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Angie Thomas’ books are important lessons on race, friendship and grief

Angie Thomas’ new book Concrete Rose returns to the site of her previous work, The Hate u Give, where the narrative events are catalysed by the police shooting of an unarmed black teenager. We’re returning to Thomas’ books, which are inspiring and necessary, delving into conversations around race, friendship, activism, and giving us characters that are unforgettable. Here is an excerpt from The Hate u Give:

 

A commotion stirs in the middle of the dance floor.

Voices argue louder than the music. Cuss words fly left and right.

front cover The Hate U Give
The Hate U Give||Angie Thomas

My first thought? Kenya walked up on Denasia like she promised. But the voices are deeper than theirs.

Pop! A shot rings out. I duck.

Pop! A second shot. The crowd stampedes toward the door, which leads to more cussing and fighting since it’s impossible for everybody to get out at once.

Khalil grabs my hand. “C’mon.”

There are way too many people and way too much curly hair for me to catch a glimpse of Kenya. “But Kenya—”

“Forget her, let’s go!”

He pulls me through the crowd, shoving people out our way and stepping on shoes. That alone could get us some bullets. I look for Kenya among the panicked faces, but still no sign of her. I don’t try to see who got shot or who did it. You can’t snitch if you don’t know anything.

Cars speed away outside, and people run into the night in any direction where shots aren’t firing off. Khalil leads me to a Chevy Impala parked under a dim streetlight. He pushes me in through the driver’s side, and I climb into the passenger seat. We screech off, leaving chaos in the rearview mirror.

“Always some shit,” he mumbles. “Can’t have a party without somebody getting shot.”

He sounds like my parents. That’s exactly why they don’t let me “go nowhere,” as Kenya puts it. At least not around Garden Heights.

© 2017 Angela Thomas, by permission of Walker Books Ltd.

 

~

Concrete Rose is a return to Garden Heights, seventeen years before the events depicted in The Hate U Give. It is a fierce and inspiring account of what it means to grow up as a black man in the United States. Here is an excerpt:

“That trifling heffa! And I don’t mean Iesha,” Ma says. “I mean her momma!”

Ma ain’t stopped fussing since we left the clinic.

At first I thought Iesha and Ms. Robinson stepped outside. Nah, they left. One of the nurses said she pointed out they were leaving the car seat. Ms. Robinson told her, “We don’t need it anymore,” and shoved Iesha out the door.

We went straight to their house. I banged on the doors, looked through the windows. Nobody answered. We had no choice but to bring li’l man home with us.

front cover Concrete Rose
Concrete Rose||Angie Thomas

I climb our porch steps, carrying him in his car seat. He so caught up in the toys dangling from the handle that he don’t know his momma left him like he nothing.

Ma shove the front door open. “I had a funny feeling when I saw all them clothes in that diaper bag. They shipped him off without a word!”

I set the car seat on the coffee table. What the hell just hap- pened? For real, man. I suddenly got a whole human being in my care when I never even took care of a dog.

“What we do now, Ma?”
“We obviously have to keep him until we find out what Iesha and her momma are up to. This might be for the weekend, but as trifling as they are…” She close her eyes and hold her forehead. “Lord, I hope this girl hasn’t abandoned this baby.”

My heart drop to my kicks. “Abandoned him? What I’m supposed to–”

“You’re gonna do whatever you have to do, Maverick,” she says. “That’s what being a parent means. Your child is now your responsibility. You’ll be changing his diapers. You’ll be feeding him. You’ll be dealing with him in the middle of the night. You—”

Had my whole life turned upside down, and she don’t care.

That’s Ma for you. Granny say she came in the world ready for whatever. When things fall apart, she quick to grab the pieces and make something new outta them.

“Are you listening to me?” she asks.
I scratch my cornrows. “I hear you.”
“I said are you listening? There’s a difference.”
“I’m listening, Ma.”
“Good. They left enough diapers and formula to last the

weekend. I’ll call your aunt ’Nita, see if they have Andre- anna’s old crib. We can set it up in your room.”

