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Mrityunjay: Can Vivaan Unravel The Truth Behind His Grandfather’s Mysterious Death?

The most awaited work of Tantric fiction of 2024 is here! A gripping blend of mythology, suspense, and ancient wisdom, Mrityunjay by Parakh Om Bhatt is about Vivaan’s quest to unravel his grandfather’s mysterious death, discovering a hidden world of tantric secrets and ancient prophecies. Could it be that the severed fifth head of Brahma held the deepest secrets of the Kaliyuga?

Read this exclusive excerpt to know more.

Mrityunjay
Mrityunjay || Parakh Om Bhatt

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‘Baba, what is death? Why did Mom and Dad have such a short life?’
Vivaan had asked his grandfather these questions numerous times to, only to get a more mysterious answer each time. Today too, he was thinking about death. His thoughts came to a sudden halt as the car stopped. He had arrived at ‘Vasant iwas. The beautiful childhood he spent with his grandfather, the old man’s moist eyes when Vivaan was leaving for London, the spark in his eyes when he returned with a journalism degree and the shock when he announced that he wanted to settle down in Mumbai— the memories were vivid and fresh in Vivaan’s mind. He stepped out of the car and stared at the house. He had never ever thought he would come to an empty home in Rajkot.

 

The vintage-style house was one of its kind in the city. Vivaan opened the huge front door and the light smell of sandalwood hit him immediately. He remembered his grandfather using sandalwood while performing his daily prayers. The scent of the sandalwood reflected Sudhir’s subtle presence. The living room had white marble flooring, antique furniture and glass showpieces. There was a huge, embellished living room, prayer room and kitchen on thefirst floor of the house. Every morning after finishing his daily routine, Sudhir would sit in the prayer room on his mat in a fixed place and was not to be disturbed for an hour–and–a –half. There was another room through the prayer room, the key to which only Sudhir had. Vivaan still did not know what was in that room. He was curious, but after an incident that had happened in his childhood, he had not probed further.

 

Vivaan was shaking as he entered the living room. It was only last night when Sudhir had taken his last breaths in this very room. Vivaan imagined his grandfather stepping out of the prayer room, giving him a warm smile and offering him some prasaad. Vivaan reckoned that he had lost the pillar of his life.

 

His entire existence had crumbled in the last twelve hours. Though he had put on a brave face all this while, he was broken from within. He did not know how he would go on with his life without any family. He forced his eyes shut and crumpled to the floor. Fifteen minutes passed in absolute numbness. The sudden and loud ringing of his phone forced him to open his eyes and come back to reality.

 

‘Hello . . .’ Vivaan’s voice was almost like a whisper.

‘Good evening, son. Have you reached home?’ Alok Chaudhary said, his tone firm but loving.

‘Yes, uncle . . .’

‘Freshen up and come to the morgue. I want to talk to you.’ There was an urgency in Alok’s tone.

 

Alok Chaudhary, commissioner of the Rajkot Police, was a close friend of Sudhir Arya’s. Though they were years apart, they got along well. At fifty-seven, Alok was a year away from retirement. He had achieved the position of commissioner after several years of hard work and was well respected by his department for his excellent observation skills. Many believed that Alok should be in the Central Bureau of Investigation (CBI) and use his reasoning and intellect for national security. But Alok had decided that after the wedding of his daughter, Riya, he wanted a peaceful life. He was no longer the same person he had been at the start of his professional journey, mainly due to the emotional turmoil he had gone through in his life. Alok had a profound reverence for Sudhir. Every evening after work, he would visit Vasant Niwas. He had a thirst to learn about history and mythology. And Sudhir Arya was a treasure trove of knowledge! Though he was
fifty-seven, Alok would listen prudently to everything Sudhir said. Their discussions would range from ancient history to the multinational companies that Vivaan ran. He had always addressed Sudhir as ‘Dada.’ When he heard the news of Dada’s death that morning, he could not believe it.

 

Alok had not been able to meet Dada for two days—he had been out in Gondal on business. After watching the news, he immediately asked his team to seal Vasant Niwas with strict orders that nothing was to be touched. Forensic experts were called in and even the tiniest things in the house were analysed. In the end, Sudhir Arya’s body was moved to the morgue. The death certificate was awaited. Alok had called Vivaan to take custody of the body and wrap up the formalities.

