,’ said Ajji. ‘Once the children arrive tomorrow, I will assign household chores to all of them. They will also help us.’

Ajji went to the storeroom to check if she needed to get more groceries. Ajja followed her and remarked, ‘Some places have already announced lockdowns. If we have a lockdown here too, there will be many people who will not get enough food. We must help and lend a hand when the time comes. Please order extra rations and keep them in the storeroom. We may need them to feed other people.’ Ajji began to make a grocery list, and Ajja dialled the number of the local grocery shop for a home delivery. Meanwhile, Aditi sat nearby, reading a book. She was happy to hear that four of her cousins were coming. The next evening, Raghu, Meenu, Krishna and Anoushka arrived with great excitement. They loved visiting their grandparents’ large and spacious home where they were pampered and allowed their freedom. The office manager dropped the kids and promptly left.

As soon as they entered the house, Aditi squealed and joined them immediately. Anoushka had grown tall. Ajji announced, ‘Anoushka, you are the tallest of the girls now!’ The children had brought their schoolbooks, and many bottles of sanitizer and handwash refill packs. They seemed happy to be away from their parents with no classes or teachers to worry about. They told their grandparents how sanitizers were being used everywhere in their schools before they had closed and in their apartment blocks in Mumbai and Bangalore, including even the lift. ‘Have things become that difficult there?’ Ajji asked, concerned. ‘Yes,’ said Raghu. ‘The government is taking many precautions and has become quite strict.’ ‘Children, what would you like to eat for dinner?’ ‘Something light, Ajji, as we had heavy snacks a short time ago,’ said Krishna. ‘Then I’ll make some special rice today—perhaps methi rice,’ said Kamlu Ajji. ‘It is easy to digest, delicious and good for supper.’ The children agreed and Kamlu Ajji headed to the kitchen.

Ajja switched on the television. Discussions about quarantine and social isolation continued on all news channels. The prime minister was going to address the nation shortly. Ajja looked outside the window. The evening was turning into night. He sighed, ‘Children, this is serious now and we all must stay inside the walls of the house. You can only go as far as the wall of the compound. We must not go out for any reason.’ In less than an hour, Kamlu Ajji had made an excellent dish of methi rice with cucumber raita. Proudly, Ajja said, ‘All these vegetables are from our vegetable garden. We use natural fertilizers and grow organic vegetables that taste much better than what you get outside.’ After dinner, the children helped Ajji in laying down five mattresses next to each other. Each of them chose the bed they wanted. Once it was done, Raghu turned to Ajji, ‘You have not completed your daily routine.’ Ajji smiled. She knew what he was referring to. ‘A story, Ajji,’ pleaded Anoushka. ‘A story a day keeps alldifficulties away . . .’Everyone chuckled. ‘Okay, I will tell you a story. It is a tale of what you ate for dinner—about rice. Rice is part of our daily diet and we can’t imagine living without rice or wheat today.’ The children gathered around both the Ajjis. Ajja sat on a chair nearby, watching the television. The prime minister announced, ‘A lockdown will be imposed starting midnight. Everyone must stay home for the next few weeks.’ It was evening and already dark outside. The children began listening to the story earnestly, just as the quarantine period was formally declared. Ajja muted the volume on the television, but continued watching. ‘Let us all listen to the story of how rice came to earth,’ said Ajji.

The enduring Indian epic: Namita Gokhale on her favourite characters from the Mahabharata

Written centuries ago, the epic Mahabharata continues to hold relevance in modern times. Read and savoured across ages and cultures, the legendary tale is a literary treasure of unmatched grandeur. Namita Gokhale retells this timeless tale of mortals and immortals and stories within stories, of valour, deceit, glory, and despair in The Puffin Mahabharata. Today, we are sharing with you some of her favourite characters from the book and the reason they enjoy a special place in her heart.

