Publish with Us

Follow Penguin

Follow Penguinsters

Follow Penguin Swadesh

Writing the story of the man who saved 4000 lives

Bike Ambulance Dada, the authorised biography of Padma Shri awardee Karimul Hak, is the most inspiring and heart-warming biography you will read this year. Written by Biswajit Jha, it documents the extraordinary journey of a tea-garden worker who saved thousands of lives by starting a free bike-ambulance service from his village to the nearest hospital. The book is a must-read today as it will inspire us to do and be better in our lives.

In this interview, we talk to the author to understand his personal journey with the book and it’s story.

 

  • Where did you come across Karimul Hak’s story?

After I quit my job and came back from Delhi in 2013 to work for the people of my area in the northern parts of West Bengal. I first read about Karimul Hak in a local newspaper and came to know the amazing story of this tea garden worker who carried critically ill patients to the hospital on his motorbike – free of cost.

 

  • What inspired you to share this story with the world?

In 2015 when a friend of mine told me that she personally knew Karimul Hak, I felt an urge to meet this person. One day, I, along with my friend, went to meet Karimul Hak in his village much before he received the Padma Shri and much before he became a well-known figure. But I, at once, got hooked to this simple man who does such great work for the people. What amazed me is that despite being a tea garden labourer, he does such incredible work to help his fellow villagers without thinking much about his own family.

After that I started working with him to serve the poor. I made him the brand ambassador of my school which I started in 2017.

I felt people all over the world should know the story of Karimul Hak, who is living proof that you don’t have to be an extraordinary person to do extraordinary work. You can be ordinary and still do outstanding work for people. His life is an inspiration for all of us. When a tea garden labourer with a meagre monthly salary can undertake such a path-breaking journey, we all are capable of doing wonders.

 

  • Your own father was very particular about helping others. Can you share some incidents that stuck with you?

My father, from whom I got my first lesson to serve others unconditionally, was a primary school teacher and has always led a simple and honest life. From my childhood I saw my father helping others despite the fact that he was not a rich person.

front cover Bike Ambulance Dada
Bike Ambulance Dada||Biswajit Jha

So, the lesson about doing things for others and sacrificing your own comfort for someone less fortunate than you, I got from my father who, despite being not very well-off, did everything he could in his entire life for the betterment of society. He took on a frontal role in establishing three charitable schools in our village and also worked tirelessly to improve education in and around our village. It is due to his tireless effort that we got the first English medium school in our area. I did not have to go outside my own home to find inspiration to help others.

One incident that stuck with me the most, which I also shared in the book, is a story of a sanyasi. It was a sultry summer noon in the early nineties. Hungry and exhausted, an old sanyasi came to our doorstep. My father ushered him into the puja room. After my mother fed him, the sanyasi expressed his wish to rest inside the puja room. But the room did not have a ceiling fan as we couldn’t afford one in every room. Realizing the old man might not feel comfortable without a fan, my father got the ceiling fan uninstalled from his own room and fixed it inside the puja room so that the sanyasi could sleep well.

The second incident which I remember vividly is that every year there used to take place a fair in our village. Though thousands of people would come to the fair, in those days there was no facility for drinking water in and around the fair. People would suffer due to this. Seeing the sufferings of the people, my father started to carry water in big jars from our home to the fair and started distributing drinking water along with jaggery to the people for free. I was very small at that time but my brother and I also used to go with my father and distribute water to the people. After that he made it a routine of conducting this ‘water camp’ every year. This is another lesson I learnt from my father that whenever you see people suffering, you should come up with some sort of solutions in your capacity.

 

  • What was the book-writing experience for you? Particularly knowing you’ve always wanted to write?

I always wanted to write a book. But I did not know when that would actually happen. As I am a social entrepreneur and not a full-time author, writing a book was very challenging. Taking out time from my busy schedule was a challenge. After quitting journalism, I stopped writing for almost two years. That actually helped me. My urge for writing increased manifold during these two years.

When I had started working with Karimul Hak, I felt an urge to take this story to the people all over the world and inspire them. When you have such a mission to accomplish, no job in world seems a challenging. Rather, I enjoyed writing this story. I enjoyed knowing Karimul Hak more closely while researching for this book, talking to him and interacting with people of his close quarters. I was so engrossed with the struggles of his life that I cried several times while writing his story.

