Devdutt Pattanaik Archives - Penguin Random House India

What They Don’t Tell You About Women in Mythology!

Posted on April 9, 2024April 10, 2024 by prathod

Step into the captivating world of Hindu, Buddhist, and Jain lore with Sati Savitri by Devdutt Pattanaik where women rewrite the rules and redefine their destinies beyond patriarchal norms. From ancient scriptures to modern-day interpretations, Pattanaik offers a fresh perspective on liberation, revealing how patriarchy and feminism have coexisted throughout history.

Read this exclusive excerpt to dive into the feminist side of mythology like never before!

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Images of Saraswati, the goddess of knowledge, are often placed in libraries, right next to the board that says, ‘silence please’. No one notices that the goddess always holds a musical instrument called veena (lute) in her hand. The irony is lost on many who look at sacred images without actually doing darshan.

Darshan is the act of seeing that generates insight and results in reflection. For example, the sight of the veena grants us some insight into the human ability to make music and musical instruments, and this makes us reflect on how music made by humans is different form the music made by birds. The music of birds is specific, to enable survival. It is designed to attract mates and draw attention of fellow birds to food or predators. Human music, on the other hand, is not necessary for survival. But it adds beauty to life and makes us wonder on the meaning of existence, by making us aware of various rhythms and emotions.

Unlike other goddesses, there are not many stories about Saraswati. She is more the embodiment of a concept.

Saraswati is draped in a white sari indicating she has distanced herself from the materialistic world, represented by colourful fabrics. While Lakshmi nourishes the body with food, Saraswati nourishes the mind with knowledge and the arts. Lakshmi’s wealth is contained in a pot; Saraswati’s knowledge is expressed through words, through songs, stories and music, dance and arts. In Jain art, the more austere Digambar monks compared Saraswati to a peacock while the white-clad Shwetambar monks compared her to a goose (hamsa). In Indian folklore, dancing peacocks attract rain clouds, while hamsas are able to separate milk from water, like fact from fiction.

▪️ The peacock links Saraswati to art, dance, music, theatre and entertainment.

▪️ The hamsa links Saraswati to ideas embodied within, and communicated through, sounds, songs, stories, songs, symbols and gestures: the knowledge of maths, science, literature and philosophy.

Saraswati is therefore linked to both, the peacock like courtesans as well as the swan-like philosophers. In modern society, the courtesan has been erased from history; her contributions to the world of art appropriated by men.

In popular Hindu mythology, Saraswati is called the wife of Brahma. But she is also called the daughter of Brahma. This can be confusing. The confusion comes from our failure to appreciate that mythology is metaphorical. Gods and goddesses are given supernatural forms so that we appreciate the idea, the symbol and do not take things literally. That Saraswati is shown with four hands, and Brahma with four heads, is the clue provided by the artist that these figures embody ideas, not entities.

Human ideas are complex. Words are often not enough to communicate an idea. We need grammar. We need sentences. We need punctuations. We shift from prose to poetry, we use music and melody, even gestures and symbols, to communicate subtle refined ideas. Language has metaphors where known words are used to explain and elaborate unknown ideas and inexpressible emotions. Still ideas resist transmission. What is conveyed by the source is not received by the destination.

To communicate Vedic ideas to people, the sages decided to compose stories. Ideas then become characters. The relationship between ideas is communicated through relationships among characters. Characters have gender, and so the relationship between ideas ends up being expressed in sexual terms. When the characters are gods, indicated by their supernatural form, they serve as metaphors. They are vehicles for ideas that resist simple communication.Veda, which means knowledge, pays a lot of attention to reality that is visible and reality that is not visible.

▪️ Food is a reality that is visible. It is visualized in female form as Lakshmi, the goddess of fortune. The name Lakshmi is derived from ‘laksha’ which means target.

▪️ Hunger is a reality that is invisible. It is visualized in male form as Indra, the master of paradise, where all fortune is cornered.

▪️ The name Indra is derived from ‘indriya’ which means sense.

▪️ Indra chasing Lakshmi is then a metaphor for hunger chasing food. Indra rides elephants. The aroused, excited, uncontrollable elephant in the state of masht is how the poets describe Madan, or Kama, the god of uncontrollable craving.

▪️ Shiva who burns Madan then embodies the mind who controls craving. Shiva also beheads Brahma’s fifth head that sprouts as he chases Saraswati. Here, Brahma views Saraswati as entertainment to be consumed, rather than knowledge that will help him evolve.