 

By Namita Gokhale, the author of The Puffin Mahabharata

 

**

The Mahabharata is full of characters and stories for every age and culture. When I wrote The Puffin Mahabharata, I researched many sources and texts, trying to extract the essence of the narrative for young readers. The one character that reached out to me from across time to leap into my heart was Ghatotkacha, the son of Bhima by the royal Rakshasi Hidimbi. The courage and strength that Ghatotkacha and his mother Hidimbi displayed at every turn of their lives reached out to me at a primal level. I was upset and angry that this heroic figure never received his due in the epic. The Battle of Kurukshetra was won only by the valour and sacrifice of Ghatotkacha, the first-born son of the five Pandava brothers. I resolved then, while working on the first draft of the Puffin Mahabharata, that I would dedicate another future book entirely to the story of Ghatotkacha and his valiant mother. I kept my promise to myself, and wrote Lost In Time: Ghatotkacha and the Game of Illusions as my tribute to a great and wonderful being.

 

Ghatotkacha was a Rakshasa of demon lineage from his mother’s side. This gave him many extraordinary magical skills, including  the ability to conjure up illusions through the miraculous use of Maya. On the fourteenth night of the great battle between the Pandavas and the Kauravas, Ghatotkacha summoned all his reserves of mystical power to confuse and intimidate the enemy forces. His war cries sent shivers of fear through the Kaurava camp, and his savage team of rakshasas were almost invincible. He was in battle with Karna, whose arrows could never find their target because Ghatotkacha could change his form at will. Karna used his ultimate weapon, the Shakti, to pierce the magical cloak with which Ghatotkacha had defended himself. Even as he fell to earth, he willed his body to swell and grow so that it landed on the Kaurava camp, destroying their warriors with this last sacrifice. It was him who changed the course of the battle and led to the Pandavas’ ultimate victory.

 

Hidimba remained ever loyal to her husband Bhima, even though he returned to his wandering after marrying her. Ghatotkacha grew up raised only by his mother, but his love and loyalty to his father was as strong as it was pure. Yet they are often forgotten amidst the many other heroic figures in the Mahabharata, though they will always have a special place in my heart.

 

front cover of The Puffin Mahabharata
The Puffin Mahabharata || Namita Gokhale

And then there are the figures of Karna and Krishna. Both mighty and invincible heroes, one the son of Surya, the mighty Sun god, and the other a god himself. Krishna is perhaps the most beloved of all the Hindu gods, worshipped across India for his mischief, love and compassion. He guided the Pandavas to victory through all the suffering and injustice they encountered. Krishna was a master of strategy, and his advice was always tinged with genius. Yet, towards the end of the epic, he too met a tragic fate. The hunter Jara, mistaking Krishna for a deer, aimed his arrow at him through the forest foliage. The sage Durvasa had granted Lord Krishna the boon of invulnerability all over his body, except in the soles of his feet. That was where Jara’s arrow pierced him, and went through his body, all the way to his head. He cried out in pain and Jara discovered to his horror and dismay that he had taken aim at none other than Lord Krishna himself. Fate and destiny work in mysterious ways and Krishna’s soul ascended to the heavens, his time on earth over.

 

Karna was the eldest child of mother Kunti and in reality the oldest of the Pandavas. Yet he was abandoned by his mother at birth and adopted by the charioteer Adiratha and his loving wife. What strikes me most about Karna is his endless generosity, his capacity to give and to forgive. Sometimes life places us in difficult situations and it is our ability to remain true to ourselves that carries us through.

 

The life lessons of the Mahabharata are important for all ages. They are about defeat as well as victory, humility as well as courage. The Mahabharata, the greatest story ever told, remains true to life and full of learnings even as it is told and retold through generations and across millennia.

**

 

A tiny glimpse into Sudha Murty’s brand-new bag of stories!

Have you ever wondered why the dogs start barking in the middle of the night? Ajja and Ajji have a story for us that might just explain why this happens. Here is an excerpt:

 

pumpkin

The Language of the Dogs

It was a quiet and hot night. The children were sitting in the veranda under thefan, talking to each other.