 

  • What was the biggest challenge in this project?

There were many challenges I faced while writing this book. The biggest challenge was to make Karimul sit and talk. Since he can’t sit for more than 10/15 minutes in a single place, listening to the stories of his life from him was a challenging task. Apart from that he does not remember many incidents of his life. He would keep on telling me only 5/6 stories of his life which were not enough to write a book. Getting information about Karimul’s childhood days was also a challenge. Apart from that I had to write within certain parameters while writing a biography or a real life story. But I wanted this book to be interesting to the readers also so that it does not become monotonous. So, writing a non-fiction in a fictional way was a challenge but I tried to keep that ‘tension’ alive throughout the book.

 

  • What made you switch professions, from a journalist to a social entrepreneur?

Like Karimul, I was also born and brought up in a humble family of a small village in Jalpaiguri district of West Bengal. I struggled my way into becoming a national level journalist. I hardly got any support while I grew up. But I wanted that no one should face the same ordeal which I faced in my childhood.

With this thought in mind, me and my wife both quit our jobs and well-settled life in Delhi and came back to my roots in the northern parts of West Bengal which is considered to be the backward area of the state. After that we started serving the poor and helpless people. I basically wanted to be a part of the difficult but successful stories of many struggling men like Karimul.

Apart from many other social activities I am involved in right now, writing this book on this unsung hero is one of my ways of giving back to the society.

 

  • How satisfying has the change been and what changes have you experienced in yourself after this switch?

Initially, it was very challenging. To start everything all over again was very tough. I had many sleepless nights. But I kept on doing good for the others in my tough days. That, I think, helped me overcome my personal troubles. When I found that there were thousands of people who did not have basic things like food, clothes and shelter, my problems seemed much lesser compared to theirs.

While working for the others, I became a much better person. I found my true meaning of life. I felt happy within. And when you start to feel happy within, everything around you becomes beautiful. That’s why in my second book, which is a fiction and will be published after my debut book Bike Ambulance Dada, I wrote that the only way to get happiness is to serve others unconditionally.

 

Gautam Chouby on the first Bhojpuri-English translated novel

The first ever translation of a Bhojpuri novel into English, Phoolsunghi transports readers to a forgotten world filled with mujras and mehfils, court cases and counterfeit currency, and the crashing waves of the River Saryu. Today we have a chat with the translator, Gautam Chouby to get his take on working on the book, what this means for the community, the challenges he faced and more!

 

**

 

1. This is the first Bhojpuri to English translation—what does this mean for the community?

There are about 200 million Bhojpuri speakers in the world and the history of Bhojpuri literature in print in nearly 150 years old. The oral songs and the tradition of folk theatre are older still, dating, in a few instances, to the early 15th century. Yet, Bhojpuri literature has suffered neglect and anonymity. And Bhojpuri culture has been subjected to gross misinterpretation. This book—as is evident from the overwhelming response from readers, scholars and reviewers—has opened up the possibility of a fair reappraisal, connecting the language and its literature with readers everywhere. Since it cannot be adequately emphasised, I will simply say this: Bhojpuri people are thrilled.

 

2. What inspired you to work on this book?

Phoolsunghi is a sweet story of love, music, friendship and forgiveness that makes the finest traditions of Bhojpuri literature visible, in ways perhaps few other book could. It brings two of the best known Bhojpuri figure together: one is the subject of the novel, the other is its author. Besides Phoolsunghi also contests flawed discourses about the Bhojpuri world—notions which, at times, even people from within the region are reluctant to confront and address. At its very core, it is not a culture that glorifies violence and sexual misdemeanours; it is humane, sophisticated world with its own codes of honour and chivalry. It is a sweet world of melody, music and hard-working individuals.The novel brings these aspects to the fore. For example, it celebrates the miraculous rise of a courtesan in a culture that is often considered doggedly patriarchal.