My room? He gon’ keep me awake!”

She set her hand on her hip. “Who else he’s supposed to keep awake?”

“Man,” I groan.

“Don’t ‘man’ me! You’re a father now. It’s not about you anymore.” Ma pick up the baby bag. “I’ll fix him a bottle. Can you keep an eye on him, or is that a problem?”

“I’ll watch him,” I mumble.

“Thank you.” She go to the kitchen. “‘He gon’ keep me awake.’ The nerve!”

I plop down on the couch. Li’l Man stare at me from the car seat. That’s what I’m gon’ call him for now, Li’l Man. King Jr. don’t feel right when he my son.

My son. Wild to think that one li’l condom breaking turned me into somebody’s father. I sigh. “Guess it’s you and me now, huh?”

I hold my hand toward him, and he grip my finger. He small to be so strong. “Gah-lee,” I laugh. “You gon’ break my finger.”

He try to put it in his mouth, but I don’t let him. My fingernails dirty as hell. That only make him whine.

“Ay, ay, chill.” I unstrap him and lift him out. He way heavier than he look. I try to rest him in my arms and sup- port his neck like Ma told me to. He whimper and squirm till suddenly he wailing. “Ma!”

She come back with the bottle. “What, Maverick?”
“I can’t hold him right.”
She adjust him in my arms. “You relax, and he’ll relax.

Now here, give him the bottle.” She hand it to me, and I put it in his mouth. “Lower it a little bit, Maverick. You don’t wanna feed him fast. There you go. When he’s halfway through it, burp him. Burp him again when he’s done.”

“How?”
“Hold him against your shoulder and pat his back.”
Hold him right, lower the bottle, burp him. “Ma, I can’t—” “Yes, you can. In fact, you’re doing it now.”

~

Two beautiful, urgent reads that will stay with you.

 

 

 

 

Politics, patriarchy and parochialism-charting the course of a political destiny

Beginning at the peak of Nehruvian era and ending in the early seventies, Devesh Verma’s sharply witty saga The Politician gives an enthralling, evocative view of provincial northern India-once the political heartland of the country-and the ebb and flow of the fortunes of its protagonists.
Ram Mohan is an intrepid and ambitious young man in newly independent India, who refuses to be held down by his humble origins. Spurred on by his diehard optimism, he aims for things usually inaccessible to people of his extraction. However, he soon realizes that without political or bureaucratic power, the idea of a respectable life in India is nothing but pretense, and after a Gulab Singh rescues him from being insulted by a thug, Ram Mohan becomes persuaded of the efficacy of violence in certain situations.
Read on for a glimpse into Ram Mohan’s early days, and his initial faux pas balancing political ambition and political correctness!


The flame of political ambition kindled by Kishan Lal Tiwari was still burning bright in Ram Mohan. It was one of the reasons Ram Mohan did not want to defer his research work any further.

 

Parliamentary and Assembly elections might still be a few years away; he wanted to employ this time to achieve his scholarly objective, a feather in his cap; after which he could think of a way to assert his presence in the political arena as well. It could be either through contesting an election as suggested by Tiwari ji or through associating with the campaign of some important candidate of the Congress. But he was sure if he decided to be in the fray, it would not only be to prove his following. He would fight with a view to securing victory by convincing castes other than Kurmis of his merit. The mere thought of surprising them by his ability to quote from Sanskrit classics and Tulsidas’s Ramcharitmanas was uplifting.