A short distance away, Ajja and Kamlu Ajji were sitting on the stairs in comfortable silence, each lost in their own thoughts. They could hear the street dogs barking near the main gate of the house.

‘Why do the dogs bark at night?’ asked Kamlu Ajji. ‘It’s the same story in Bangalore too—they start barking in the middle of the night and go on for a really long time.’

‘They also have their own problems,’ said Ajja. ‘Usually, the dogs are fed leftover food from restaurants. But these days, no hotels are open during the lockdown and many are going hungry.’

Ajja turned and called out to Ajji who was still inside the house. ‘Do you have any food for the dogs?’ he yelled.

‘A few chapatis and some rice,’ she yelled back. ‘Bring them here!’
Ajji brought the food and biscuits and went with

Ajja and Kamlu Ajji to the main gate. The children watched from a distance. They looked on as two dogs appeared.

Grandparents' Bag of StoriesAjji put biscuits, rice and chapati in a bowl and kept water in another bowl just outside the gate. The two dogs looked at her and attacked the food greedily, gobbling it down in minutes. Then they drank the water, wagged their tails to thank her and ran away.

Slowly, the trio walked back and sat on the steps of the veranda. Ajji said, ‘I wish they could speak. Then I could make them their favourite food. After all, the earth also belongs to them.’

‘Your perspective is so different,’ said Ajja. ‘Humans can speak and that’s why we can do the things we want to and own material things like property and land.’

‘Poor animals. We are occupying their land just because they cannot communicate like us. Even if they had ownership of any piece of land before us, they can’t tell us.’

‘You are right,’ said Kamlu Ajji. ‘Now that humans are all indoors, lots of animals in India are coming out from the forests to the cities nearest to them because it was all their land a long, long time ago.’

Ajja added, ‘This world would have been a different place if we understood the chirping of birds and the language of animals.’

Ajji smiled and said, ‘I am thinking of Dheeraj now.’ ‘Who’s Dheeraj?’ asked Ajja.
‘Do you want to listen to a story?’
Ajja and Kamlu Ajji nodded their heads like children, eager to listen to what Ajji had to say.

 

***

Amit and his wife Preeti were high-ranking officials in their kingdom. They were young, powerful and rich and lived in a mansion by a river. They frequently hosted official celebrations on their yacht or their beautiful large gardens, but made sure they invited only those people from the kingdom who were also rich or powerful, and not whom they considered less fortunate.

Ramu was a housekeeper who lived with them and served them for years. One day, he brought home a young boy of six years. The boy looked innocent and intelligent.

Ramu asked Preeti, ‘I met this boy in the village fair. He doesn’t have anyone to take care of him. I would like to help him. Can he live with me?’

Preeti glanced at the boy and said, ‘Sure, as long as he works for us and does not spoil the premises.’

And that is how Dheeraj began living in Preeti and Amit’s home.

front cover - Grandparents's Bag of Stories
Grandparents’ Bag of Stories||Sudha Murty

One day, Amit hosted a dinner for an important minister. The evening began with a tour of the river on the yacht. Then the yacht docked on the riverside, and music began playing as the celebrations commenced in the beautiful gardens. There was a wide spread of delicacies being served. Dheeraj was assisting Ramu with his chores.

The dinner was in full swing when the barking of two dogs disturbed Amit and his guests. The dogs were right outside the main gate of the gardens. Amit gave instructions to Ramu to hush them and chase them away, but the dogs refused to move. The non-stop barking upset Amit and he said, ‘I wish someone could understand what they are saying so that we could respond appropriately and ask them to leave.’

Dheeraj was nearby and overheard Amit. Timidly, he approached the master of the house and said, ‘Sir, I can understand them.’

Some of the guests laughed while others passed sarcastic comments.

Preeti asked, ‘Tell me, boy, what are they saying?’

‘Madam, I will tell you if you promise me that you will not get upset when I share their words with you,’ said Dheeraj, looking worried.

‘They must be talking about food, boy! Anyway, hurry up and tell us,’ said Preeti firmly.

