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Moral Dilemmas and Networking: How Facebook Began

How much power and influence does Facebook have over our lives? How has it changed how we interact with one another? And what is next for the company – and us?

As the biggest social media network in the world, there’s no denying the power and omnipresence of Facebook in our daily life. And in light of recent controversies surrounding election-influencing “fake news” accounts, the handling of its users’ personal data, and growing discontent with the actions of its founder and CEO, never has the company been more central to the national conversation.

Award-winning tech reporter, Steven Levy presents a never-before-seen inside look into the making and building of the company. Find below an excerpt that gives you one of the many investor stories for Facebook in its early stages:

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Moral Dilemma

In March 2005, Thefacebook finally moved into an office. Parker secured a second- floor space on Emerson Street in downtown Palo Alto, over a Chinese restaurant.

By then Zuckerberg had moved out of the Los Altos house. As the company was getting bigger it was less seemly that the CEO was bunking with the underlings. After crashing in different locations for a few months, Zuckerberg would move to a small apartment in downtown Palo Alto, a few blocks from the office. He had no TV, just a mattress on the floor and a few sticks of furniture. He was the CEO and biggest shareholder of a company with more than a million users and he still stacked his clothes on the floor.

In the first few weeks in the office, Thefacebook faced a financial crisis. Though it hadn’t yet spent all of Thiel’s angel money, the server bills and other costs were accumulating. The company still needed a new pot of cash, ideally coming from an investor who could act as an adviser to a CEO who had never even worked for a big company before, let alone run one. There would be no problem getting the money. But the choice of lead funder was fraught.

Zuckerberg had a strong preference for who he wanted to fill that role: Washington Post chairman and CEO Don Graham. Not a venture capitalist. Chris Ma, the father of one of Zuckerberg’s Kirkland House classmates, headed business development for the Post, and his daughter Olivia’s description of Thefacebook’s conquest of the college market intrigued him. In January 2005, Parker and Zuckerberg went to Washington, DC, to explore a business relationship. Ma invited Graham to the meeting, and the Post CEO listened in fascination as Zuckerberg described how Thefacebook worked. He wondered, though, whether privacy was an issue. Are people convinced that their posts will be seen only by those whom they want to see them? he asked.

People were indeed comfortable with sharing, Zuckerberg told him. A third of his users, he said, share their cell- phone numbers on their profile page. “That’s evidence that they trust us.”

Graham was startled at how emotionless and hesitant this kid was. At times, before he’d answer a question— even something that he must have been asked thousands of times, like what percentage of Harvard kids were on Thefacebook— he would fall silent, staring into the ether for thirty seconds or so. Does he not understand the question? Graham wondered. Did I offend him?

Nonetheless, before the meeting was over, Graham became convinced that Thefacebook was the best business idea he’d heard in years, and told Zuckerberg and Parker that if they wanted an investor who was not a VC, the Post would be interested.


Facebook: The Inside Story is crammed with insider interviews, never-before-reported reveals, anecdotes, and exclusive details about the company’s culture and leadership. In the process, the book explores how Facebook has changed our world and what the consequences will be for us all.

The Bringer of Rain

Translated by Krishna Manavalli, Two Plays brings together two of the most celebrated stories from award-winning playwright Chandrasekhar Kambar.

The first play, The Bringer of Rain: Rishyashringya, tells the story of a village afflicted with a deadly famine eagerly awaits the arrival of the chieftain’s son, whose homecoming promises the return of rain.

The second play, Mahmoud Gawan, is set in the fifteenth-century Bahamani Sultanate, it follows Gawan’s rise to fame during a time of intense civil strife when empires routinely rose and fell.

Find a glimpse of the story in Kambar’s first play in the excerpt below!

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From the play, ‘The Bringer of Rain: Rishyashringa’
Act I

SUTRADHARA: Brothers seated and brothers standing there!

We’re just raw youth, who came here

And right away got on to the stage.

The one who wrote our play is no seasoned

poet,

 

The ones who act are ignorant lads

If they slip up or go wrong,

Please don’t clap and laugh

And don’t try that gleeful double-whistle!

No, don’t even ask what kind of play this is!

If you don’t get it, don’t drag your chairs and

Yawn

We make no claims to poetic finesse,

But with love, we give you our little message.

Just think that this play was born here

amidst us.

Bear with us for a bit, forgive the flaws.

And you, our elders here, we salute you again!

 

(He breaks a coconut in a ritual manner and throws the bits on both sides of the stage. By now, it is getting dark. Village entrance. On the right of the stage, you see a raised platform. Backstage, you see a crowd. The people in the crowd are not interested in the Prelude taking place on the fore-stage. With a vacant look in their eyes, they move slowly and gather around the platform once the Prelude is over. In the Prelude, the acting, dialogue and the manner should all follow the style of the traditional folk play

Srikrishnaparijatha)

SUTRADHARA: How can I tell you of this? And how can I not?

Whatever I say, our words will sound

Like the clatter of broken pots and pans,

You miss the inner voice here, I know.

We say something, it means another thing—

True, there’s no rhyme or reason! But we can’t

walk away from this

We try to grasp ‘it’ in our words, grasp it and

see!

We struggle hard, yet when we open our lips

We are saying something, and you are hearing

another thing.

Of course, you make sense of nothing!

Where did we start, and where did we end?