Even though it was written during the days of Emergency and it depicts a colonial world in turmoil—that moves between Banaras to the west and Calcutta to the east—it celebrates gestures of reconciliation, forgiveness and assimilation. Its social alchemy allows the unlikeliest of camaraderies to flourish, in ways that might seem impossible today even in the most cosmopolitan of spaces, let alone Bihar. It is a world where courtesans, musicians, thugs, robbers, zamindars and British sahibs interact uninhibitedly, sharing life values and moral imperatives. 

front cover of Phoolsunghi
Phoolsunghi || Pandey Kapil

 

3. What were some of the challenges you faced on your journey?

I grew up speaking Bhojpuri with my mother and till a few years ago, believed that I knew the language pretty well. However, when I started reading its literature, I realised that Bhojpuri in print is somewhat different from the spoken form, as is perhaps the case with all other languages. To begin with, the visual impression of Bhojpuri words, although written in the script that I was all too familiar with, was a little disorienting; for me Devanagari and Hindi were interchangeable, and I could not fathom the script being mobilised by another language. Further, since there is no ‘standardised’ Bhojpuri, there are multiple registers within the language, causing words to have different meanings across different spaces and regions. The proverbial wisdom about language variation in India—‘kos kos pe badle pani, char kos pe bani’ (water tastes different every mile, language sounds different, every four) is true of this case, too. This pushed me to connect with Bhojpuri scholars, writers and people in my village. In a sense, a larger community of Bhojpuri enthusiasts came together for this book.

 

4. What was your first interaction with Bhojpuri?

I grew up in a Bhojpuri-speaking literary family: my maternal grandfather, Chandradhar Pandey, was a well-known Bhojpuri writer. Understandably, I was somewhat familiar with figures like Mahendra Misir, Bhikhari Thakur, Rameshawar Singh Kashyap, and to some extent, even Pandey Kapil. Besides, the fascinating story of Mahendra Misir and Dhelabai—filled with mujra, music, dacoity, sahibs, zamindars, crime, compassion, court-cases and a Devdas-like central character—is a local legend and a much-harvested theme, explored across three other novels. However, it was only in late 2017, having completed my Ph.D. from the English Department at Delhi University that I turned to Bhojpuri. That too at the behest of a senior colleague. A year later, when I finally Phoolsunghi, I was quite smitten by the story and moved by the sentiments it invokes, in ways I hadn’t experienced earlier; I came to realise the emotive force of feelings expressed in one’s mother tongue. After this chance discovery of a literary gem, and based on my family’s very personal relationship with Bhojpuri literature, I felt duty-bound to share it with the world at large.

 

5. What do you most look forward to with this book and it’s publication?

What excites me the most is the hope that with the success of this first translation, other scholars and translators would undertake similar projects, making many more literary specimens available to the larger reading public. Equally encouraging—thanks to Penguin Random House India’s unflinching support for Phoolsunghi and the extensive media coverage the book has garnered—is the possibility that other publishers, too, hereafter, are likely to show interest in Bhojpuri books.  We are, in a nutshell, looking at quite an upbeat prospect for Bhojpuri literature. That, to me, is a wholesome objective, comprehensively set and partially achieved, through this book.

 

 **

 

Man on a mission: Sonu Sood and his relentless rescue efforts during the lockdown

‘Ask not what your country can do for you; ask what you can do for your country.’ says Sonu Sood, quoting John F. Kennedy, as he explains what propelled him to undertake the colossal challenge of helping thousands of migrants get safely to their homes as India reeled with COVID-19.

 

From taking to the streets and reaching out to the stranded, to setting up a dedicated team and making arrangements for national and international transport, Sonu managed to help thousands of helpless and needy workers. Chartered flights, buses and trains were sanitized and paid for. Distress calls from all over the world were answered.

 

Here are a few instances from Sonu’s memoir, I am No Messiah that remind us of the beauty of compassion, humanity and the power of one man’s determination to give succour to those in need.

 

The time when 167 women stranded in Ernakulam, Kerala, were rescued and sent to Odisha –

The women worked in an embroidery workshop. ‘The factory had closed soon after the lockdown was imposed in Kerala, leaving these Odia workers high and dry. The women had no shelter and hardly any food in Kerala. They also barely knew Malayalam, the state’s language. In short, they were cash-strapped and helpless.’

Explaining the logistics involved, Sonu Sood writes, ‘… I first reached out to some authorities at Air Asia. Once they were convinced about the immediacy and the integrity of my request, they agreed to send an aircraft from Bengaluru to Kochi to airlift the girls and take them to Bhubaneswar. In Kerala, we had to arrange for a minimum of seven large buses to fetch the 167 women from Ernakulam and drop them off at the Kochi airport in time to catch the flight.’