 

He was never apolitical, but his interest in politics after meeting Tiwari ji had jumped to another level; he would make it a point now to keep abreast of all important political happenings. Just the previous year, he had taken part in a public meeting in Kanpur organized to condemn the allegations of corruption against Nehru government. It was district Congress committee’s answer to the protest rallies of the Communist Party and the People’s Union, the right-wing Hindu party; the former had a strong support base among the workers in state-owned mills of Kanpur, the latter drew its strength from the city’s Hindu shopkeepers. Given his poor grasp of the details, Ram Mohan simply lambasted the opposition, declaring that it was a sin to even insinuate that the allegations could be true; to back up his contention, he invoked the figures of Gandhi, Patel, Nehru and the like whose values were the cornerstone of the Congress. Biting at each word, Ram Mohan wondered how a respectable member of the Union cabinet chosen by Nehru ji could be accused of any financial misconduct. His speech had brought tears to the eyes of some old Congressmen.

 

Later however, the controversy had transformed into a monstrous scandal, brought to light by none other than Nehru’s estranged son-in-law, a Congress MP. He had raised the issue in Parliament. What had seemed to have transpired was that the Life Insurance Corporation of India had ploughed a huge amount of money into a private company of tenuous reputation; the shares were bought the day the stock markets were closed and at a price much above their market-value. The resulting uproar forced the government to order a judicial enquiry, which found the finance minister guilty of making the fraudulent investment. He had no option but to resign. It was the first big instance of government corruption coming to surface in independent India, which shocked Ram Mohan into making a fetish of financial honesty and pouring scorn on people suspected of bribery. Before Ram Mohan could plunge into research on the poetsaint, there had been a couple of more Congress-related events to engage him.

 

Soon after the scandal, Nehru dropped the bomb of his reluctance to continue as PM, arguing the position demanded ceaseless work, leaving him with no time ‘for quiet thinking’. The Congress was thrown into turmoil. Congressmen across the country were falling over themselves to issue appeals to the party to pay no heed to the hideous idea. When local congress leaders in Kanpur met to pass a resolution against Pandit ji’s ‘request’, Ram Mohan committed a political faux pas by suggesting— to the extreme embarrassment of all the office bearers in the committee—that the resolution should also urge Nehru ji to identify and nurture an alternative leadership before he could think of quitting. Ram Mohan had to be shouted down by all those present. ‘We’re shocked and disgusted at this temerity,’ bellowed a committee member. Anyway, the crisis blew over shortly as Nehru quit the idea of quitting by bowing down to the party’s wish.

The Politician Front Cover
The Politician || Devesh Verma

 

Moni Mohsin on Ruby, politics, and choices

Moni Mohsin sat with us for an absolutely delightful chat, and we just can’t get enough of her (and her book The Impeccable Integrity of Ruby R of course!)

 

South Asian literature has historically been seen as heavy and weighted, so do you feel a little more liberated working with a freer style like satire?

MM: It’s not that satire is lighter per se because you can go to really dark places with satire too. I choose to write social commentary that allows me to portray my society as accurately and as truthfully as I can while also exploring its more comedic side.

 

If you had to pick five desert island reads, they would be:

MM: Ah! This is a difficult one not least because my essential reading keeps changing, but if I have to give you top five today they would be:

George Eliot’s Middlemarch because it is so wise, profound and capacious.

Digging to America by Anne Tyler for its wryness, humour and subtlety.

The Complete Works of Shakespeare because God knows when I’ll be rescued.

Some David Sedaris to lift my spirits.

Nuskha-e-Wafa by Faiz Ahmed Faiz so I can keep myself busy by learning all of his greatest  ghazals and nazams by heart and stunning everyone with my brilliance when I finally get rescued.

 

How have you been spending your days indoors?

MM: Editing, writing, recording my podcast ‘Browned Off’ and watching tons of Netflix. And eating chocolate!

 

If you didn’t pick satire, what would be another narrative style that you might consider?

MM: I’d write funny romances and whodunnits.

 

Do you think social media can have a positive impact in a field like politics, or is that too positivist? In theory of course yes, it is possible, like anything else, but do you think the system and political structures create politicians and workers on ground level who could actually wield it as a constructive tool?

MM: Of course social media can have a positive impact. Many activists use it for just such a purpose: they speak truth to power and set the record straight. As with everything else, in using social media too there is a choice involved.