All right, enough of this rant, let’s get to

business

We’ll go on the stage to act, but the play isn’t

new

If you ask me, so what? Life’s a play too, right?

Our faces are the theatres where this drama

unfolds,

God, what a lot of the daily drama!

Starts in the morning and goes on till you go

to bed

What pretensions, what masks!

Oh, True God, I pray to you,

Make the inside and outside seamless and

one!

But who knows, where, how, and in which

cave He is hiding!

Meanwhile, we talk, drink, eat and walk—

We don’t know who we are, do we?

Sometimes, when we bathe in the well—

We seem to recognize ourselves in the water.

And stretch our hands to touch it,

When we try to touch, it slips from our grasp,

When we try to grasp, it slithers from our

hold,

In the end, you just want to pinch your nose

and weep.

But weeping when you see a corpse is such an

old custom!

Anyway, what do we do now?

In the big mortar house, a huge tiger has

got in

There isn’t a drop of rain, there’s no crop in

the field.

The seeds we planted are burnt, the parched

earth is cracked,
With cracks like so many gaping mouths!
People’s faces look burnt, the green fields
have all gone dry.


Two Plays is a must-read for anyone wishing to dip a toe into the rich water of Kannada storytelling and folklore!

Can you Compare Delhi and Peshawar?

John Butt came to Swat in 1970 as a young man in search of an education he couldn’t get from his birthplace in England. He travels around the region, first only with friends from his home country, but as he befriends the locals and starts to learn about their culture and life, he soon finds his heart turning irrevocably Pashtoon.

Read an excerpt from his book, A Talib’s Tale below:

 

A Talib’s Trade

 

 

The best provision is that which one has worked for, with the labour of one’s own hands.

—Hadith

 

1973

 

I owe a lot to Maulana Khan Afzal, but two things in particular. For one, he instilled in me a love of India. Secondly, he showed me practically that one should always work for one’s living.

When I said to Samar Gul in Bara that I was going to the Afridi heartland of Tirah Maidan, he immediately mentioned Khan Afzal. Laiq’s family had some land in Tirah, and he and I had decided to move there for the summer. : ‘That is great,’ Samar Gul said, ‘you will be able to study with Maulana Khan Afzal.’ Like the Sarkai maulvi sahib, Maulana Khan Afzal was an eminent scholar, but at the time he did not have any students residing with him. He was able to devote all his time to tutoring me. I believe it was largely because Tirah was so inaccessible that there were no other students studying with the maulana. Later on, in the late nineties when I visited Maulana Khan Afzal again, he had a good ten to twelve students studying with him. He had become a focal point for talibs, as the Sarkai maulvi sahib had been in the 1970s.

Every day, with my books under my arm, I would make the forty-five-minute walk from Saddar Khel, where Laiq lived, to Landi Kas. Tirah Maidan is a huge, expansive plateau, the like of which there are many in Afghanistan—the Gardez and Logar plateaus are two that spring to mind. The difference with Tirah Maidan is that it is surrounded by richly forested hills, while the hills that surround other Afghan plateaus are mostly bare. Two tributaries of the Bara river meet at the centre of Tirah Maidan, the Malik-Din Khel Bagh. It is the natural capital of Tirah Maidan. The land dips towards that point, as do the streams and the people. From the eastern side, the tribes of Zakha Khel and the Lower Qambar Khels, known as Shalobaris, from the western side the huge swathe of Malik-Din Khel territory, and beyond that the Upper Qambar Khels. From Saddar Khel, I would walk down towards the Malik-Din Khel Bagh, then fork right towards Landi Kas, tucked in a hillside between Bagh and Dunga in Sholobar territory.

I had been studying a Sufi type of collection of Hadith, entitled Riyadh’as-Saliheenthe Path of the Righteous. I say it was Sufi oriented since it was mostly organized according to the virtues that Sufis strive to attain—repentance, patience, sincerity, trust in Allah, steadfastness. It is very spiritually oriented. I am glad I began my study of Hadith with this book. It has remained my favourite collection of Hadith—extremely cleansing and refreshing. However, Khan Afzal switched me to the more mainstream and standard Mishkat’al-MasabihMishkat is arranged more conventionally, according to the various strands of jurisprudence: prayer, fasting and the other forms of worship or ibadat—one’s interaction with Allah—followed by muamilat—one’s dealings with other human beings. In the entire Islamic canon, there is this distinction between the rights of Allah—huqooq’Allah—and the rights of one’s fellow beings, indeed of all Allah’s creatures—huqooq’al-ibad. While in Hadith study Khan Afzal went for the more orthodox Mishkat, in jurisprudence, his choice of book for my study was distinctly unorthodox. His preference was Taaleem’al-Islam, written in Urdu by his own teacher, Mufti Kefayatullah of Delhi. ‘Along with learning Islamic jurisprudence—fiqh—you will learn Urdu,’ he recommended. For Taaleem’al-Islam I went outside with his elder son Abdul Hakeem, then a teenager. I guess Abdul Hakeem felt more comfortable teaching me with his father not immediately on hand. We sat on the verge of the field, had a laugh and chatted a lot, while at the same time also reading Taaleem’al-Islam.