 

The setting up of the Ilaaj India app –

Ilaaj India is a mobile based application to connect people seeking medical help with those equipped to provide it to them.

‘Ilaaj India aims to get the patient the best possible help in the shortest possible time and at the closest possible venue. We strive to get the surgeries or procedures done at hospitals easily accessible to patients. But we can also make arrangements to get them treated in bigger metros like Mumbai or Delhi, depending on the immediacy and the kind of time the patient has.’

front cover of I am No Messiah
I am No Messiah || Sonu Sood

 

‘For me, Ilaaj India was born when I learnt of the magnitude of the health-care problem that afflicts thousands of Indians. The figures shook me: an unbelievable number of children died due to inadequate medical attention in 2019.’

The quote that best describes Sonu’s effort to better the healthcare facilities in the country is from the book itself where he cites Mahatma Gandhi – ‘The best way to find oneself is to lose oneself in the service of others.’

 

The ‘Ghar Bhejo’ operation turns international

‘In July 2020, when parents of over a hundred kids beseeched me to airlift their children from Moscow and ferry them to Chennai, I was caught off balance. Chennai was under complete lockdown, there were no flights going in or flying out. It was an insurmountable difficulty because when a state is under lockdown, you can’t procure landing permissions. But the parents were desperate.’

‘On 5 August, they did land in Chennai, all the way from Moscow. I had managed to get last-minute permissions from the authorities in Moscow and Chennai to facilitate this journey of the medical students.’

 

The beginning of a long journey ahead

Reflecting on his incessant efforts to help those in need, Sood notes ‘It is no longer just about Ghar Bhejo, for getting a migrant home doesn’t mean the end of the journey; it is the beginning of a whole new set of problems. And service to mankind doesn’t begin and end with migrant workers; there are scores of other people too who need help. When you spread your arms to embrace people, you realize that a sea of humanity awaits.’

On a concluding note, we would like to recall these words by Sood that form the core of his life’s philosophy – ‘There isn’t a moment when something doesn’t touch your heart, confirming that by stepping forward to help, you’re doing something right. As I said earlier, one lifetime isn’t enough for what I want to do. But I do know that this lifetime has been earmarked for a dream.’

**

 

 

 

 

Prototyping in design thinking: the what, why and how explained

What is prototyping

Prototyping is about engaging with customers in advance and reaching out to them with a very low-resolution solution to get an early feedback. Such an approach of iterative rapid-cycle prototyping helps in securing funding, organizational commitment and customer trust, and in building the team’s morale and making them believe they are headed in roughly the right direction.

 

The need for prototyping

A good and early prototype serves three core functions:

 

1. It takes ideas from the abstract to the concrete, giving them the much-needed body and soul

2. A prototype helps get the buy-in from your team members, senior managers and customers, as at least one of the possible outcomes.

3. Prototyping makes it possible to seek feedback and avenues of improvement more objectively and readily.

 

One of the masters of the prototyping mindset was Thomas Edison, who famously quipped, ‘None of my inventions came by accident. I see a worthwhile need to be met and I make trial after trial until it comes. What it boils down to is one percent inspiration and ninety-nine percent perspiration.’

 

What to prototype and what all to prototype?

While anything can be prototyped, not everything needs to be. As David Kelley says, you only need to prototype the most unbelievable part of the solution, the leap of faith, and not the entire solution.

To ensure that you are not overdoing the prototype, spending too much time and resources on it, and checking the obvious, it is advisable to perform the last experiment first. If the most critical final frontier does not work, there is no point in reaching there and later wondering why.

 

When it comes to prototyping, speed matters

The faster your ideas are made tangible, the sooner you can evaluate and refine them and reach the best solution. The failure must be contained in a manner that many experiments could be packed within a given budget and time frame. These must be quick and dirty prototypes, or, as IDEO likes to call them, paper-thin prototypes.

The greater the investment in an idea, the more committed one becomes to it. The goal of prototyping is not to create a working model; it is to give form to an idea to learn about its strengths and weaknesses, and to identify new directions for the next generation of more detailed, more refined prototypes. Don’t let your inner perfectionist slow you down.