▪️ In wisdom, Brahma realises that the point of creation is to feed the other. Animals eat and are eaten, but humans need to feed and be fed. This applies to food, as well as power, as well as knowledge. Saraswati created must be given away. In the process we gain insight and reflection.

Male forms are consistently used to depict mental states:
1. Brahma for craving
2. Indra for insecurity
3. Vishnu for empathy
4.Shiva for indifference
5. Kartikeya for restraint
6. Ganesha for contentment

Female forms are consistently used to depict material states.
1. Kali for the wild
2. Gauri for the cultivated
3. Lakshmi for resources
4. Saraswati for communication
5. Durga for battle
6. Uma for household
7. Annapurna for kitchen
8. Chamundi for crematorium

Why are male forms used to depict the invisible reality of the mind and female forms for the visible reality of matter? The reason is relatively simple if one appreciates the male and female anatomy from the point of view of the artist and the storyteller, who carry the burden of communicating Vedic ideas.

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Get your copy of Sati Savitri by Devdutt Pattanaik wherever books are sold.

From Ayodhya to Your Bookshelf: Must-Read Tales of Lord Ram

Posted on January 19, 2024January 22, 2024 by prathod

Step into the world of Lord Ram with our handpicked collection of books, that make the epic tales easy to grasp, offering insights into life lessons, values, and the spirit of India. Whether you’re familiar with the Ramayana or new to these stories, join us in celebrating the historic inauguration of the Ram Mandir by exploring the wisdom and cultural richness found within the pages of these sacred books.

Teachings from the Ramayana on Family & Life || Shantanu Gupta

With the help of twenty-five stories from the Ramayana, this book offers essential life lessons for a happy family life. Throwing light on challenging real-life scenarios that often perplex us, Teachings from the Ramayana offers simple ways to negotiate those challenges. From how to effectively deal with negative company to the value of meaningful friendship and the importance of a good guide—this book is packed with ideas, drawn from the great epic, that you can put to use in your day-to-day life. Through this personal engagement with the Ramayana you can find solutions to life’s many problems.

Penguin 35 Collectors Edition: The Book of Ram || Devdutt Pattanaik

E is Eka-vachani, a king who always keeps his word; Eka-bani, an archer who strikes his target with the first arrow; and Eka-patni, a husband who is eternally and absolutely devoted to a single wife. He is maryada purushottam Ram, the supreme upholder of social values, the scion of the Raghu clan, jewel of the solar dynasty, the seventh avatar of Vishnu, God who establishes order in worldly life. Hindus believe that in stressful and tumultuous times chanting Ram’s name and hearing his tale, the Ramayan, brings stability, hope, peace and prosperity. Reviled by feminists, appropriated by politicians, Ram remains serene in his majesty, the only Hindu deity to be worshipped as a king.

The Valmiki Ramayana (Box Set) || Bibek Debroy

The Valmiki Ramayana remains a living force in the lives of the Indian people. A timeless epic, it recounts the legend of the noble prince Rama and his battle to vanquish the demon king Ravana.

Even before he is crowned king of Ayodhya, Rama is exiled to the Dandaka forests where he is accompanied by his beauteous wife Sita and loyal brother Lakshmana. Deep in the jungle, Sita is abducted by Ravana and taken to his island kingdom Lanka, setting into motion a dramatic chain of events that culminates in an epoch-defining war. Filled with adventure and spectacle, the Ramayana is also the poignant story of a family caught up in the conflict between personal duty and individual desires.

In Bibek Debroy’s majestic new translation, the complete and unabridged text of the Critical Edition of this beloved epic can now be relished by a new generation of readers.

The Best of Indian Mythology Box Set || Devdutt Pattanaik

Take an epic voyage with Devdutt through ancient and mythological worlds. This captivating, richly illustrated narrative will regale readers with the many legends and parables that make our collective cultural heritage. Through decades of research, Devdutt decodes ancient epic tales and presents them with a blend of simplicity, candidness, and elegance. This box-set is sure to ring in the festive spirit this holiday season.

Ramayana, Mahabharata, Bhagavata || Devdutt Pattanaik

An enthralling retelling of India’s greatest epic, the Mahabharata, Jaya seamlessly weaves into a single narrative plots from the Sanskrit classic as well as its many folk and regional variants. With clarity and simplicity, the tales in this elegant volume reveal the eternal relevance of the Mahabharata and the complex and disturbing meditation on the human condition that has shaped Indian thought for over 3000 years.
Sita approaches Ram and the Ramayana by speculating on the titular character: her childhood with her father, Janaka, who hosted sages mentioned in the Upanishads; her stay in the forest with her husband, who had to be a celibate ascetic while she was in the prime of her youth; her interactions with the women of Lanka, recipes she exchanged, the emotions they shared; her role as a goddess, the untamed Kali as well as the demure Gauri, in transforming the stoic prince of Ayodhya into God.
The Bhagavata is the story of Krishna, known as Shyam to those who find beauty, wisdom and love in his dark complexion. Shyam tells the story of Krishna’s birth and his death, bringing together the fragments of this great epic composed over thousands of years, first as the Harivamsa, then as the Bhagavata Purana, and finally as the passionate songs of poet-sages in various regional languages.