In encouraging me to learn Urdu, it was as though the maulana had a premonition or was goading me in the direction of study in India. It had not been that long, maybe twenty or twenty-five years, since he had returned from studying in the Aminiya madrasa in Delhi. India had rubbed off on him to a considerable degree, in a way making him an unusual Afridi. He even continued to wear a lungi—a skirt-like garment favoured by Muslims of India—at home. Pashtoons generally consider this garment effeminate. Even the maulana would not be seen in that garment outside the home. I have replicated Maulana Khan Afzal in this regard. Even when I am in Afghanistan, I wear a lungi in my place of residence; when I am in north India, I wear my lungi a little further afield, as far as the local shops; when I am in south India, I wear a lungi pretty much all the time. At the time when I was studying with the maulana, I used to ask him a lot about India. In a memorable phrase, he once told me that ‘even the dogs of India have manly virtues’—’da Hindustan spi ham saritob laree.’ ‘What’s Delhi like, compared to Peshawar?’ I once asked. ‘What is Hangu like compared to Peshawar?’ he asked rhetorically, referring to a town in the Frontier province, where buses set out towards Tirah. I answered that it was just a tiny town by comparison to Peshawar. ‘Well, so is Peshawar tiny compared to Delhi.’

Yet at the same time the maulana was the most staunchly Afridi of all the Panjpiris. He absolutely loved his native Tirah. I am getting ahead of myself here, but when he was expelled from Tirah along with other Panjpiris and resided for a while in Peshawar, he pined for his motherland so much that he used to console himself by reciting poems written by muhajirs—those who had emigrated from Mecca to Medina at the time of the Holy Prophet—expressing their homesickness for Mecca. He was also invariably cordial with his fellow Afridis, irrespective of whether they subscribed to his Panjpiri views or not. I never saw him take issue or argue with anyone about matters of dogma. He would enact his duties as the pre-eminent Islamic scholar in Tirah Maidan, in the course of which he would explain how important it was to believe in the oneness of Allah and to follow the Sunna of the Holy Prophet. These two things—Tauhid and Sunna—are the twin pillars on which Panjpiri dogma is founded. But he would never become aggressive towards those who did not subscribe to Panjpiri beliefs.


A Talib’s Tale The Life and Times of a Pashtoon Englishman is available now (also as an e-book)!

Kurumba- A Tribe That Possesses Magic

The Maria girls from Bastar practise sex as an institution before marriage, but with rules-one may not sleep with a partner more than three times; the Hallaki women from the Konkan coast sing throughout the day-in forests, fields, the market and at protests; the Kanjars have plundered, looted and killed generation after generation, and will show you how to roast a lizard when hungry.

White as Milk and Rice weaves together prose, oral narratives and Adivasi history to tell the stories of six remarkable tribes of India-reckoning with radical changes over the last century-as they were pulled apart and thrown together in ways none of them fathomed.

Here’s an excerpt from the book below:

Lying on the mattress, Mani follows the movement of his father’s breathing. Moments ago, he had watched his father’s sweaty hips thrust up and down while his stepmother, Bindu, lay still beneath him, muffling her pain. His father stayed silent, though maybe his lips kept moving – he was always moving his lips as though he were talking to someone invisible. A mongrel laid beside Mani’s feet, its ears pricked for the sound. Each time his stepmother moaned, the dog yelped.

Like most other children in Hulikkal, a small village in the Nilgiris, Mani lives in one-room mud hut, where pots and pans are pushed aside every night to make room for mats, where they can hear their parents make love, or whatever else it is, through the mosquito net that hangs between them. He shifts on the floor; his upper back hurts from being slammed against walls by his angry father when he had come back jobless from the Badaga village.

“I can’t pay for the giant morsels you eat any more,” he had shouted as he thrashed Mani. Mani wonders what it must be like growing up in the big Badaga houses he saw today, where children sleep in different rooms, thick brick and cement walls separating them from their parents.

He had not seen anything quite like the homes that appeared in the Badaga village: concrete square structures with windows painted smooth in purple, green and blue, with large vegetable patches or a stretch of tea estate sloping down in front. Each home had a little chimney with smoke swirling from it like the incense sticks his father used for the pujas.

The trees and bushes were all trimmed; from the top of the hills, he could see fields of tea, with men and women moving through them, carrying their baskets on their backs, their feet stained red from the soil. When it rains in the Nilgiris, this red earth trickles like blood under its green skin.

Earlier in the day, Mani and his uncle had walked uphill after getting off the bus; the long walk had made his legs hurt, but that did not bother him. He was willing to cross many more such hills. In the absence of trees, that part of the Nilgiris was full of gusty wind that stung his eyes till tears stained his cheeks.

When his uncle spoke, the winds carried his voice louder than he meant it to be, “I told them you already know sowing”; he’d brought him here for a daily wage job at a tea garden. Mani nodded, although he’d hardly worked in fields: They had only a small plot where they grew vegetables and some millet.

On other days, they ate what they collected – roots of yam, herbs and honey – from the forest where they lived or rice given to them by the government. This village, meanwhile, only housed the Badagas, an educated, prosperous tribe that had migrated to the Nilgiris in the early twelfth century. The estate owner his uncle was taking him to had political aspirations and everything he did was to be transactional, driven by the desire to secure votes. Among his pet constituencies were the hamlets of the Kurumbas, also some of the poorest people in Nilgiris, and the area beyond.

“Call him appa,” his uncle insisted, in the Alu Kurumba language, a mix of Tamil and Kannada.

