The book was first published in India in 2020 as Chats With The Dead
Penguin Random House India is proud to announce that critically acclaimed Sri Lankan writer Shehan Karunatilaka’s The Seven Moons of Maali Almeida, which was first published by Penguin India as Chats With The Dead, has won this year’s Booker Prize for Fiction. This is the first Booker Prize for Shehan. This was also the first time that books originating from an Indian publisher had been nominated for the Booker Prize two years in a row. In 2021, Anuk Arudpragasam’s A Passage North was in the running for the Booker Prize. Tomb of Sand, written by Geetanjali Shree, translated by Daisy Rockwell, and published by Penguin in India, was also the winner of the International Booker Prize 2022.
A classic whodunit with a brilliant twist, The Seven Moons of Maali Almeida searingly exposes the plight of a country caught in the aftermath of civil war. Embroiled in red tape, memories of war, and ethical dilemmas, this unforgettable story captures readers right from the very first page up to its startling denouement, constantly upending its premise with its staggering humanity.Manasi Subramaniam, Associate Publisher and Head of Rights at Penguin Random House India and the editor of the book, said, ‘The Seven Moons of Maali Almedia by Shehan Karunatilaka is a masterful work of modern philosophy that insists on being uproariously funny through all its deft acrobatics through the living and the dead. I am delighted that this brilliant book has won the Booker Prize 2022.’
Meru Gokhale, Publisher, Penguin Press, Penguin Random House India, says, ‘I am absolutely delighted at the honour and recognition being given to Shehan Karunatilaka’s work. It’s wonderful to see writers from South Asia receive long-overdue international recognition in this extraordinary year for Penguin Press, through both the Booker International Prize for Tomb of Sand and the Booker Prize for The Seven Moons of Maali Almeida.’
The Booker Prize 2022’s jury is chaired by Neil MacGregor, cultural historian, writer and broadcaster along with a five-person panel- Critics Shahidha Bari and M. John Harrison, historian Helen Castor and novelist and poet Alain Mabanckou.
About the author:
Shehan Karunatilaka is a Sri Lankan writer whose first book Chinaman won the Commonwealth Book Prize, the DSC Prize for South Asian Literature, and the Gratiaen Prize, and was shortlisted for the Shakti Bhatt First Book Prize.
With that,
But along with the third or fourth flop of the returned manuscript came a letter from the editor at André Deutsch Ltd, a new publisher who was making a name and a reputation with some offbeat publications. The editor who wrote to me was called Diana Athill, and she wrote a very sympathetic letter, saying how much she liked the book and promising to reconsider it if I would consider turning it into a work of fiction, a full-fledged novel.
were allies; they were a part of me, and they would be a part of my work. But it was to be a few months before I could launch out on my own, and during that time, I worked on the novel, pleased my employers and got on with my relatives as best as I could. My aunt never bothered me; in fact, she rather liked having me around. The youngest of my cousins was a friendly little chap; the other two rather resented me. Whenever I had the opportunity, I went to the cinema, and one of the films released at the time was Jean Renoir’s The River, based on the novel by Rumer Godden. This beautiful film made me so homesick that I went to see it several times, wallowing in the atmosphere of an India, a lot like the India l had known. The ‘river’, and its eternal flow became a part of my story too, especially the part where Kishen and Rusty cross the Ganga on the way back to their homes. And back in India, a young filmmaker called Satyajit Ray saw The River and realised that a film could also be a poem, and went about making his own cinematic poetry.