In Search of Sita presents essays, conversations and commentaries that explore different aspects of her life. It revisits mythology, reopening the debate on her birth, her days in exile, her abduction, the test by fire, the birth of her sons and, finally, her return to the earth-offering fresh interpretations of this enigmatic figure and her indelible impact on our everyday lives.

he Ramayana for Children || Bulbul Sharma

In this fast-moving version for children, the ancient saga-with infinite stories woven in-takes on new life. With the perfect mix of drama and excitement, gods and princes, and love and war, this contemporary retelling makes for an ideal read for young readers.

Told with simplicity, freshness and great vitality by Bulbul Sharma, this book has remained a perennial classic for decades.

The most popular devotional text recounting the adventures of the Hindu god Ram
The Ramcharitmanas, composed by the poet-saint Tulsidas in the sixteenth century during a dynamic period of religious reform, was instrumental in making the story of Ram-and his divine feats against Ravan, the demon king of Lanka-widely accessible to the common people for the first time. Prior to that, this tale was exclusively the preserve of the priestly class who could read Valmiki’s Sanskrit epic, The Ramayana. By reimagining Valmiki’s text in the vernacular language, as a poem to be imbibed through recitation rather than reading, Tulsidas kindled a devotional revolution, forever changing the religious and social landscape of northern India.
Rohini Chowdhury’s exquisite translation brings Tulsidas’s magnum opus vividly to life, and her detailed introduction sheds crucial light on the poet and his work, placing them both in the wider context of Hindi literature.

The Girl Who Chose & The Boys Who Fought || Pattanaik Devdutt

A BOOK ABOUT CONSENT AND CHOOSING RESPONSIBLY

The Ramayana, the ancient tale of Ram and Ravana, is one that has been reinterpreted in
myriad ways exalting the virtues of the princes. Few notice, however, that the story is actually led by the girl who chose, Sita.

A BOOK ABOUT HANDLING BULLIES AND BEING HUMBLE

The Mahabharata is the tale of the five Pandavas and their cousins, the hundred Kauravas, who threw out family morals. Instead of taking care of their five orphaned cousins, the princes burnt their house, abused their wife and stole their kingdom. This is the saga of the boys who fought, not for revenge but for dharma.

The vibration of the sacred sound of her beloved’s name, ‘Ram’, filled her mind as it emanated from the tiny Vanara. ‘His being is filled with Rama,’ she pondered, ‘but does he know me?’

Sita, the beloved princess of Mithila, is one of the most revered women in Indian history; so well known, yet probably the least understood. At every crossroad of her life, she chose acceptance and grace over self-pity. Her life was filled with sacrifice yet wherever she was, there was abundance. It was as if she was carved out of an intense longing for Rama, yet she had infinite patience. In every situation she reflected his light and he reflected her love.

In her, we find someone who is so divine yet so human.

In this poignant narration, Bhanumathi shows us the world through the eyes of Sita. We think what Sita thinks, we feel what she feels, and for these few special moments, we become a part of her. And perhaps, through this perspective, and Sita’s immortal story, we will discover the true strength of a woman.

Must-read books of August

Posted on August 6, 2021 by kavyawahi

We know that the little ones are busy adoring the blue sky these days turning into purple-pink and are wondering whether to mutter ‘Oh! August is finally here!’ or ‘Aww! It’s only August’. So, taking care of their visual palette, we intend to captivate their attention with our vibrant and colourful covers of our latest releases in August and promise to keep them entertained, engrossed, and ecstatic. The curated list ranges from care to courage, mantra to nostalgia, and struggle to success. It’s time for you to make some space in your bookshelves for these amazing titles.

Here is a list of our recommendations for August.

A Giant Leap

This is one of the books in the One Day Elsewhere series. It’s 20 July 1969. At home, June is waiting for a big event, the biggest of her life: the birth of the baby that’s in her mother’s belly. But in the hospital, on the streets, everyone else is waiting for another big event: a man is about to walk on the Moon.