“Remember, you’re a Kurumba. Do not stare at their family members.” Mani nodded, though his uncle had already told him this many times, just as he had told him to pat his hair down and not to say inane things: They are all educated, so don’t talk any jungle hocus-pocus.

Mani wished people did not speak to him as if he were a jungle idiot; that said, he couldn’t help but gape at the women who were walking their children to school. How smooth their skin was, their hair shining with oil, decorated with jasmine and plaited neatly with ribbons; their eyes, unlike the yellowed eyes of Kurumbas, were as white as their teeth.

Minutes later, Mani waited outside the Badaga man’s house, while a few boys chatted on their way back from school, clapping each other’s backs, laughing as they walked past him. Only a few from his hamlet went to school, but he could read what was written on their bag – “Government”. He recognised the word from its shape – it was on every pamphlet and poster handed to them.

One of the boys said something that made the others shout with laughter. Mani bunched the hole in his shirt with his fist while admiring their uniforms. They then slowed their steps to look back at their friends coming behind them, signalling them to join. That was what he wanted to do when he got older – saunter with friends through these neat little hills, talk and laugh.

When Mani looked at them again, one of the them seemed to be pointing at him, at his hair matted like a mop on his head, teeming with vermin. After some whispering, one of the boys, pretending timidity, wrung his hands beseechingly before Mani, “Spare me, oh Kurumba! Spare me from your sorcery,” and ran up the lane with the others, received by them with a hoot of laughter and much back-slapping. Mani had squeezed his eyes shut against the fierce brightness in which the boy’s oiled head laughed and moved among the waves of sudden bright sunlight.

When he recovered his vision, Mani ran behind them, but only mustered enough courage to spit in their compound. Before the Badaga estate owner could see them, his uncle tugged at his wrist and hurried him back to the bus stop. The sun was sinking behind the mountains without any play of colours or movement, save for their flustered stomp downhill.

It was only in these last few years that his forest tribe, the Kurumbas, had started working in the fields of Badagas during the day. Until a few years ago, whenever the forest tribals came in view of a Badaga, word flashed through their village, and women and children ran for the safety of home, hiding inside till the Kurumbas had gone.

If Mani knew a spell or two, he would have twisted those boys’ knickers till they fell screaming from groin pain, and practise the sorcery that they claimed his people knew.

The Kurumbas, they said, had medicines that could put all the inhabitants of a Badaga village to sleep before slinking back into the woods. Their ace sorcerer, an odikara, could make openings in the fence, and the Badaga’s livestock, under his spell, would follow him through it without so much as a cluck or a bleat. They could, apparently, turn into bears and kill people, just as they knew how to counter the other spells, to remove or prevent misfortune.

Many decades ago, when the Badaga grandfathers were little boys still hanging from their mothers’ waists, one of their elders returned from a Kurumba settlement situated outside the jungles, where he went to scout a plot for tea planting. He came back breathless, just about stuttering that their end was near and that a monster was around. Now, a Badaga knew that if a Kurumba sorcerer was casting spells, he could be appeased with rice, oil, salt and clothes. But what was this big brown animal he was screaming about, its eyes glowing red?

As the story goes, the goats, hens and cows were restless; they knew for certain that the elderly man had seen an irate Kurumba-turned-monster. All night, they howled in their sheds and tapped the ground, and the villagers slept fitfully, imagining figures and shapes in the hilly darkness.

The Badaga elders today still fear the sorcerer Kurumbas, often banding against them; their school-going children, though, have less faith in the Kurumbas’s magical abilities. “Isn’t your father, what is his name…Moopan? The limping old man who pretends to be a doctor?” a boy had teased Mani at the bus stop.

The Kurumba magic was wearing off, and a pervasive sense of futility remained. There it was, a distant murmur telling Mani that this fat Badaga life was not his birthright; there was always the possibility of running into people who spoke in hushed whispers around him; always a chance that however clean a shirt he wore, a passer-by may assume from his yellow eyes and uncouth hair that he was not a farm owner but the son of Moopan, the limping old sorcerer. His uncle had fallen asleep on the bus ride back home; Mani’s eyes burnt as he looked out at the rolling tea estates of the Badagas.

 


White as Milk and Rice has stories of India’s isolated tribes.

Life After a War

Translated by Maharghya Chakraborty, this latest translation of Taslima Nasrin’s celebrated memoir recollects Nasrin’s early years against the backdrop of the Bangladesh Liberation War of 1971.

My Girlhood revisits Nasrin’s memories of war, trauma, survival, and the beginning of a journey that redefined her world.

Find an excerpt below that gives us a glimpse into life after the War.

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After the War

The murmurs continued for a few years. Unrest among the people continued to rise as well. Sheikh Mujib formed a political party called Baksal and prohibited all other parties.

‘What sort of government is this that lets its people die in a famine because they have no food?’ Father said one day. Bearded men wearing fez caps materialized out of nowhere and began to clamour that such an Independence was of no value. The country needed to be put back under Pakistani rule. Boromama sighed and said he did not know which direction the country was headed.

‘The government is doing things that did not happen even when Pakistan was ruling us. They are celebrating Shab-e-Baraat in Banga Bhaban with so much pomp. It never used to happen back when this was East Pakistan. Mujib attended an Islamic conference recently. Russia helped us so much during the war and here Mujib is bent on making Bangladesh a part of the Islamic world. The government is even saying things against India. Would we have become free if India had not sent its forces?’