 

Rely on storyboard and scenarios for prototyping services

Services have far fewer tangible components, and there is a lot more involvement of the dimension of time, so you must think in terms of sequence of activities, emotional engagements and ‘moments of truth’.

Scenarios allow you to visualize how your solution interacts with users over time. One could test out multiple future scenarios to tease out customer reactions and validate ideas. Scenarios can also help in anticipating unforeseen challenges and thinking up remedial measures, and these are best done with the customer by the side. Meaningful scenarios keep the audience focused on the core of the idea, without getting lost in its mechanics or aesthetics.

front cover of Design Your Thinking
Design Your Thinking || Pavan Soni

 

Remain open to feedback

One of the key principles of design thinking is to seek timely and honest feedback from the people who matter. A delayed or skewed feedback does not help the progress of your problem-solving or innovation sprint and, resultantly, the mistakes become far too costly to correct.

When demonstrating your prototype, bear in mind that the intent is to solicit honest feedback and not sell the concept. This is a very tricky balance to achieve, especially if you are working under a tight schedule without easy access to your intended customers.

 

Create an inventory of your failed prototypes

Display it (your failed prototype) for others to draw inspiration from and for you to resort to it when you stumble on your next problem.

 

**

These insights about prototyping are from Pavan Soni’s Design Your Thinking, a practitioner’s perspective on how the tenets, methods and discipline of design thinking can be applied across a range of domains, including to everyday problems, and help us become expert problem-solvers through the use of the appropriate toolsets, skill sets and mindsets.

 

All things start-up: A conversation with Sanjeev Aggarwal and T.N. Hari

The journey of a business-from a small start-up to a large company ready for an initial public offering (IPO)-is fraught with pitfalls and landmines. To scale a company, one needs to do more than just expand distribution and ramp up revenue. From Pony to Unicorn lucidly describes the X-to-10X journey that every start-up aspiring to become a unicorn has to go through. The book effortlessly narrates the fundamental principles behind scaling.

Today, we are in conversation with the authors of the book, Sanjeev Aggarwal and T.N. Hari, who are both veterans in the start-up spectrum and have years of experience in guiding emerging businesses to reach their maximum potential.

 

Questions for Sanjeev Aggarwal:

 

1.     How was your experience of writing From Pony to Unicorn

Educational, as I was able to reflect on my learnings.

 

2.     In what ways would you say that the start-up ecosystem in India has changed in the past ten years? 

The level of founder ambition has reached a new high.

 

3.     Which factor, according to you, works most efficiently in helping a start-up scale sustainably?

Navigating inflection points with thought.

 

4.     Which sector in the start-up domain remains the least explored? Why do you think that’s the case? 

Agri-tech! The market is large and highly intermediated. 

 

5.     As book publishers, we cannot help but ask you about your favourite books that you’d like to recommend to our readers? 

How Will You Measure Your Life by Clayton Christensen

 

Questions for T.N. Hari

 

1. What propelled you to pen From Pony to Unicorn?

front cover of From Pony to Unicorn
From Pony to Unicorn || Sanjeev Aggarwal, T.N. Hari

Sanjeev and I have been through the scale journey multiple times and have seen several small startups go on to become large companies from very close quarters. The urge to share our learning and insights with the next generation of entrepreneurs who are trying to build sustainable businesses was what motivated us to write this book.

 

2. Which is your most favourite section of the book? 

‘The Human Capital’ section is my personal favourite for the simple reason that this is a topic close to my heart.

 

3. What kind of books do you enjoy reading? Are there any that you’d like to recommend to our readers?

I don’t particularly read too many management books. Six best books I read in 2020 are as follows:

  • Where will Man Take Us? by Atul Jalan (Atul writes better than Harari and Kurzweil put together)
  • Indica – A deep natural history of the Indian subcontinent by Pranay Lal
  • The Liberation of Sita by Volga
  • The Palace of Illusions by Chitra Banerjee Divakaruni
  • Fermat’s Last Theorem by Simon Singh)
  • Shackleton’s Way by Margot Morrell and Stephanie Capparell

 

4. If you could describe the current start-up ecosystem in India in one word, what would it be and why?

Vibrant

 

5. According to you, which is the one skill that an HR professional must necessarily possess?

A deep understanding of human psychology.