My Father’s Courage

Aslam helplessly witnesses his father’s arrest: he disobeyed the British authorities by harvesting salt-a heavily taxed item. The boy is assailed with doubt. Why did his father break the law? Why doesn’t sea salt belong to everyone? When he learns that Gandhiji is going to be marching through his village of Jalalpore, Aslam feels hopeful. He is the only one who can oppose the authorities and, maybe, free his father.

The Black Tide

Yann, the son of a fisherman in Portsall, loves selling fish at the port with his father. He lays out the ice, puts the fish on it and plays shop. But one day, the sea is very rough. The storm and the wind bring a terrible smell and devastating news: there has been a shipwreck and an oil spill!

Shyam, Our Little Krishna

In this all-in-one storybook, picture book and colouring book, India’s most-loved mythologist Devdutt Pattanaik introduces the story of Krishna, fondly known as Shyam, to a new generation of readers. Told simply in his inimitable style, Shyam, Our Little Krishna is perfect as a read-aloud to acquaint young readers with the beauty, wisdom and love that Krishna embodied. The book is curated with fascinating bite-sized stories, myths and trivia about the young god, and it features over forty playful artworks accompanied by pages dedicated for colouring.

How the Earth Got Its Beauty

Have you ever stopped to marvel at the earth’s beauty: at snow-capped mountains and oceans so deep; at colourful flowers and extraordinary animals? The tale of how such beauty came into existence is a curious one indeed. India’s favourite storyteller brings alive this timeless tale with her inimitable wit and simplicity. Tricked out with enchanting illustrations, this gorgeous chapter book is the ideal introduction for beginners to the world of Sudha Murty.

10 Indian Heroes Who Help People Live With Dignity

This book tells the stories of ten Indian heroes who have been working in diverse fields to help society’s most vulnerable live a better life–from securing mobility rights for people with disability to abolishing the practice of manual scavenging. While their challenges are different, what they have in common is the desire to see all human beings live a life of dignity. Journalist Somak Ghoshal writes about the below-mentioned women and men who are trying to make the world a more just and equitable place for everyone.

Irom Sharmila Chanu
Aruna Roy
Bezwada Wilson
Medha Patkar
Dr Devi Shetty
Bhanwari Devi
Menaka Guruswamy
Anup Surendranath
Satinath Sarangi
Mahantesh GK

Bringing Back Grandpa

As his Grandpa gets ill and more confused, Xerxes’ life becomes correspondingly difficult. There are boys at school playing all kinds of mean tricks on him and his mother wants him to excel, as usual-but it is hard when his main ally Grandpa is not himself. How is Xerxes going to cope with the different things people expect of him? Will he make peace in school? And most importantly, can he help Grandpa become better?

Let’s Go Time Travelling Again!

How did Indian mulmuls make it into Cleopatra’s wardrobe? Who popularized the Mahabharata in households across the country? Did our ancestors really identify Jupiter and Saturn without even a telescope?

Find the answers to these and many other unusual questions about the India of yesterday. Go time travelling through the alleys of history and explore the many occupations that have existed through time-from dancers and playwrights to farmers and doctors. Sift through snapshots of the rich life led by ordinary Indians and discover unexpected titbits about language, food and culture.

Told through portraits of children growing up in the villages, towns and courts of our country, this sequel to the award-winning Let’s Go Time Travelling is a vivid glimpse into our past.

A Cello on the Wall

On an ordinary afternoon in West Berlin, Charlie discovers a cello that once belonged to his grandmother. His parents had fled East Berlin with this cello many years ago, while Charlie,s grandparents still live on the other side of the wall. But the year is 1989 and revolt rumbles in the streets of Berlin to tear down the wall. This book is another one in the One Day Elsewhere series.

Postbox Kashmir

Do only Muslims live in Kashmir?

Why do girls in Kashmir do stone pelting?

Whom do they want freedom from?

Can you imagine being confined to the four walls of your home with no internet, no social media?

Are Kashmiris really invisible to the rest of the country?

These are some of the questions two teenagers–Saumya in Delhi and Duaa in Kashmir–asked through letters they exchanged over almost three years.

Framing these letters is the detailed history and commentary provided by Divya Arya, a BBC journalist who asked them to be pen pals, which places their conversations against the backdrop of the political history and turbulent present of Kashmir and India. Postbox Kashmir takes on the challenging task of attempting to portray life in Kashmir from the perspective of the young minds growing inside it and providing a context of understanding for the young generation watching it from the outside.