‘Madam, they are not talking about food.’

‘Get to the point, boy! I am losing patience with you,’ snapped Amit.

Nervously, Dheeraj continued, ‘Sir, there is a male dog and a female dog at the gate. The male dog said, “Look at life’s irony.”

“What do you mean?” said the female dog.

“This couple is used to being served by someone all the time. But a day will come when the master of this house will give an important person water to wash their hands and the lady will voluntarily run and bring a towel for him to wipe his hands.”

“Who are you talking about? Whom will this couple serve?”

“The male dog grinned and said, “This little boy.”

Both the dogs then had a hearty laugh,’ said Dheeraj, and fell silent.

The silence spread through the guests and it ruined their mood.

bird

Did you lose yourself in Ajja and Ajji’s world of stories? We did too! There is so much more in Grandparents’ Bag of Stories.

Fun new reads for your shelves, this Children’s Day

Not that we need an occasion to buy books, but Children’s Day is the perfect time to add some fascinating and wonderful reads to your young readers’ shelves! From magical adventures in forests, to exciting stories about monarchs, and a glimpse into the constitution of India, we have you covered on all fronts.

 

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front cover of A Box of Stories
A Box of Stories||Ruskin Bond

 

A Box of Stories: A Collector’s Edition

by Ruskin Bond

 

A collector’s edition featuring the best of Ruskin Bond’s works

Featuring some of Ruskin Bond’s finest stories, poetry and selected non-fiction pieces, this special collector’s edition brings together the best works of India’s best-loved author for all his fans. Included in the collection are the two treasuries The Room of Many Colours and Uncles, Aunts and Elephants. Featuring illustrations and a rich cast of characters, this box set is a    perfect collection for fans of the master storyteller.

 

 

front cover The Magic of the Lost Temple
The Magic of the Lost Temple||Sudha Murty

The Magic Of The Lost Temple

by Sudha Murty

 

City girl Nooni is surprised at the pace of life in her grandparents’ village in Karnataka. But she quickly gets used to the gentle routine there and involves herself in a flurry of activities, including papad making, organizing picnics and learning to ride a cycle, with her new-found friends.

Things get exciting when Nooni stumbles upon an ancient fabled stepwell right in the middle of a forest.

Join the intrepid Nooni on an adventure of a lifetime in this much-awaited book by Sudha Murty that is heart-warming, charming and absolutely unputdownable.

 

front cover Moin and the Monster
Moin and The Monster||Anushka Ravishankar, Anitha Balachandran

 

 

Moin and the monster

by Anushka Ravishankar

Illustrated by Anitha Balachandran

 

One night, in the dim darkness of his room, Moin heard something shuffling and sniffling under his bed …’

It is a monster. Moin has to learn to live with the monster, which does nothing but eat bananas, sing silly songs and try out new hairstyles.

However, keeping the monster a secret from his parents and teachers is a tough task and finally Moin decides that the only thing to do is send the monster back where it came from…

 

 

front cover Book of Beasts
Book of Beasts||M Krishnan

 

 

Book of Beasts: An A to Z Rhyming Bestiary

by M Krishnan

 

The hispid hare is rather rare in fact, outside north-eastern east it lives nowhere and even there it is a most uncommon beast.
With scientific facts, quirky verse and gorgeous illustrations, this is a most unusual alphabet book!
A writer and an artist, M Krishnan was one of India’s best-known naturalists.

 

 

 

front cover 10 Indian Monarchs
10 Indian Monarchs Whose Amazing Stories You May Not Know||Devika Rangachari

10 Indian Monarchs Whose Amazing Stories You May Not Know

by Devika Rangachari

 

This book tells the stories of ten Indian monarchs who find, at best, passing mention in the history textbooks we read, though their lives were exciting and their achievements considerable:
Ajatashatru
Bindusara
Rudradaman
Pulakeshin II
Jayapida
Didda
Ramapala
Abbakka
Chand Bibi
Ahilyabai Holkar

Historian and award-winning novelist, Devika Rangachari writes absorbing tales of the men and women who shaped lives and kingdoms in their times.