 

What would Ruby do if she were embroiled in today’s South Asian politics? Do you think she would play the system like a fiddle or is the current situation maybe a bit too much even for her?

MM: She would do exactly what she does in the novel: she’d start off believing she is doing good. But very soon, in order to prove her loyalty to her party, she’d find herself peddling misinformation and abusing anyone who disagreed with the party line. And she’d still believe she was doing good.

 

There is a general despondency that seems to have settled in amongst people, with the pandemic and the general world-politics vortex where something goes wrong every day. We find ourselves once again in an age of anxiety. Do you think satire has the potential to push society towards introspection at such a time? Or is it consumed more like page 3 entertainment because people are too tired?

front cover The Impeccable Integrity of Ruby R
The Impeccable Integrity of Ruby R||Moni Mohsin

MM: I don’t really know. I think for satire to act as a catalyst for reform, there has to be some consensus on morality – on what we deem to be right and what we believe to be wrong. But in today’s deeply divided world I’m not sure we have that agreement any longer, if we ever did. My own ambitions as a writer are more modest. I am pleased if I can make someone smile when they read my work or recognize something I’ve written as being truthful.

 

Power and age very easily sway younger, more impressionable people. It happens with Ruby as well, who listens to one speech by Saif Haq and completely discards her reservations about a figure like him. Was the affair between Saif and Ruby a conscious narrative choice from the very beginning, considering it echoes the #metoo movement very closely, or was it something that born later out of the sequence of narrative events?

MM:  It is not just the young who fall prey to the false promises of the powerful and the privileged. The affair between Ruby and Saif, while it is an actual thing in the book, is also meant to function as a metaphor for how we the public, who should know better, allow ourselves to be seduced by celebrity and by the intoxicating but divisive rhetoric of populist leaders.

 

Saif is said to have been modelled on Imran Khan, although he is an echo of several public figures we have seen. Did you have any specific figure in mind when you wrote him or is he more of an amalgamation?

MM: In creating Saif Khan I channelled the arrogance, entitlement and charisma of several populist leaders who are prominent in the world today.

 

The heightened focus on integrity in a field that obviously seems to have none is a very striking anomaly through the novel. In India for example politics seems to have given up on pretences and external polish. Do you think perhaps that morally bankrupt politicians are more effective when they work with the façade of integrity, parading the importance of being earnest? Or is the scene changing in that regard?

MM: I don’t think that Indian leaders have dispensed with their soaring rhetoric about purifying their country and returning to some mythical golden age while simultaneously stepping into a glittering future. Populist leaders never tell their adoring public the truth: that they have no quick fixes and that meaningful change comes only through hard work and sacrifice. The best they can do when their hypocrisy or incompetence comes to light is to either blame others (the opposition, or minorities, or bad neighbours or hostile super powers or the ‘lying’ media or whatever) or else, conveniently ignoring the truth.

~

The Impeccable Integrity of Ruby R is an exciting satire on the life and times of our current politics.

 

A (w)hOle world of wonderful adventures

The hOle Books are incredibly fun and delightful. Full of beautiful illustrations, they bring to life the lives of young protagonists who face challenges and emerge more well-rounded. There are a million reasons to pick up any of these books. Here are a few:

 

front cover The Clockwala's Clues
The Clockwala’s Clues||Varsha Seshan

 

The Clockwala’s Clues

by Varsha Seshan

Varsha Seshan’s The Clockwala’s Clues will keep you glued to its pages. Jasmine and Sheba want to get stray puppies off the street by encouraging people to adopt them. But Sheba has a problem managing her time, and her father is going to send her off to learn time management over the summer. Who will adopt the puppies then? How will Jasmine manage this feat on her own?

This quick read is more than the adventures of two girls. It is also a fantastic look into solving real parenting issues in creative ways, ways that do not punish children for their excitement and innocent curiosities, but enable them to approach things as challenges.