6 Quotes You Must Read on Gender and Sexuality

Posted on June 3, 2021June 3, 2021 by Penguin India

While many use religion to justify why they are being unfair to a person’s gender and sexuality, Devdutt Pattanaik in his books The Pregnant King and Shikhandi And Other Queer Tales They Don’t Tell You shows how mythologies across the world appreciate what we deem as queer.
Here are 6 quotes on what it means to be a man, a woman, or a queer.
What it feels to be a woman

Repercussion of Patriarchy

The meaning of queer in different mythologies

Should the queer hide or be heard like the thunderous clap of the hijra?

The functions of the forms

Traces of feminism in Hindu mythology

Read Devdutt Pattanaik’s The Pregnant King and Shikhandi And Other Queer Tales They Don’t Tell You and make sense of queerness and the diversity in society.

Tales as old as time: Mythological reads for you!

Posted on October 21, 2020October 22, 2020 by swara

This month, we have been revisiting tales as old as time from the immersive world of Indian mythology and our favourite epics!

Scroll down to have a look at our reading list and join us on this journey!

The Aryavarta Chronicles

Govinda: The Aryavarta Chronicles Book 1

Front cover of Govinda — Govinda || Krishna Udayasankar

For generations, the Firstborn dynasty of scholar-sages, descendants of Vasishta Varuni and protectors of the Divine Order on earth, has dominated here. For just as long, the Angirasa family of Firewrights, weapon-makers to the kings and master inventors, has defied them. In the aftermath of the centuries-long conflict between the two orders, the once-united empire of Aryavarta lies splintered, a shadow of its former glorious self.

Kaurava: The Aryavarta Chronicles Book 2

Front cover of Kaurava — Kaurava || Krishna Udayasankar

Emperor Dharma Yudhisthir of the Kauravas and Empress Panchali Draupadi rule over a unified Aryavarta, an empire built for them by Govinda Shauri with the blessings of the Firstborn and by the might of those whom everyone believes long gone – the Firewrights.

Now the Firewrights rise from the ashes of the past, divided as before in purpose and allegiance, and no one,

His every dream shattered, Govinda is left a broken man. The only way he can protect Aryavarta and the woman in whose trusted hands he had left it is by playing a dangerous game. But can he bring himself to reveal the terrible secrets that the Vyasa has guarded all his life – secrets that may well destroy the Firstborn, and the Firewrights with them?

Kurukshetra: The Aryavarta Chronicles Book 3

Front cover of Kurukshetra — Kurukshetra || Krishna Udayasankar

The empire that was Aryavarta fades under the shadow of doom. As the bitter struggle to gain control of the divided kingdom ensues, both Krishna Dwaipayana Vyasa of the Firstborn and the Secret Keeper of the Firewrights can only watch as their own blood, their kin, savage and kill on the fields of Kurukshetra. Restraint and reason have deserted the rulers who once protected the land and they manipulate, scheme and kill with abandon – for victory is all that matters.

Reforging the forsaken realm in the fire of his apocalyptic wrath, Govinda prepares to destroy everything he loves and make the ultimate sacrifice for the sake of one last hope: that humanity will rise.

Vanara: The Legend of Baali, Sugreeva and Tara

Front cover of Vanara — Vanara || Anand Neelakantan

Baali and Sugreeva of the Vana Nara tribe were orphan brothers who were born in abject poverty and grew up as slaves like most of their fellow tribesmen. They were often mocked as the vanaras, the monkey men. Sandwiched between the never-ending war between the Deva tribes in the north and the Asura tribes in the south, the Vana Naras seemed to have lost all hope. But Baali was determined not to die a slave. Aided by his beloved brother, Sugreeva, Baali built a country for his people.

The love triangle between Baali, Tara and Sugreeva is arguably the world’s first.

Vanara is a classic tale of love, lust and betrayal. Shakespearean in its tragic depth and epic in its sweep, Vanara gives voice to the greatest warrior in the Ramayana-Baali.

The Mahabharata (Box Set)

The greatest Indian story ever told of a war between two factions of a family, The Mahabharata has continued to sway the imagination of its readers over the past centuries.

While the dispute over land and kingdom between the warring cousins-the Pandavas and the Kauravas-forms the chief narrative, the primary concern of The Mahabharata is about the conflict of dharma. These conflicts are immense and various, singular and commonplace.

The complete and unabridged Sanskrit classic, now masterfully and accessibly rendered for contemporary readers by Bibek Debroy.

Ramayana, Mahabharata, Bhagvata: Illustrated Retellings of the Greatest Indian Epics Box Set

Jaya: An Illustrated Retelling of the Mahabharata

Front cover of Jaya by Devdutt Pattanaik — Jaya || Devdutt Pattanaik

High above the sky stands Swarga, paradise, abode of the gods. Still above is Vaikuntha, heaven, abode of God.