On writing and politcs: A chat with author Vinay Sitapti

How long was the research process for the book?

This took me three years. But I was also teaching during this period.

 

Why this subject in particular?

I am a child of the 1990s, and the two biggest political trends of that decade was liberalisation and the rise of the BJP. My first book, on P.V. Narasimha Rao, was a response to this first political trend. This book was motivated by the second trend — the political rise of Hindu nationalism — that I remember from my childhood.

 

What has been the most rewarding experience about writing this book?

Front cover of Jugalbandi
Jugalbandi || Vinay Sitapati

While writing the book, I immersed myself in the world of Hindu nationalism — talking to people, reading books and articles, going through archives — over its 100 year period. Then suddenly I began to see patterns and trends, for instance their 100 year focus on organisational unity. It was almost as if my vision had suddenly changed from blurred to focussed.


Any criticism experienced? How about any encouraging instances/incidents?

The most encouraging feeling is that even though the topic is so polarising, the book has not been slotted as ‘left’ or ‘right’. The book has not provoked anger, rather I think it has spurred understanding. That’s a lovely feeling. It means that scholarship, if done right, can bring people together. There have of course been criticisms — that I have been unduly harsh on Vajpayee for instance. I only request that the reader looks at my evidence and asks whether my conclusions flow from it.

 

What should we look forward from you, next?

I haven’t yet decided on what next. But I enjoyed not just the popular reception to Jugalbandi, but also the process of writing it. So whatever else I work on next must not just be interesting to the reader, it should be interesting to me.

**

The Pokhran tests: An under-recognised success story under Vajpayee’s leadership

Former Prime Minister of India and member of the Bharatiya Janata Party (BJP), Atal Bihari Vajpayee was an understated politician of the kind not often seen in contemporary times. His patriotism was uncompromising, forged out of the paradoxes in his life: a sensitive poet who summoned nerves of steel to conduct the Pokhran-II nuclear tests. In Vajpayee, an intimate memoir of the consummate leader, we get a detailed look into the behind-the-scenes of the Pokhran tests, a glorious albeit controversial turning point in the history of India.

**

Vajpayee’s rationale for conducting nuclear tests in 1998:

‘Hiroshima and Nagasaki had deeply affected him. He wrote a poem, ‘Hiroshima Ki Peeda’, where he talked of waking up in the middle of the night and wondering how the scientists who had made those powerful atomic weapons slept after hearing about the destruction caused by their creations. Did they not for a moment regret what they had done? If they had a sense of remorse, then time would not judge them. But if they did not, then history would never forgive them. Vajpayee’s poem and his decision to go ahead with the test are not contradictory. He came to the conclusion that if India had to live in peace in its neighbourhood, credible nuclear deterrence was essential. Nuclear weapons prevent wars, was his constant refrain.’

 

‘The second, seemingly contradictory, line of thinking behind the tests was his deeply held view that India was destined to be a great power. Possession of nuclear weapons, in the world we inhabited, was the minimum entry criterion for that club. Japan and Germany, whose recent economic successes did not guarantee them the status of a great power, underscored this idea. Vajpayee’s belief in India was immeasurable, and while he did not say it, his body language that day seemed to indicate that he was happy to be an important instrument in that quest. An insecure nation could not be a great power—this was the powerful motivation that drove this decision to test.’

 

The volatile international reaction that followed:

‘The initial American reactions seemed too understated, but not for long. Clinton reacted angrily in public. He said that India’s action ‘not only threatens the stability of the region, it directly challenges the firm international consensus to stop proliferation of weapons of mass destruction’.’

 

‘The Japanese reaction was expected, as it was the only country to have been at the receiving end of nuclear weapons. It froze all aid, which, unlike in the case of the US, was a substantial amount, in excess of US$1 billion.’

 

‘The Germans also announced a moratorium on aid, which, at US$300 million, was far above American levels. China’s initial reaction was subdued, probably because they were aware of Indian ire at the Sino–Pak cooperation. In fact, to our surprise, Russia’s language was stronger; Boris Yeltsin said that he was disappointed and felt let down.’