 

front cover Chumki and The Elephants
Chumki and the Elephants||Lesley D. Biswas

 

 

Chumki and the Elephants

by Lesley D. Biswas

It is a universal fact that Chumki’s Dadi loves sooji ka halwa. So Chumki is naturally stunned when her Dadi feeds her the entirety of the portion given to her. But in the midst of this domestic confusion, some elephants escape from a nearby reserve. Dadi remembers the last time that the elephants came; now that they are here again, will it help her regain her memory?

Lesley D. Biswas’s adorable story works with some serious themes under the surface – a beloved grandmother who is losing her memory, forgetting her own granddaughter’s name cannot be easy to tackle, but Biswas integrates this wonderfully into the story.

 

 

front cover the chirmi chasers
The Chirmi Chasers||Arefa Tehsin

The Chirmi Chasers

by Arefa Tehsin

Nanka’s father Doonga wants to host an inter-school sitola match, which is highly unconventional for everyone he knows. If they win, they will be able to use the sports facilities of Madhopur High to train their students.

If they lose, he will quit his job.

Having picked a rag-tag team of four unlikely players, Doonga proceeds. But will they win?

This is a story not simply about an exciting match with high stakes but also a great exercise on building a team. It shows us that a team can be formed out of unlikely people, that any time people come together to do something and put their mind to it, anything is possible.

 

 

~

Share these wonderful books with your young ones; few things are more precious than discovering new worlds with your little readers.

Five crucial and unforgettable lessons from Sri M

In an interview with The Daily Guardian, Sri M said ‘Fiction is not meant to preach lessons but since there is no fiction without a factual core, readers are sure to be influenced.’

He wasn’t wrong. The stories from his book The Homecoming gave us several valuable lessons to take away, even if that might not have been the intention.

 

  1. Death of a builder

While the story resounds with deep irony, it is also a call to awareness of how intricately human lives and nature are entangled. Now more than ever we have started to live our lives as though nothing outside of our immediate need and greed exists, but in 2020 should have taught us anything, it is that we cannot continue to live in isolation if we want the planet to survive. The story is a beautiful take on a silkworm on its way to metamorphose into a moth before its untimely destruction by harvesters to make silk for the clothes of deities and people who have no time for the actual producer of this silk, or any care for its life.

 

  1. The Porter

Front cover The Homecoming
The Homecoming||Sri M

Krishna is a porter who doesn’t covet other people’s wealth, but circumstances drive him to make an exception. But the story is brutal. He asks for God’s forgiveness in case he doesn’t something wrong, but that forgiveness is not granted, and any wealth Krishna was hoping to gain comes at an enormous price. Perhaps the lesson is that there should be no exceptions to one’s integrity. After all, we can never know the true nature of the exception we are making.

 

  1. The Thief

Sambu, the thief, has the strangest encounter with an old woman, and his life is changed forever. Driven to thieving by dire circumstances and the urgent compulsion to feed his family, Sambu is given a new chance at life. We have the transformative capacity of changing other people’s lives for the better; those who need help can in fact be given a new chance at life if we’re willing to share our privileges with them.

 

  1. The Dimwitted Genius

While Kitcchu does not do well in school, and does not seem to have the aptitude the rest of his classmates do, there is something special about him. He soars in Mathematics and music, and none of his teachers can explain why. In a narrative about a higher secret mission, Sri M once again raises a more direct and urgent flag about the environmental impact humans have on the planet. In some ways, his story has a bleaker underline – the human footprint on the planet is so irreparably destructive, that perhaps only a long-winded miracle can save us now.

 

  1. The Homecoming

When Shivanna mysteriously disappears, his parents’ lives are thrown in a tailspin. But it is soon discovered that Shivanna has left of his own accord, searching for the spiritual Truth that he has read about in the scriptures. He travels from Madikeri to Haridwar, but ends up finding his truth much closer to home than expected. Introspection helps us stay rooted in our pursuits. While journeys across lands may seem necessary, we most often end up chasing after empty illusions. More often than not, what we seek lies closer to home, waiting to be found.