The doorkeepers of Vaikuntha are the twins, Jaya and Vijaya, both whose names mean ‘victory’. One keeps you in Swarga; the other raises you into Vaikuntha. In Vaikuntha there is bliss forever, in Swarga there is pleasure for only as long as you deserve.

What is the difference between Jaya and Vijaya? Solve this puzzle and you will solve the mystery of the Mahabharata.

Sita: An Illustrated Retelling of the Ramayana

Front cover of Sita by Devdutt Pattanaik — Sita || Devdutt Pattanaik

It is significant that the only character in Hindu mythology, a king at that, to be given the title of ekam-patni-vrata, devoted to a single wife, is associated with the most unjust act of abandoning her in the forest to protect family reputation.

This book approaches Ram by speculating on Sita—her childhood with her father, Janak, who hosted sages mentioned in the Upanishads; her stay in the forest with her husband who had to be a celibate ascetic while she was in the prime of her youth; her interactions with the women of Lanka, recipes she exchanged, emotions they shared; her connection with the earth, her mother; her role as the Goddess, the untamed Kali as well as the demure Gauri, in transforming the stoic prince of Ayodhya into God.

Shyam: An Illustrated Retelling of the Bhagavata

Front cover of Shyam by Devdutt Pattanaik — Shyam || Devdutt Pattanaik

The Bhagavata is the story of Krishna, known as Shyam to those who find beauty, wisdom and love in his dark complexion. It is the third great Hindu epic after the Mahabharata and the Ramayana.

This book seamlessly weaves the story from Krishna’s birth to his death, or rather from his descent to the butter-smeared world of happy women to his ascent from the blood-soaked world of angry men.

Myth = Mithya

In this groundbreaking book Dr Devdutt Pattanaik; one of India’s most popular mythologists; seeks an answer to these apparent paradoxes and unravels an inherited truth about life and death; nature and culture; perfection and possibility. He retells sacred Hindu stories and decodes Hindu symbols and rituals; using a unique style of commentary; illustrations and diagrams. We discover why the villainous Kauravas went to heaven and the virtuous Pandavas (all except Yudhishtira) were sent to hell; why Rama despite abandoning the innocent Sita remains the model king; why the blood-drinking Kali is another form of the milk-giving Gauri; and why Shiva wrenched off the fifth head of Brahma.

—

The Bhagavata retold with illustrations – An excerpt

Posted on August 10, 2018October 1, 2020 by Penguin India

The Bhagavata is the story of Krishna, known as Shyam to those who find beauty, wisdom and love in his dark complexion. It is the third great Hindu epic after the Mahabharata and the Ramayana. However, this narration was composed in fragments over thousands of years.
Devdutt Pattanaik’s book, Shyam seamlessly weaves the story from Krishna’s birth to his death, or rather from his descent to the butter-smeared world of happy women to his ascent from the blood-soaked world of angry men.
While talking of Shyam, Vyasa told Shuka, ‘Some tried to hurt him, he who cannot be hurt. Some tried to protect him, he who needs no protection. Let these tales make you sing lullabies for Shyam who sleeps in the cradle.’
Here is an excerpt of two of the stories from the book that talk about Shyam destroying Putana and Trinavarta, as an infant.

In keeping with tradition, nursing mothers in the village and in the surrounding countryside gathered in Yashoda’s house to offer their milk to her son. Among them was the wet nurse Putana.
Putana had been ordered by Kamsa to fill her breasts with poison and kill every newborn in Vraja. ‘Hopefully, one of them will be the child who escaped, the one destined to kill me.’ Putana let her love for Kamsa eclipse the morality of her action.
After nursing hundreds of infants to death, she arrived at Nanda’s house. ‘Let me feed your little boy,’ she said, a smile on her face and murder in her heart. Shyam leapt into her arms in glee. ‘See, he already likes me!’ Turning to Rohini she said, ‘You carry on with your chores. The child is safe with me.’
With everyone gone, Putana settled Shyam at her breast and let him suckle. She waited patiently for his cherubic limbs to go limp. She waited and waited, but the child showed no signs of slowing down. If anything, he sucked with greater vigour. Feeling uncomfortable, she tried pulling him away, but the dark child clung to her white breast like a baby monkey, suckling furiously. Putana grew weak. She could neither stand nor sit. The child, she realized, was drinking not her milk but her life. She opened her mouth to let out a bloodcurdling scream but the sound caught in her throat. Her vision blurred. And then she breathed no more.