 

 

front cover of The Curious Case of the Sweet and Spicy Sweetshop
The Curious Case of The Sweet and Spicy Sweetshop||Nandini Nayar

The Curious Case of The Sweet and Spicy Sweetshop

by Nandini Nayar

 

Making and selling sweets day after day is the life of Vishnudas Mithaiwala, the owner of The Sweet and Spicy Sweetshop. However, when Laddoo appears at his doorstep one night, claiming to be his estranged sister Revati’s son, Vishnu’s life is thrown into confusion. More craziness ensues when Anu turns up, also insisting that she’s Revati’s child! With no idea how to discern the real Mithaiwala, life is full of chaos for Vishnu, as the two children compete to prove their identity.

And Laddoo, worried about his parents, who have suddenly disappeared, is thrown another curveball-he senses a ghostly presence in the house! When a plot to steal the Mithaiwala family’s valuable recipe book is hatched, Laddoo tries to use this new psychic ability to save the day.

 

front cover Akbar and The Tricky Traitor
Akbar and the Tricky Traitor||Natasha Sharma

 

 

Akbar and the Tricky Traitor

by Natasha Sharma

 

The mighty Mughal emperor Akbar is angry. Someone is leaking secrets of his court to his enemies. What’s worse, his enemies are now laughing at Akbar. Who can help the emperor   solve this mystery?

Mysteries you’ll never find in history books

 

 

 

front cover of Timmi in Tangles
Timmi in Tangles||Shals Mahajan

 

 

Timmi in Tangles

by Shals Mahajan

 

Timmi’s life is full of tangles. Her mother expects her to go to school even though she’s a raja; Idliamma eats up all her idlis and everyone thinks Timmi ate them … and why can’t people understand that if you have a giant for a friend you can lift the roof to let the rain in?

 

 

 

 

front cover of Simply Nanju
Simply Nanju||Zainab Sulaiman

 

Simply Nanju

by Zainab Sulaiman

 

Nothing worries Nanju too much; not the fact that he walks funny or that he’s known as the class copy cat or that the cleverest (and prettiest) girl in class barely knows he’s alive.

But when books start disappearing from the classroom, the needle of suspicion begins to point at Nanju. Aided by his beloved best friend, the fragile but brainy Mahesh, Nanju has to find out who the real thief is. Otherwise, his father might pack him off to Unni Mama’s all-boys Hostel from Hell, and Nanju might lose all that’s dear to him.

Set in a school for children who are differently abled, this funny, fast-paced whodunit will keep you guessing till the very end.

 

 

front cover Discover India
Discover India: The Complete Collection||Sonia Mehta

Discover India: The Complete Collection

by Sonia Mehta

 

The Discover India series will take you on a grand tour of every single one of our country’s states. Join the adorable Pushka and Mishki and the wise and witty Daadu Dolma as they traverse the length and breadth of India. Meet nawabs in Andhra Pradesh, roam the highways of Haryana, learn the history of Odisha, study the culture of Bihar, explore the snow-laden valleys of Uttarakhand and pick up a new dance in Sikkim.

 

 

 

 

The Jungle Radio

front cover The Jungle Radio
The Jungle Radio||Devangana Dash

by Devangana Dash

 

Come, listen to the sweet jungle orchestra, featuring the Woodpecker’s drums, the Hornbill’s trumpet and the Kingfisher’s blues

When curious little Gul hears some strange sounds coming from her radio, she follows the musical clues into . . . an Indian jungle! On her walk, she finds feathered friends who TWEET, TAPP and TALK. There are some who howl and hoot, and others who play the flute. With a KEE here and a KAW there, Gul discovers songs everywhere!

Brought to life by painterly illustrations, The Jungle Radio is a little story about the language of birds-their songs and sounds-with a loud and clear call to listen to the world around us.