Salma’s women live fragile lives but dream of hope

Salma’s women dream of a better world and better lives. Caught up in their circumstances, this simple dream seems more and more distant. Read an excerpt from Women, Dreaming, translated into English by Meena Kandasamy:

 

Parveen runs as though her head is falling apart. Seeing Amma, Hasan and a few others chase her, she runs even faster. The panic of being captured makes her run without paying heed. She runs bounding across walls, past open grounds, she runs and runs…

Waking suddenly out of this nightmare, Parveen was very relieved that no one had caught her. Drenched in sweat, lazy and reluctant to get out of bed, she started thinking about the nature of her dream, what she could recollect of it, the dregs of an earlier life that tormented her now in the form of fantasy. She hated it. She pinched herself to make sure that she had really got away – and that made her overjoyed – then she once again raided her memories.

Meanwhile, downstairs… ‘Her mother has come to visit Rahim’s wife,’ Hasina heard the violent disdain in Iqbal’s voice. Absorbing her husband’s words, Hasina gathered her loose hair, tied it up in a bun and slowly made her way out of her bedroom. Because she could not see anyone in the living room, she shouted, ‘Parveen, Parveen,’ her voice loud enough to display her authority as mother-in-law.

Parveen shouted back, ‘Maami, here I come,’ as she rushed down the stairs. Hasina saw Subaida trailing behind her daughter. Responding to Subaida’s muted salaam with a loud and prolonged ‘wa ‘alay- kum al-salaam,’ Hasina sat down on the sofa.

When Subaida asks her how she is doing, her tone is reverential, its politeness exaggerated. Hasina’s cold response – ‘By the grace of Allah there is no dearth of wellness here’ – comes across as slightly menacing. Although Subaida is upset that Hasina hasn’t asked her to take a seat, she hesitantly stoops to perch on a corner of the sofa.

Parveen is annoyed and angered by her mother- in-law’s tone and manner, but she quickly pacifies herself, refusing to show any sign of being perturbed.

Front cover Women Dreaming
Women, Dreaming||Salma

‘You took the stairs to be with your daughter without first paying your respects to me,’ Hasina remarked. Subaida, registering the reason for Hasina’s displeasure, attempts to placate her: ‘You were sleeping, that’s why I went to talk with Parveen. It has been two weeks since I saw my daughter, you see, so I was very eager…’

This makes Parveen even angrier, to watch her mother plead and try to make peace in such a cringing act of deference.

Perhaps because Hasina had just woken from a nap, her face appeared to be bloated. She had not parted her jet-black hair, merely tied it up into a loose knot, not a hint of grey visible. Parveen compared her mother’s veiled head; most of Amma’s hair had gone white although both women were of the same age.

‘Here, I have brought some snacks,’ Subaida extended a bag that she had brought with her towards Hasina, who rejected it casually.

‘Why? Who is there to eat them here?’

Parveen ground her teeth in anger – this was all too much to take.

‘So, what happened to your promise of buying a car for us? This Eid or the next one?’

Parveen caught the sarcasm in Hasina’s sudden barb. She looked towards her mother to see how she would react.

Parveen could not forget that this was the same Hasina who on the day of Parveen’s marriage to her son had said, ‘She is not your daughter – from this day, she will be my daughter, she will ease my pain of not having given birth to a girl.’ She wondered if her mother, too, was ruminating on something similar that Hasina had told them in the past…
‘It has been three months since the nikah. When are you going to make good on your promise? Your daughter doesn’t understand the first thing about how to conduct herself. She appears to be unfit for any sort of domestic work, as if she was a college-educated girl. Even after I’ve got a daughter-in-law, I’m the one stuck in the kitchen.’

Subaida regretted having come here. Parveen was meanwhile chastised by Hasina: ‘Why are you standing here like a tree – go and fetch some tea for the both of us.’