Then Kamsa invoked Trinavarta to sweep into Gokul like the wind, scoop up the child who killed his beloved Putana and dash him to the ground before his mother’s eyes.
Trinavarta transformed into a whirlwind, flew across the Yamuna to Gokul where he found Shyam in the courtyard of Nanda’s house. Yashoda was churning butter while Nanda was busy cleaning the cowsheds. The wind demon swooped down like a hawk and carried the child away. He rose high in the sky, intent on hurling Shyam down from a great height.
But the higher Trinavarta rose, the heavier Shyam became. Though he still looked like an infant, barely three months old, sleeping soundly, unaware of the wind demon’s foul intentions, he weighed as much as a mountain.
When Shyam awoke and found that he was high above the earth, he did not cry. Nor was he afraid. He firmly clung to Trinavarta’s neck as if to steady himself. Trinavarta felt himself choking. Breathless, he could no longer whirl. Reduced to a harmless draught, he slunk back to earth.
It was only when Trinavarta placed Shyam back in his cradle that the child eased his grip. Trinavarta then collapsed and died. That day, the air over Gokul stood still as if in awe of Shyam’s strength.

6 Facts About The Mahabharata You Might Not Know About

Posted on November 2, 2017February 25, 2020 by Penguin India

Mahabharata is one of the major Sanskrit epics of ancient India. It has been retold in various locales, and in many histories. Devdutt Pattanaik in The Boys Who Fought retells the story of Mahabharata, the significant Kurukshetra War, and fates of Pandava and Kaurava princes in a charmingly illustrated form.
Here are a few significant facts on the Mahabharata and its episodes

How many of these facts did you already know?

The Simple Messages Hidden in ‘Mahabharata’: ‘The Boys Who Fought’

Posted on October 1, 2017February 25, 2020 by Penguin India

The story of Mahabharata has been retold countless times through generations and one instinctively comes to identify it with the great battle of Kurukshetra.
But going beyond all the animosity and rivalry that overarches the epic, Mahabharata espouses some important messages for life, an aspect Devdutt Pattanaik has brought forth for us in The Boys Who Fought.
Here are a few times we were reminded of the simple but impactful messages from the Mahabharata that transcend time and remain equally relevant even today.
When Vyasa wondered about the progress humankind had truly made.

When Ekalavya showed us the meaning of control, as opposed to destruction.

When we were reminded of the true meaning of ‘life’.

When we were told about the vicious cycles humankind gets trapped in.

Know more about the timeless messages of the Mahabharata with Devdutt Pattanaik’s beautifully illustrated book today!

6 books You Should Read This Navratri

Posted on September 27, 2017February 25, 2020 by Penguin India

Navratri is a celebration of womanhood and the different forms of a woman. The various goddesses in Hinduism embody different ideals.
Here’s a list of 6 books to celebrate the power of women, this Navratri

Devi, Diva or She-Devil

Like Durga with her ten arms defeated Mahishasura on the battlefield, Sudha Menon’s book Devi, Diva or She-Devil explores the plethora of challenges women face in the professional world and deal with them.

Step Up : How Women Can Perform Better For Success

In an effort to help women achieve the ultimate goal in their personal and professional space, author Anju Jain in Step Up elucidates practical techniques in a simple matrix for women to become successful. The book features interviews with key figures such as Kiran Mazumdar Shaw (Biocon), Sonia Singh (NDTV), Devyani Rana (Caterpillar), Geetu Verma (Unilever) which shows how the modern day woman embodies Goddess Shakti and triumphs over personal and professional arenas.

Millionaire Housewives

In this book, the authors explore the lives of 12 enterprising homemakers who in spite of having no past experience in business, managed to build successful empires through their ambitious zeal for work, defying all stereotypes. Extending their good luck charm in business, they are the Lakshmis of the house who embody prosperity and wealth.

Kali

Seema Mohanty traces the evolution of the Goddess Kali in her book The Book of Kali. The goddess confronts the world in her unconventional persona – challenging the orthodox ideas of divinity. This book highlights the various forms and rituals associated in which the goddess is worshipped.

Jaya

In a modern re-telling of the Mahabharata, Devdutt Patnaik’s book Jaya not only features 250 line illustrations, it also includes women’s stories, other than Draupadi’s such as Satyawati, Kunti, Gandhari). The ending is not what one would expect, and almost is the sole reason why the book was originally called Jaya by Vyasa.

Sita

History has romanticised Rama at the cost of marginalizing the role that Sita played in ‘The Ramayana’. Devdutt Pattanaik’s book Sita re-imagines the world of Sita. It emphasizes on the fact that though portrayed as a submissive character, Sita was a woman of mighty demeanor and strength.
Which book are you reading this Navratri?