 

Vajpayee addresses the Parliament about the controversial decision and its significance for India:

front cover of Vajpayee
Vajpayee || Shakti Sinha

‘India had demonstrated its nuclear capability in 1974, and Vajpayee reminded the members of Parliament that Indira Gandhi, speaking on the nuclear issue, had told Parliament in 1968 that ‘we shall be guided entirely by self-enlightenment and considerations of our national security’. He complimented all governments since 1974 for safeguarding India’s nuclear option by not signing the CTBT, despite the mounting international pressure.’

 

‘He situated his decision to test in the context of the India’s deteriorating security environment due to missile and nuclear proliferation in its neighbourhood. The increase in the number of nuclear weapons and the deployment of sophisticated delivery systems could not be ignored. Worse, India faced terrorism, militancy and clandestine war. In the absence of any movement towards disarmament, and keeping in mind the needs of national security, the difficult decision to test had to be taken.’

 

‘Taking his argument further, Vajpayee made it clear that India did not seek the status of a Nuclear Weapons State from anybody because it was already one. This was a reality, and with this added strength came added responsibilities. India’s nuclear weapons were not to be used for aggression or for mounting threats to other countries. Rather, Vajpayee explained, they were weapons of self-defence, which would prevent India from being subject to nuclear threats or coercion in the future. India did not intend to engage in an arms race.’

 

** 

 

 

 

 

 

 

 

 

 

 

Five crucial and unforgettable lessons from Sri M

In an interview with The Daily Guardian, Sri M said ‘Fiction is not meant to preach lessons but since there is no fiction without a factual core, readers are sure to be influenced.’

He wasn’t wrong. The stories from his book The Homecoming gave us several valuable lessons to take away, even if that might not have been the intention.

 

  1. Death of a builder

While the story resounds with deep irony, it is also a call to awareness of how intricately human lives and nature are entangled. Now more than ever we have started to live our lives as though nothing outside of our immediate need and greed exists, but in 2020 should have taught us anything, it is that we cannot continue to live in isolation if we want the planet to survive. The story is a beautiful take on a silkworm on its way to metamorphose into a moth before its untimely destruction by harvesters to make silk for the clothes of deities and people who have no time for the actual producer of this silk, or any care for its life.

 

  1. The Porter
Front cover The Homecoming
The Homecoming||Sri M

Krishna is a porter who doesn’t covet other people’s wealth, but circumstances drive him to make an exception. But the story is brutal. He asks for God’s forgiveness in case he doesn’t something wrong, but that forgiveness is not granted, and any wealth Krishna was hoping to gain comes at an enormous price. Perhaps the lesson is that there should be no exceptions to one’s integrity. After all, we can never know the true nature of the exception we are making.

 

  1. The Thief

Sambu, the thief, has the strangest encounter with an old woman, and his life is changed forever. Driven to thieving by dire circumstances and the urgent compulsion to feed his family, Sambu is given a new chance at life. We have the transformative capacity of changing other people’s lives for the better; those who need help can in fact be given a new chance at life if we’re willing to share our privileges with them.

 

  1. The Dimwitted Genius

While Kitcchu does not do well in school, and does not seem to have the aptitude the rest of his classmates do, there is something special about him. He soars in Mathematics and music, and none of his teachers can explain why. In a narrative about a higher secret mission, Sri M once again raises a more direct and urgent flag about the environmental impact humans have on the planet. In some ways, his story has a bleaker underline – the human footprint on the planet is so irreparably destructive, that perhaps only a long-winded miracle can save us now.

 

  1. The Homecoming

When Shivanna mysteriously disappears, his parents’ lives are thrown in a tailspin. But it is soon discovered that Shivanna has left of his own accord, searching for the spiritual Truth that he has read about in the scriptures. He travels from Madikeri to Haridwar, but ends up finding his truth much closer to home than expected. Introspection helps us stay rooted in our pursuits. While journeys across lands may seem necessary, we most often end up chasing after empty illusions. More often than not, what we seek lies closer to home, waiting to be found.

Escaping the present to start a new reality far, far away

Garv Roy Gill and Yahvi Kothari are consumed by the proverbial once-in-a-lifetime kind of love. Bored with their mundane daily routine, their adventurous streak makes them decide, one day, to escape the present and begin a new reality somewhere far, far away.