 

 

front cover of We the Children of India
We, The Children Of India||Leila Seth

We, The Children Of India

by Leila Seth

Illustrated by Bindia Thapar

Former Chief Justice Leila Seth makes the words of the Preamble to the Constitution understandable to even the youngest reader. What is a democratic republic, why are we secular, what is sovereignty? Believing that it is never too early for young people to learn about the Constitution, she tackles these concepts and explains them in a manner everyone can grasp and enjoy. Accompanied by numerous photographs, captivating and inspiring illustrations by acclaimed illustrator Bindia Thapar, and delightful bits of trivia, We, the Children of India is essential reading for every young citizen.

 

 

 

The Incredible History of India’s Geography

front cover The Incredible History of India's Geography
The Incredible History Of India’s Geography||Sanjeev Sanyal

by Sanjeev Sanyal

 

Could you be related to a blonde Lithuanian?

Did you know that India is the only country that has both lions and tigers?

Who found out how tall Mt Everest is?

If you’ve ever wanted to know the answers to questions like these, this is the book for you. In here you will find various things you never expected, such as the fact that we still greet each other like the Harappans did and that people used to think India was full of one-eyed giants. And, sneakily, you’ll also know more about India’s history and geography by the end of it. Full of quirky pictures and crazy trivia, this book takes you on a fantastic journey through the incredible history of India’s geography.

 

 

~

 

 

Pack your young reader’s day with this varied collection!

 

Ashta Siddhis and the extraordinary powers of Goddess Durga

Do you know what the Ashta Siddhis, or the eight kinds of supernatural powers are? Read an excerpt to find out more about Nalini Ramachandran’s Nava Durga and the extraordinary powers that Goddess Durga can bestow on other gods!

 

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The goddess, in each of her forms, grants different kinds of blessings to her devotees. But Siddhidatri, the goddess worshipped on the ninth day of Navaratri, is special. In Sanskrit, ‘siddhi’ means ‘supernatural power’ and datri means ‘giver’. So, Siddhidatri is ‘the giver of supernatural powers’.

After Adi Shakti, in the form of Kushmanda, had created the universe and the new gods and goddesses, Shiva prayed to her, ‘O Supreme Goddess, grant me all the siddhis to make me a perfect god.’

He meditated for thousands of years so that Adi Shakti would listen to him. Impressed by Shiva’s devotion, the goddess appeared in the avatar of Siddhidatri from Kushmanda’s japa mala, which the smiling goddess used to bless people with the ashta siddhis and the nava niddhis. Almost immediately, Siddhidatri also emerged from the left side of Shiva’s body. So the right half of Shiva’s body was his own, and the left half was in the form of Siddhidatri. This half-man, half-woman form of Shiva is known as Ardhanarishwara, ‘the lord who is half woman’.

Just as she lives within humans, she began living within Shiva too as his shakti. And in this unique way, she bestowed supernatural powers on him and made him a perfect god.

…Those who truly worship Siddhidatri can get some or all of these abilities (but it’s easier said than done!):

 

 

Mahima

To make your body huge in size
(It can help when you suddenly come face to face with a mighty asura.)

 

 

Anima

Front cover Nava Durga
Nava Durga||Nalini Ramachandran

To make your body as tiny as an atom
(It can help when you play hide-and-seek with friends.)

 

Garima

To become very, very heavy
(You can face a storm like a mountain.)

 

 

Laghima

To be nearly weightless
(You can levitate or even float in the air.)

 

 

Prapti

To travel to or be present in any place you wish
(You can time-travel, whenever and wherever you want.)

 

 

Prakamya

To get or be able to give whatever one desires
(You can gift your mother the very thing she has been secretly wishing for!)

 

 

Ishitva

To be in control of nature, like a god
(You can make the sun listen to you in summer and make the rain obey you in monsoon.)

 

 

Vashitva

To be able to control other beings.
(You can turn bullies into friends.)

 

~

Nalini Ramachandran’s Nava Durga tells us about the rich mythology of Durga Puja and what makes each day special!