I understood very little of politics. The only thing I knew was that I liked listening to Sheikh Mujib’s 7 March speech whenever it was played on the radio. I would get goosebumps from excitement. ‘This struggle is a struggle for Independence, this struggle is a struggle for freedom,’ this was not just a slogan but a verse that could make the blood boil. In our music classes we would sing ‘Joy Bangla, long live Bangla!’ It was not merely a song, it was something greater, something that sent a jolt through the heart. Every few days pandals would be built in the neighbourhood for music and dance programmes. Every time they would play something on the mike I would be off to see it. Boys and girls would play the harmonium and practise singing and dancing. They all looked so beautiful and their songs always managed to shake me to the core. Like it used to happen while listening to Khudiram’s songs. Kana mama used to tell us Khudiram’s stories, how a young boy had bombed a British Governor-General and embraced death, all for the sake of freedom. I wanted to be like Khudiram, as courageous and as devil may- care.

Then suddenly one day, quite abruptly, something happened that plunged the city into uneasiness again. People gathered on the roads to talk as if the world was about to come crashing down on them any moment. Some had radios stuck to their ear, faces dry, eyes threatening to pop out. What was the matter again? The days of sticking close to the radio for news had come to an end back in ’71, so what had happened again! Whenever things in the country were tense in any way everyone tended to switch on BBC radio for news. No one had too much faith on our own broadcasters. Father too did as expected. I was asked to turn the knob of the radio to try and catch BBC, a big responsibility I felt very proud of having been given. Father never ordered me to do anything except studying, I was never usually asked to participate in anything else. Earlier it was either Dada or Chotda who were asked to turn the knob while I had to stand apart and watch. But that day Dada was away on a work trip to Sherpur for a couple of days. Chotda was not even living with us any more. Hence, the responsibility fell on me. I had almost found the BBC channel when Father asked me to stop. Words could be heard over the ether, broken fragments of half-truncated news.

Sheikh Mujib was dead.


From her birth on a holy day to the dawn of womanhood at fourteen to her earliest memories that alternate between scenes of violence, memories of her pious mother, the rise of religious fundamentalism, the trauma of molestation and the beginning of a journey that redefined her world, My Girlhood is a tour de force.

 

 

A Talib’s Tale – An Excerpt

 

John Butt came to Swat in 1970 as a young man in search of an education he couldn’t get from his birthplace in England. He travels around the region, first only with friends from his home country, but as he befriends the locals and starts to learn about their culture and life, he soon finds his heart turning irrevocably Pashtoon.

Containing anecdotes from his life both before and since he shifted to Afghanistan, and with a keen and optimistic attitude towards becoming the best version of himself, John Butt tells a wonderful and heartfelt tale of a man who finds a home in the most unexpected place.

 

Read an excerpt from the book below:

 