The Great Animal Kingdom of Hindu Mythology: ‘Pashu’ — An Excerpt

Posted on September 18, 2017February 23, 2020 by Penguin India

Hindu mythology not only has some of the most interesting human characters ever, but a huge kingdom of animals too. From fish that save the world to horses that fly higher than birds, every animal in Hindu mythology has a story to tell and a lesson to teach.
Devdutt Pattanaik’s ‘Pashu’ dives into this bizarre, wonderful world of mythological animals and unravels a secret or two about it.
Here’s a snippet from ‘Pashu’ that is sure to make you want to find out more!
Brahma, the creator, had a son called Kashyapa. Kashyapa had many wives who bore him different types of children. Aditi gave birth to the devas—gods who live in the sky. Diti gave birth to the asuras— demons who live under the earth. Kadru gave birth to the nagas, slithering serpents and worms that crawl on trees and on earth. Vinata gave birth to garudas, birds and insects that fly in the air. Sarama gave birth to all the wild creatures with claws and Surabhi gave birth to all the gentle animals with hooves. Timi gave birth to all the fishes and Surasa gave birth to monsters. Thus, all gods, demons, animals and even humans have a common ancestor in Kashyapa. They call him Prajapati, father of all creatures. His story is found in the Puranas, books that are at least two thousand years old.
There are also other theories of how animals came into being. Some can be found in earlier books, while some have never been written but passed down orally by stargazers and storytellers.
Brahma and Shatarupa: The first man, Brahma, saw the first woman, Shatarupa, and fell in love with her. He tried to touch her. She laughed and ran away. He followed her. To avoid getting caught, she turned into a doe. To catch up with her, he turned into a stag. She then became a mare. He became a stallion. She transformed into a cow. He turned into a bull. She became a goose and flew up into the air. He followed her, taking the form of a gander. Every time she took a female form, he took the corresponding male form. This went on for millions of years. Thus, over time, all kinds of beasts came into being, from ants and elephants to dogs and cats. So say the Upanishads, conversations that took place nearly three thousand years ago.
Yogasanas: Shiva, the great yogi, was at peace with himself. In his joy, he assumed many poses, known as asanas. Many of these poses resembled animals. For example, the ustra-asana resembled a camel. When Shiva took this pose, camels came into being. From the matsya-asana, fishes came into being. From the bhujang-asana, snakes came into being. From the salabh-asana, locusts came into being. From the go-mukha-asana, cows came into being. Shiva thus stood in millions of poses, giving rise to millions of different kinds of animals. So says the lore of yogis.
Avatars: From time to time, Vishnu, who resides on the ocean of milk, descends to walk on the earth. He takes the form, or avatar, of different animals when he does so. Sometimes he is a fish, sometimes a turtle, sometimes a wild boar, sometimes a swan . . . In memory of the many forms he took, various animals came into being. So the next time you see a fish, remember that it was once a form of Vishnu. And when you see a swan, remember that, too, was once a form of Vishnu.
Rashi: A cluster of stars is known as a constellation. Ancient rishis divided the sky into twelve equal parts, each occupied by a constellation. The constellations are called zodiacs in English and rashis in Sanskrit. Some of the rashis take the form of animals. There is the Mesha or ram constellation that the sun passes through in early summer. Then there is Mina, the fish; Vrishchika, the scorpion; Simha, the lion; and Vrishabha, the bull. After the sun passes the Makara constellation, whose tail is like a fish and head is like an elephant, the days grow longer and warmer, heralding the approach of summer. After the sun passes the Karka or crab constellation, the days become shorter and colder, indicating the approach of winter. This information comes from Jyotisha Shastra, or the books of astrology. Poets often wonder what came first: the constellations or the animals. Did the design of the stars inspire the gods to create the animals?
Yoni: Many Hindus believe that a being gets a human life only after passing through 84,00,000 animal wombs. Astrologers say that one can find out which was the last animal’s womb or yoni one was born in from one’s time of birth. That yoni determines an aspect of one’s personality. Some of the yonis are: elephant, cow, mare, snake, cat, dog, rat, monkey, tiger, goat, buffalo and deer. Which yoni came first—that of man or that of an animal? Are humans the ancestors of animals or is it the other way around? There is no escaping the fact that we are related to the birds and beasts of the forest. They may be our ancestors or they may be our descendants.
Have more questions on the origins of the mythological animal kingdom? Get your copy of ‘Pashu’ now!

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