 

It was evening by the time Vivaan reached the morgue. Though the Diwali lights shone on Rajkot, Vivaan felt a void and darkness within him. The appearance of the morgue and the copper sign on the gate looked inauspicious. He forced himself to walk towards the room at the end of the lobby. Before entering it, he caught a glimpse of what was going on inside.

 

Alok seemed to be in an intense discussion with three constables and the doctor. They were all standing in a circle and vehemently arguing about something. However, Vivaan was not looking at them. His eyes were seeking his grandfather.

 

The stretcher lying in one corner of the room caught his eye. Unexpectedly, he sighed. He had to hold on to the handle of the door to prevent himself from falling. Hearing the low thud, everyone present in the room looked at the door.

 

‘Baba . . .’ Vivaan was on the verge of collapse as Alok ran towards him and caught him just in time. Vivaan’s eyes were still on the body of his grandfather, lying half-covered with the white sheet.

***

Get your copy of Mrityunjay by Parakh Om Bhatt wherever books are sold.

5 Different Versions of Yama Raj in World Mythology

We are surrounded by diverse cultures, religions and beliefs. But going through the different mythologies in the world, we often find many similarities. Deities of one kind can be found in various forms among different cultures.
In Hindu Mythology, Yama Raj is regarded as the lord of the death. Similarly, in other cultures the deities of death take a different personification.
Here are 5 different versions of Yama Raj in different cultures.
Santa Muerte
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Hades
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Dis Pater
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Anubis
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King Yan
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How many of these gods of death did you know of? Tell us.
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5 Most Memorable Faiz Ahmed Faiz Shayaris to make your day poetic

Faiz Ahmed Faiz is widely regarded as one of the great Urdu poets of the twentieth century, and the iconic voice of a generation. Although he is best remembered for his revolutionary verses that decried tyranny and called for justice, his oeuvre also extended to scintillating, soulful poems of love.
In The Colours of My Heart – a translation of Faiz’s selected, most memorable poems and ghazals by Baran Farooqi – readers will be able to experience a new dimension of the great poet’s genius. Here are five gems that display Faiz’s extraordinary flair for tender hope and quiet longing.
Beloved, Don’t Ask Me For the Love that Was – “Mujhse Pehli Si Muhabbat Mehboob Na Maang”
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Don’t ask me to love you the way I did before, my love
I’d imagined life to be bright and glowing because you were in it
What cared I for sorrows other than the joys of pining in your love?
It’s your beauty that keeps springtime intact upon the world
What else remains to be sought in the universe but your eyes?

Speak – “Bol”
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Speak, for your lips are free
Speak, for your tongue is still yours
Your upright body belongs to you
Speak, for your soul still is yours

Highway – “Shahraah”
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A long, desolate highway
Its gaze fixed on the far horizon
Spreading out its grey beauty
On the breast of the cold earth—
Like a grief-stricken woman
In her desolate home
Dreaming of her absent lover
Lost in thought, each part of her body immersed
in the idea of union. 

The Day of Death – “Jis Roz Qaza Aayegi”
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Kis tarah aayegi jis roz qaza aayegi
Shaayad iss tarah ki jis taur kabhi awwal-e shab
Be-talab pehle pahal marhamat-e bosa-e lab

Tyranny Giving Lessons in the Fidelity of Love – “Sitam Sikhlaayega Rasm-e Wafa Aise Nahin Hota”
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Sitam sikhlaayega rasm-e wafa aise nahin hota
Sanam dikhlaaenge raah-e khuda aise nahin hota

Enthralled by the verses of one of the greatest Urdu poets? Get The Colours of My Heart here!
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The Boy Who Loved — An Exclusive Excerpt