I owe a lot to Maulana Khan Afzal, but two things in particular. For one, he instilled in me a love of India. Secondly, he showed me practically that one should always work for one’s living.
When I said to Samar Gul in Bara that I was going to the Afridi heartland of Tirah Maidan, he immediately mentioned Khan Afzal. Laiq’s family had some land in Tirah, and he and I had decided to move there for the summer. : ‘That is great,’ Samar Gul said, ‘you will be able to study with Maulana Khan Afzal.’ Like the Sarkai maulvi sahib, Maulana Khan Afzal was an eminent scholar, but at the time he did not have any students residing with him. He was able to devote all his time to tutoring me. I believe it was largely because Tirah was so inaccessible that there were no other students studying with the maulana. Later on, in the late nineties when I visited Maulana Khan Afzal again, he had a good ten to twelve students studying with him. He had become a focal point for talibs, as the Sarkai maulvi sahib had been in the 1970s.
Every day, with my books under my arm, I would make the forty-five-minute walk from Saddar Khel, where Laiq lived, to Landi Kas. Tirah Maidan is a huge, expansive plateau, the like of which there are many in Afghanistan—the Gardez and Logar plateaus are two that spring to mind. The difference with Tirah Maidan is that it is surrounded by richly forested hills, while the hills that surround other Afghan plateaus are mostly bare. Two tributaries of the Bara river meet at the centre of Tirah Maidan, the Malik-Din Khel Bagh. It is the natural capital of Tirah Maidan. The land dips towards that point, as do the streams and the people. From the eastern side, the tribes of Zakha Khel and the Lower Qambar Khels, known as Shalobaris, from the western side the huge swathe of Malik-Din Khel territory, and beyond that the Upper Qambar Khels. From Saddar Khel, I would walk down towards the Malik-Din Khel Bagh, then fork right towards Landi Kas, tucked in a hillside between Bagh and Dunga in Sholobar territory.
I had been studying a Sufi type of collection of Hadith, entitled Riyadh’as-Saliheenthe Path of the Righteous. I say it was Sufi oriented since it was mostly organized according to the virtues that Sufis strive to attain—repentance, patience, sincerity, trust in Allah, steadfastness. It is very spiritually oriented. I am glad I began my study of Hadith with this book. It has remained my favourite collection of Hadith—extremely cleansing and refreshing. However, Khan Afzal switched me to the more mainstream and standard Mishkat’al-Masabih. Mishkat is arranged more conventionally, according to the various strands of jurisprudence: prayer, fasting and the other forms of worship or ibadat—one’s interaction with Allah—followed by muamilat—one’s dealings with other human beings. In the entire Islamic canon, there is this distinction between the rights of Allah—huqooq’Allah—and the rights of one’s fellow beings, indeed of all Allah’s creatures—huqooq’al-ibad. While in Hadith study Khan Afzal went for the more orthodox Mishkat, in jurisprudence, his choice of book for my study was distinctly unorthodox. His preference was Taaleem’al-Islam, written in Urdu by his own teacher, Mufti Kefayatullah of Delhi. ‘Along with learning Islamic jurisprudence—fiqh—you will learn Urdu,’ he recommended. For Taaleem’al-Islam I went outside with his elder son Abdul Hakeem, then a teenager. I guess Abdul Hakeem felt more comfortable teaching me with his father not immediately on hand. We sat on the verge of the field, had a laugh and chatted a lot, while at the same time also reading Taaleem’al-Islam.
In encouraging me to learn Urdu, it was as though the maulana had a premonition or was goading me in the direction of study in India. It had not been that long, maybe twenty or twenty-five years, since he had returned from studying in the Aminiya madrasa in Delhi. India had rubbed off on him to a considerable degree, in a way making him an unusual Afridi. He even continued to wear a lungi—a skirt-like garment favoured by Muslims of India—at home. Pashtoons generally consider this garment effeminate. Even the maulana would not be seen in that garment outside the home. I have replicated Maulana Khan Afzal in this regard. Even when I am in Afghanistan, I wear a lungi in my place of residence; when I am in north India, I wear my lungi a little further afield, as far as the local shops; when I am in south India, I wear a lungi pretty much all the time. At the time when I was studying with the maulana, I used to ask him a lot about India. In a memorable phrase, he once told me that ‘even the dogs of India have manly virtues’—’da Hindustan spi ham saritob laree.’ ‘What’s Delhi like, compared to Peshawar?’ I once asked. ‘What is Hangu like compared to Peshawar?’ he asked rhetorically, referring to a town in the Frontier province, where buses set out towards Tirah. I answered that it was just a tiny town by comparison to Peshawar. ‘Well, so is Peshawar tiny compared to Delhi.’
Yet at the same time the maulana was the most staunchly Afridi of all the Panjpiris. He absolutely loved his native Tirah. I am getting ahead of myself here, but when he was expelled from Tirah along with other Panjpiris and resided for a while in Peshawar, he pined for his motherland so much that he used to console himself by reciting poems written by muhajirs—those who had emigrated from Mecca to Medina at the time of the Holy Prophet—expressing their homesickness for Mecca. He was also invariably cordial with his fellow Afridis, irrespective of whether they subscribed to his Panjpiri views or not. I never saw him take issue or argue with anyone about matters of dogma. He would enact his duties as the pre-eminent Islamic scholar in Tirah Maidan, in the course of which he would explain how important it was to believe in the oneness of Allah and to follow the Sunna of the Holy Prophet. These two things—Tauhid and Sunna—are the twin pillars on which Panjpiri dogma is founded. But he would never become aggressive towards those who did not subscribe to Panjpiri beliefs.

 

 

A Talib’s Tale –The Life and Times of a Pashtoon Englishman is available now (also as an e-book)!

 

Should You Dance When You’re Pregnant? – An Excerpt from ‘Amma Mia’

Is my baby not well?

When can I introduce my baby to solid foods?

Becoming a new mother can be an exciting yet overwhelming time. No matter how prepared you are, there will always be many confusing moments, opinions and a whole lot of drama! And just like any other new mom, Esha Deol Takhtani was faced with many such questions soon after the birth of her two daughters-Radhya and Miraya.

Packed with advice, tips, stories and easy and delicious recipes for toddlers, Amma Mia reflects the personal journey of one woman’s transformation into a mother. Informative and easy to follow, this book will help new mothers navigate the ups and downs of raising a healthy toddler and make their child fall in love with food.

Read an excerpt from the book below:

 

When she[Hema Malini] was five months pregnant, my mother was shooting for two films—Satte Pe Satta and Razia Sultan. In the song, ‘Dukki Pe Dukki Ho’, you can clearly see her bump. That’s me in there! And for Razia Sultan, she had to ride a horse while pregnant. She tells me that I’m restless and energetic because she was physically active during her nine months. She also danced onstage during her pregnancy. You must remember that she was doing this during the 1980s, when it was radical for a woman to be so active while pregnant.

 

My mother is a superwoman like that, who has always broken the rules and stereotypes of what women should be like. She has always inspired me to push the limits. In fact, I will never forget what she told me when I was pregnant. She said, ‘You’re not sick that you need to rest all the time. You’re simply pregnant. After delivery, your body is at its most elastic and flexible. You can mould it into any shape you want.’

 

And so I followed her advice unconditionally. I performed the dance ballet, Ramayana, on stage; I worked on a short film called Cakewalk; I wrote this book during my second pregnancy; and I had many other projects in the pipeline.

 

Channelling your inner creativity is a great way to enrich your nine months because the energy and positivity will most certainly be transferred to your child. That being said, no two pregnancies are alike. If you have complications or have been advised rest by your gynaecologist, do so. Be cautious. Don’t be silly or impulsive. From the day you know you’re pregnant, you must be careful. There will be many people with all sorts of advice during this time but pay heed to only one person: your gynaecologist.