The day arrives and we experience it through Garv’s perspective. Things, however, don’t seem to go to plan.

We picked the most enticing quotes to give you a glimpse into what the present looks like for him though Novoneel Chakraborty’s thrilling writing from the prologue of his book, Cross Your Heart Take My Name.

 

Garv lights a cigarette early morning, unlike his everyday habit of smoking with his coffee at office.

 

‘…But today was different. Or perhaps today was mundane but I was different.’

 

We get a glimpse into his emotional side this morning, knowing he is soon to leave everything behind.

 

‘Leaving something behind always troubled me. But for the first time, I was seeking adventure in that “trouble”’

 

‘Nobody knew I was going to disappear. It was unfair to my employees and the company. But the essence of this plan was to not think about others. It was about being selfish and living for yourself.’

 

He reminisces his relationship with Yahvi.

 

‘I realized it was not about the number of meetings or the amount of time that you spent with a person, it was about how intense your feelings were for each other, how strong the bond was.’

 

What did we have between us? This question had given me sleepless nights. I wanted to ask her so many questions.’

 

Unfortunately, things don’t go as plan. Yahvi shows up at the meeting point late, only to say they must delay their plans. He drives to office.

 

‘Though I wasn’t supposed to go to work, the change in plan made me decide otherwise. I kept checking my phone for messages from her but there were none.’

 

Finally, before sleeping, he gets a message from her.

 

I’m sorry I couldn’t meet you today. Will meet you soon and discuss our plan. I have cancelled my ticket. Hope you have done it too.

I read the message again and again but still didn’t understand what she was talking about. I replied: We did meet. What happened? All okay?

 

What’s happening? Why did the plan get cancelled and why did Yahvi act like they hadn’t met at all. There’s more thrill to come, get your copy of Novoneel Chakraborty’s new book to join the journey!

 

 

Time for some tough questions with Deepak Ramola

50 Toughest Questions of Life invites people to have a conversation about themselves with themselves. Author Deepak Ramola’s quest began after he was inspired by the life lesson of a young girl who said, ‘Life is not about giving easy answers, but answering tough questions.’

Today we ask him some questions, to understand him and his journey a little bit better.

At what point did you decide to write a book with your experiences?

Last year, in February, while standing at the self-help section of a bookstore, I had an epiphany that most books were full of answers. I was curious to find out how people would respond to a book of questions. I had so many of them documented over the years, I started to give them shape and context for the book. I started writing in school for debates competitions and school magazine, I guess the seeds were sown there.

What is your favorite part about this book, and what was the most challenging question for you?

Front Cover 50 Toughest Questions of Life
50 Toughest Questions of Life || Deepak Ramola

Favorite part:

The stories that follow each question, encouraging people to put themselves at the centre of their life without guilt has been my goal with the book. I really love the story about the visually impaired girl who talks about the advantage of being blind along with the Mexican stories about the two trees of harm and healing.

Challenging part:

To keep it simple and honest. I was cautious to never over-impose my answers on to the readers but nudge them just enough to come up with their own. I had to go through a personal emotional roller-coaster with each of the 50 questions. Particularly reflecting on my toughest goodbye, how can someone make me feel loved was hard.

You started with around 500 questions, how did you come down to 50?

I followed my instinct on what seemed difficult to me and then, how people over the years responded to certain questions. I shuffled the list quite a bit with each draft. There are so many questions that I am yet to answer for myself, so I pulled them out in hope for a sequel to this book. Lastly, these 50 questions I feel are the ones we all need to answer collectively as the human race to be more kind and empathetic.

Who were the people that inspired these questions?

My mother never went to school but treated life as her classroom was a big inspiration for me growing up. Many questions emerged from our conversations. She taught me that literacy and education were two separate things and if we ask the right questions, we can educate ourselves beyond the infrastructure of curriculums. Apart from that Oprah Winfrey. Maya Angelou. Vishnu Kaushal. My team at Project FUEL. Interactions with Syrian refugees. My sister Deepika. And people I have learnt from and taught over the last 11 years. David Cooperrider once said, “We live in the world our questions create.”

What was the first question you ever wrote? And what is your next question going to be?

First question:

How would you introduce yourself with love?

Next question:

Have you ever given up on something beautiful and why?

error: Content is protected !!