1 January 1999
Hey Raghu Ganguly (that’s me),
I am finally putting pen to paper. The scrunch of the sheets against the fanged nib, the slow absorption of the ink, seeing these unusually curved letters, is definitely satisfying; I’m not sure if writing journal entries to myself like a schizophrenic is the answer I’m looking for. But I have got to try. My head’s dizzy from riding on the sinusoidal wave that has been my life for the last two years. On most days I look for ways to die—the highest building around my house, the sharpest knife in the kitchen, the nearest railway station, a chemist shop that would unquestioningly sell twenty or more sleeping pills to a sixteen-year-old, a packet of rat poison—and on some days I just want to be scolded by Maa–Baba for not acing the mathematics exam, tell Dada how I will beat his IIT score by a mile, or be laughed at for forgetting to take the change from the bania’s shop.
I’m Raghu and I have been lying to myself and everyone around me for precisely two years now. Two years since my best friend of four years died, one whose friendship I thought would outlive the two of us, engraved forever in the space– time continuum. But, as I have realized, nothing lasts forever. Now lying to others is fine, everyone does that and it’s healthy and advisable—how else are you going to survive the suffering in this cruel, cruel world? But lying to yourself? That shit’s hard, that will change you, and that’s why I made the resolution to start writing a journal on the first of this month, what with the start of a new year and all, the last of this century.
I must admit I have been dilly-dallying for a while now and not without reason. It’s hard to hide things in this house with Maa’s sensitive nose never failing to sniff out anything Dada, Baba or I have tried to keep from her. If I were one of those kids who live in palatial houses with staircases and driveways I would have plenty of places to hide this journal, but since I am not, it will have to rest in the loft behind the broken toaster, the defunct Singer sewing machine and the empty suitcases.
So Raghu, let’s not lie to ourselves any longer, shall we? Let’s say the truth, the cold, hard truth and nothing else, and see if that helps us to survive the darkness. If this doesn’t work and I lose, checking out of this life is not hard. It’s just a seven-storey drop from the roof top, a quick slice of the wrist, a slip on the railway track, a playful ingestion of pills or the accidental consumption of rat poison away. But let’s try and focus on the good.
Durga. Durga.
12 January 1999
Today was my first day at the new school, just two months before the start of the tenth-standard board exams. Why Maa– Baba chose to change my school in what’s said to be one of the most crucial year in anyone’s academic life is amusing to say the least—my friendlessness. 
‘If you don’t make friends now, then when will you?’ Maa said. They thought the lack of friends in my life was my school’s problem and had nothing to do with the fact that my friend had been mysteriously found dead, his body floating in the still waters of the school swimming pool. He was last seen with  me. At least that’s what my classmates believe and say. Only I know the truth.
When Dada woke me up this morning, hair parted and sculpted to perfection with Brylcreem, teeth sparkling, talcum splotches on his neck, he was grinning from ear to ear. Unlike me he doesn’t have to pretend to be happy. Isn’t smiling too much a sign of madness? He had shown the first symptoms when he picked a private-sector software job over a government position in a Public Sector. Undertaking which would have guaranteed a lifetime of unaccountability. Dada may be an IITian but he’s not the smarter one of us. 
‘Are you excited about the new school, Raghu? New uniform, new people, new everything? Of course you’re excited! I never quite liked your old school. You will make new friends here,’ said Dada with a sense of happiness I didn’t feel. ‘Sure. If they don’t smell the stench of death on me.’ ‘Oh, stop it. It’s been what? Over two years? You know how upset Maa–Baba get,’ said Dada. ‘Trust me, you will love your new school! And don’t talk about Sami at the breakfast table.’ ‘I was joking, Dada. Of course I am excited!’ I said, mimicking his happiness.
Dada falls for these lies easily because he wants to believe them. Like I believed Maa–Baba when they once told me, ‘We really liked Sami. He’s a nice boy.’ Sami, the dead boy, was never liked by Maa–Baba. For Baba it was enough that his parents had chosen to give the boy a Muslim name. Maa had more valid concerns like his poor academic performance, him getting caught with cigarettes in his bag, and Sami’s brother being a school dropout. Despite all the love they showered on me in the first few months after Sami’s death, I thought I saw what could only be described as relief that Sami, the bad influence, was no longer around. Now they use his name to their advantage. ‘Sami would want you to make new friends,’ they would say. I let Maa feed me in the morning. It started a few days after Sami’s death and has stuck ever since.
Maa’s love for me on any given day is easily discernible from the size of the morsels she shoves into my mouth. Today the rice balls and mashed potatoes were humungous. She watched me chew like I was living art. And I ate because I believe the easiest way to fool anyone into not looking inside and finding that throbbing mass of sadness is to ingest food. A person who eats well is not truly sad. While we ate, Baba lamented the pathetic fielding placement of the Indian team and India’s questionable foreign policy simultaneously.
‘These bloody Musalmans, these filthy Pakistanis! They shoot our soldiers…
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Meet Bilal — An Excerpt