For more tips and tricks, check out Amma Mia by Esha Deol Takhtani.

The Play of Dolls- An Excerpt

Kunwar Narain’s unusual short stories broke new ground and rejuvenated the genre when they appeared on the Indian literary landscape in 1971. Half a century later, in vivid English translation for the first time, they seem just as far-reaching: sometimes in the novelty of their insight, sometimes in their transcendence, sometimes in the world views they together uncover.

Read an excerpt from the short story ‘The Court of Public Opinion’ below:

Sadiq Miyan managed to keep his motives in check at first, but then they went awry. A completely new bicycle, stood completely unclaimed—without even a lock to guard it! He glanced around once, then ran his hand over the bike’s glittering handle, as if caressing the mane of a magnificent Arabian horse. He couldn’t hold back any longer, and jumped on the bike. No one objected, nor noticed; and, well, what could the poor bike say either? He pushed down on the pedal lightly. The youthful cycle was ready to take off with him right away. The people nearby came and went by as usual, just as before.

Sadiq Miyan spurred the bicycle on, and it began to fly like the wind. It was his now.

But, alas, what an awful stroke of bad luck! An endless herd of buffaloes came along, straying right into the middle of the road. Sadiq Miyan lost control and collided with one of the stoutest in the bunch—head-on. What could he do, the poor guy? He hit the ground—his own injury less, the cycle’s, more. Bent and broken, the wheel went from being hoop-shaped to heap-like. The handle, twisted backwards, gazed at the seat, and the mudguard took on a look as if it were not a part of the bike but of the buffalo. The buffalo stood in stunned silence; Sadiq Miyan glanced nervously at the crippled bike. What could he do? He’d really landed himself in a strange sort of trouble. It crossed his mind to abandon the bike and make a run for it. After all, it was only the bike that was broken—nothing wrong with his legs!

But in the meantime, a crowd began to gather all around him, as was only natural. Running just then would have meant getting himself in more trouble. Two, four, six . . .dozens of women, men and children began surrounding him. In the middle lay the mangled bike; with the buffalo, chewing cud, on one side, and Sadiq Miyan, head reeling, on the other.

At first, the people pitied the bike that was now a mess, then their hearts were kindled with compassion for Sadiq Miyan, and finally, they got angry at the buffalo. Because there was clear evidence before them of what happens when one locks horns with a buffalo, they decided to tackle the herdboy instead. It was because of him that the hazard of something like a buffalo had sprung up in the middle of the road, and someone upright like a Sadiq Miyan had become the victim of that hazard.

By consensus, it was decided that they should fix the herdboy properly, right then and there. But Sadiq Miyan objected: in his view, it was more important to fix the bicycle first—and the herdboy should be made to do that. Everyone agreed.

The crowd lifted the bike tenderly and delivered it to a nearby cycle hospital with great care, where its wounds were treated for a cost of ten rupees. But when the herdboy was told to cough up the money, he expressed his inability to do so, and asked how on earth was he supposed to come up with ten rupees when he hadn’t even ten paise to his name then?

Confronted by this new problem, an extraordinary debate took place among the ordinary folk assembled there; so many arguments all at once that it was practically impossible to make out any argument clearly. Nevertheless, one solution somehow seemed to survive intact: whatever the herdboy was wearing should be sold to cover the penalty cost of the repairs.

This too was easier said than done, because the herdboy had nothing but a dhoti around his waist and a lathi in his hand. Even if both these items were taken, it wouldn’t be enough.

Anyhow, after the cycle had recovered, it was agreed that Sadiq Miyan and the cycle should be considered free from the whole dust-up. This was deemed incontestable not only in the eyes of the public, but also in the eyes of the luckless bicycle mechanic, who now, having taken the entire burden of Sadiq Miyan’s ten-rupee misadventure on his own head, was an eager prosecutor of the blameworthy herdboy. As for the public, it was surely commendable that not a single person there was willing to step back until final justice had been delivered, no matter what.

Some wise guy then repeated the suggestion that, if it satisfied the cycle mechanic, the herdboy could also be handily fixed, with a flogging worth ten rupees! But nobody paid much mind to this idiocy, though the herdboy was entirely willing to go along. Everyone’s attention was stuck on the intricate problem at hand: how could they wring ten rupees from the herdboy in his present condition?

One gentleman, who had perhaps trained as a lawyer, or was capable of being a lawyer, came up with a novel proposal: by selling that same buffalo which had given rise to all this mess, the cost of the fine could be recovered. The idea wasn’t unreasonable, and his submission was accepted.

The buffalo again became the centre of attention. For five minutes, the people waited. But where would they find a ready buyer for a thing as big as a buffalo? A buffalo isn’t some wad of paan, a bidi or a cigarette that can be purchased along the road, tucked in one’s pocket, and hung along with the pocket on a peg on some wall back home. It was a matter of responsibility, which could go as far as spelling fortune or disaster for one’s offspring. Second, who had the cash on hand worth a buffalo at this time? As a result, this attempt at justice proved unsuccessful as well.