A queen in an unfamiliar kingdom

Prithvimahadevi’s journey is uphill. Having been married off to her father’s enemy in a peace-making gesture, she finds herself betrayed by those closest to her, and ends up alone in an unknown kingdom, alienated among people who are disdainful towards her. Yet her resolve only strengthens. Read an excerpt for a glimpse into Devika Rangachari’s powerful protagonist:

 

A carriage sent by the Bhaumakara king waits for me in the palace courtyard. It is plain and square with none of the embellishments that my father’s royal carriages routinely bear. Its horses, too, have clearly been selected more for their hardiness than their beauty.

It is hot and bright, and the entire court has assembled to see me off. The silence all around deafens me—this is a parting that signifies defeat and submission. And this is the silence of anger and grief.

The Bhaumakara attendants wait by the carriage, impassive.

I have already bid farewell in private to my father and brother. Yayati does not say much but clings to me as if he is remembering a time when we meant so much more to each other. The ties of blood are the strongest of all bonds, after all, and who are we to gainsay it?

‘Will you come to see me soon?’ I ask, my voice rough with unspilled tears.

front cover of Queen of Earth
Queen of Earth||Devika Rangachari

He nods but glances towards our father as if seeking permission from him. He is increasingly afraid to hold a single original thought or opinion in his head—and this is what has driven a wedge between us.

My father holds me close. ‘Be well. And do not lose hope. I will make it worth your while.’

I am puzzled. What can he possibly mean? I search his face for an answer and open my mouth to frame a question. He silences me with a look.

I am drawn away into a round of weeping goodbyes with my attendants.

His words will eventually make sense to me but for now, I let them slip and walk towards the carriage, resolute. Whatever happens, I will face the future with courage and fortitude. I will be true to my name.

The journey is a nightmare. The carriage has been built more for service than comfort. The wood is hard and digs into my body and the entire frame jolts unbearably. I am repeatedly sick and seem incapable of holding down the smallest morsel of food or even a sip of water.

Both sets of attendants are distressed, mine and the ones that the Bhaumakaras have sent. They can do little to alleviate my discomfort.

I see nothing of the landscape we pass; my eyes are shut tight. I finally huddle down on the hard bench, insensible to the hours that pass, floating in and out of a state of consciousness.

I am dimly aware of someone—my aunt, by
the sound of her voice—coaxing me to suck a slice
of lemon that makes me retch all the more and of someone—her again—stroking my forehead and murmuring soothing words that ultimately lull me into a spell of blessed sleep.

When I eventually wake, it is with the knowledge that the worst has passed. I am weak but whole, and it is a relief to know this. My aunt is by my side, her face full of travel weariness and deep concern in the dim light of approaching darkness.

‘Two days,’ she says in response to my unspoken query. She shakes her head. ‘You have never been this ill before. Perhaps you are not used to the rigours of travel. Or perhaps you have worried yourself into this state.’

A Bhaumakara soldier hastens by to tell us that we are nearing journey’s end.

I look out at the unfamiliar landscape. I have seen nothing of the forests that we have travelled through to reach the coast, but we seem to have emerged from them into an area of tall trees brushing against the sky, palm and coconut by the look of them. A cool breeze blows in, reminding me that we are near the water. A river shimmers by and I can see the dim outlines of boats
on it. This must be the Vaitarani, I think. I know that Viraja nestles between the Mahanadi and the Vaitarani, and that the latter runs closer to the city. My spirits lift slightly and the wind eases the ache in my head.

I see the pallor on my face in the small jewelled mirror that my aunt hands me. There are lines of exhaustion around my eyes and I can taste the sour tang of sickness in my mouth. This is not a propitious time for my new family to view me, but it is not in my hands. Let them know how arduous the journey has been and how much I have endured just to meet their peremptory demands.

When the carriage eventually stops, my head swims. I close my eyes to steady myself.

***

 

Queen of Earth is a complex and beautiful story of a young woman who holds her own in the most hostile of circumstances.

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