Mr Unwin, meet Bilal.
He is the taller of the two who stand under the arch of bougainvillea, the wooden gate open behind them. I am the shorter one, the one who is squinting. That is a temporary squint, and I squinted at the time of being photographed not because of the sun, I was just trying to hide my discomfort at being looked at through a viewfinder. The picture was taken on the first Small Eid after we came to live in Bougainvillea, and I invited him for the feast because I owed him a treat. That is another story, but let me narrate it now because it may not fit anywhere else in this book.
A week after I joined the town school, of which Vappa, Uncle Yazin and Aunt Yasmin were the alumni of, I ran into Bilal on the cliff path. At school we sat on the same bench because we were of the same height, almost, and I willed him to quickly grow a head taller so I would not have to sit next to him any more: he smelled like cashew orchards in springtime and I always associated the smell of cashew flowers with death. But the chance encounter on the cliff path triggered off a chain of events that finally made us friends and partners in petty villainies.
It was one of those days when Vappa momentarily regained his old self and craved outdoors, and we were strolling down the path that frilled the north cliff, lined with shacks that sold curios and curiously-named food. Outside a cafe, I spotted Bilal, but for a long moment I could not reconcile what I saw. He was standing on his toes, leaning over the railing the café had put up around the dining area. He had one hand cupped in front of a white couple who sported identical pairs of sunglasses, the other repeatedly tapped his stomach to mime hunger. The couple, their skin tanned to the colour of sandpaper, were watching him the way people watch street stuntmen, with a mild scowl that betrayed neither indulgence nor disapproval.
My face stung at the sight of Bilal begging. I had never seen anybody outside television serials beg with such flourish. Nor had I imagined that anyone who attended school on weekdays would beg at weekends. I passed him with my eyes averted to the sea, my ears tuned to its roar. We were walking past a fish stall – catch of the day sat with sleepy eyes on a bed of crushed ice, traded by a man who knew the English name of every fish and spoke with the civility of a trained salesman because his clients were foreign tourists and hence his wares were unimaginably dear – when I heard my name being called. It took me an effort to not hear him, and I walked faster as his voice grew louder.
‘Are you deaf?’ Vappa snapped. ‘Someone is shouting your name.’
I turned around and saw Bilal, his face flushed from running, his breathing uneven.
‘Hello,’ he panted.
I wanted to say hello and goodbye in the same breath and move on, but Vappa was already holding Bilal’s hand and asking him his name and the location of his residence.
‘Behind the town mosque,’ he said, gasping for breath.
‘Behind the town mosque?’ Vappa pulled a face. ‘Behind the mosque there are railway lines.’
‘In the same premises as the mosque,’ Bilal said and, as Vappa was beginning to knit his eyebrows, he added almost inaudibly, ‘I live in the orphanage.’
Vappa forced a smile and, as if to hide his embarrassment, asked tenderly, ‘What brings you to the cliff?’
I expected Bilal to lie, but he smiled sheepishly and said nothing. The white couple Bilal had begged to walked past us, hand in hand, wind in the hair. The man puffed up his cheeks at the sight of Bilal, the lady removed her sunglasses and rolled her eyes comically at him.
‘You got lots of friends around here,’ Vappa said.
The sun had nearly set, and the lights were coming on in the shacks. Vappa reminded Bilal to start his journey back to the town as it would soon be dark. As if the mere thought of darkness frightened him, Bilal rushed off, blending into little groups of people that drifted down the cliff path. All night I wondered if smiles were all that Bilal could coax out of the white couple with his charade of hunger. But the moment I stepped through the school gates the next morning the riddle solved itself.
‘I have a dollar,’ said Bilal. He was standing by the bird cage, feeding love birds. ‘We will spend it at lunch break.’
This is an excerpt from Anees Salim’s The Small-Town Sea.
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Seven Derek Walcott Quotes that will Etch Him in Your Memory Forever!

Born in Castries, the St Lucia capital, Sir Derek Walcott’s first poems, which were self-published, emerged in 1948. His work celebrated his Caribbean culture, enhanced by an encyclopedic knowledge and insight in world history, global cultures and triumphs of humanity.
As a youngster, he struggled with questions of race and his passion for British poetry, describing it as a “wrestling contradiction of being white in mind and black in body, as if the flesh were coal from which the spirit like tormented smoke writhed to escape.”
Sir Walcott won the Nobel Prize in 1992, two years after his epic book-length poem Omeros, which brought him worldwide acclaim, was published. His dazzling, painterly work earned him a reputation as one of the greatest writers of the second half of the 20th century.
Today, as we remember him, let us have a look at some of his quotes.
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RIP Sir Derek Walcott.

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