Around now, everyone was sorely feeling the need for some kind of mastermind in the crowd. A few sights fell on one particular gentleman, and remained on him. He certainly looked like a wiseacre—though some others pegged him as a daydreaming wiseass. They held a vote; and it was decided that he was indeed a wiseacre, not a wiseass, though he himself kept claiming to be nothing less than a prophet.


What will happen next? You’ll have to read The Play of Dolls to find out!

An Insight into the Life of The Lone Empress, Jayalalithaa

The Lone Empress is the journey of a proud Ammu to an indefatigable Rossappu Amma. Despite her immense popularity, she felt lonely and vulnerable in personal life after her mother – Veda (popularly known as Sandhya) and her mentor – MGR, passed away. The book tells the story of how a charismatic and talented woman steered through a male-dominated film industry, developed a loyal political fan base without the support of her party seniors, and stood her ground even when sentenced to four years in jail.

Here are a few excerpts that reveal some of the characteristics of her fiery personality.

She was an honour roll student

‘Look closer, you will find J. Jayalalithaa’s name printed in bold white letters, on the annual roll of honour, as the recipient of the Best Outgoing Student Rolling Shield for the year 1964. The school’s Centenary Celebrations (2009) special souvenir carries a photo of a young Jayalalithaa in her school uniform proudly posing with the shield.’ 

She was more than a pretty face

‘The AIADMK’s party conference was being organised on a huge scale and the town people thronged to hear the star speaker who to give her maiden political speech, one that she herself had prepared. MGR was present, too, drawing hordes of men and women, most of them film fans. The town square was a sea of humanity and the theme of Jayalalithaa’s speech was, “Pennin perumai” (woman’s greatness). The public, expecting only to see a pretty face, were in for a big surprise. Jayalalithaa’s speech was fiery and impressive, an instant success. She had arrived, barely having left, as it were, the starting the block.’ 

She honoured MGR at his death ceremony in her own way

‘Jayalalithaa did not shed a tear. She did not wail. She stunned the onlookers and mourners by standing in vigil for two days – thirteen long hours on the first day and eight hours on the second. Because of her enormous will power, she was not exhausted physically, but she experienced the mental and physical torture from other sources. Several women from Janaki’s side stood near her and began stamping on her feet and pinching her to drive her away. But she stood undaunted, swallowing the humiliation, her pride keeping her firmly where she has taken position.’ 

Jail changed her

‘She was in jail for twenty-eight days; and on coming out she appeared to have been hardened rather than chastened. It must have been a traumatic period for her, proud and used to sophistication, like a queen whose feet had never touched the earth and whose head had never felt the heat of the blazing sun. But the jail wardens were struck and deeply touched by the dignity with which she had conducted herself. She hardly spoke to any of them. She spent her time reading books. She later described in graphic detail how she had suffered in the bandicoot-infested jail.’ 

Victory was her goal

‘As long as she lived, victory was her goal. “V” was her symbol. “Naalai namathe”, tomorrow is ours, was her mantra. Now, there is no tomorrow. The Supreme Court waited till her death to release the verdict. She remained “not guilty” till her last breath, innocent, fully acquitted of all charges. She dies in office as the chief minister. She was the victor even in death.’ 


Grab a copy of The Lone Empress to read the dramatic turn of events and the struggles that made Jayalalithaa such a controversial figure.

Reach for the Stars! – An excerpt from ‘Fearless’

Inspirational women from all over the world have held their own in the face of discrimination, inequality and injustice. These women have been politicians, lawyers, activists, artists and more – with the common goal of raising their voices and fighting for the greater good no matter their nationality, race or religion.

Fearless explores this notion by collating a variety of stories focused on the inspirational women of Pakistan and the strength they have displayed in their own lives.

You can read an example of one such story, about the life astronaut Namira Salim below:

Namira Salim was a quiet, meditative child whose head was quite literally in the stars. It was her dream to become an astronaut but for a little girl from Pakistan, this seemed an impossible fantasy.

Namira was obsessed with the night sky and never asked for her parents for anything— except to be sent into space! ‘I was literally born with the dream of going to space. And the unshaken belief that I would.’

Her parents caved and got Namira her first telescope at the age of 14—she never looked down again as her sights were firmly set on her goal! She was part of the pioneering astronomy society in Pakistan and would spend hours gazing at the stars. Her family moved to the UAE and Namira eagerly participated in star-gazing parties in the desert. She met David McNaughton, one of the first people in the world to go into space, here and became his mentee.

As a college student studying International Relations and later as a resident of Monaco, Namira continued to be deeply absorbed by and involved in space-related activities, even launching a range of ‘space true’ jewelry under a private artistic label called A Soul Affair.

A recognized polar explorer, Namira was the first Pakistani to reach the North Pole in April 2007 and the South Pole in January 2008. She is also the first Asian to skydive (tandem) over Mount Everest in 2008 and the only Pakistani in Virgin’s Galactic commercial space liner, an opportunity he was shortlisted for as a future astronaut out of 1,44,000 applications to travel into space.

However, Namira wasn’t about to just sit around waiting for the first commercial flight to take off! She decided to get qualified officially by completing her training in the US and became the first Pakistani to do so. She also founded Space Trust, a non-profit initiative that promotes space as the New Frontier for Peace, via novel peace initiatives to inspire change and encourage dialogue.


You can read more about Namira and other stories about inspirational and incredible women like her in Fearless – grab your copy today!

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