Parveen moved towards the kitchen. She was curious to know what excuse her mother was going to provide for the demand of a car – but she also knew that she did not have the strength to listen to her spineless words. They must not have promised a car. Why should they have sought an alliance like this? What was wrong with her? Why did they arrange this wedding? She understood nothing.

She filtered the tea into a tumbler. She carefully stirred only half a spoon of sugar in her mother-in- law’s cup, knowing that she had to keep an eye on her sugar intake.

Though Parveen had eagerly awaited her mother’s arrival, her foremost instinct now was that Amma should leave here immediately. She had wanted to share as many things with her as possible, but now she decided not to confide in her at all. She only wanted her mother to return home peacefully.

With shaking hands, she extended the cup of tea towards her mother-in-law, then served Amma, looking at her intently for some clue.

Hasina, taking a sip and grimacing, remarked: ‘Hmm, it’s too sweet. Why have you poured so much sugar into this? There’s nothing you can do properly. In three months, you have not even learnt how much sugar to add in your mother-in-law’s tea. Go, add some milk to my cup and bring it back.’

Her harsh tone made Parveen feel crushed. She worked out that her mother’s response about the car must have displeased Hasina. She could see from her mother-in-law’s face how embittered and angry she felt.

The house wore a dreadful silence.

~

Women, Dreaming is a beautiful and painful read, both heart-breaking and hopeful at once.

For Paulo Coelho, archery is the vehicle for the clear truths of life

Anyone who reads Paulo Coelho is changed in some fundamental way. The power of his words is rare, and the breadth of his scope is not easily matched. Here is an excerpt from his newest book The Archer, exploring truths of life through an impactful metaphor:

~

‘Tetsuya.’

The boy looked at the stranger, startled.
‘No one in this city has ever seen Tetsuya holding a bow,’ he replied. ‘Everyone here knows him as a carpenter.’

…Tetsuya made as if to resume his work: he was just putting the legs on a table.

‘A man who served as an example for a whole generation cannot just disappear as you did,’ the stranger went on. ‘I followed your teachings, I tried to respect the way of the bow, and I deserve to have you watch me shoot. If you do this, I will go away and I will never tell anyone where to find the greatest of all masters.’

The stranger drew from his bag a long bow made from varnished bamboo, with the grip slightly below center. He bowed to Tetsuya, went out into the garden, and bowed again toward a particular place. Then he took out an arrow fletched with eagle feathers, stood with his legs firmly planted on the ground, so as to have a solid base for shooting, and with one hand brought the bow in front of his face, while with the other he positioned the arrow.

The boy watched with a mixture of glee and amazement. Tetsuya had now stopped working and was observing the stranger with some curiosity.

With the arrow fixed to the bowstring, the stranger raised the bow so that it was level with the middle of his chest. He lifted it above his head and, as he slowly lowered his hands again, began to draw the string back. By the time the arrow was level with his face, the bow was fully drawn. For a moment that seemed to last an eternity, archer and bow remained utterly still. The boy was looking at the place where the arrow was pointing, but could see nothing. Suddenly, the hand on the string opened, the hand was pushed backward, the bow in the other hand described a graceful arc, and the arrow disappeared from view only to reappear in the distance.

‘Go and fetch it,’ said Tetsuya.

The boy returned with the arrow: it had pierced a cherry, which he found on the ground, forty meters away.

Tetsuya bowed to the archer, went to a corner of his workshop, and picked up what looked like a slender piece of wood, delicately curved, wrapped in a long strip of leather. He slowly unwound the leather and revealed a bow similar to the stranger’s, except that it appeared to have seen far more use.

Front cover The Archer
The Archer||Paulo Coelho

‘I have no arrows, so I’ll need to use one of yours. I will do as you ask, but you will have to keep the promise you made, never to reveal the name of the village where I live. If anyone asks you about me, say that you went to the ends of the earth trying to find me and eventually learned that I had been bitten by a snake and had died two days later.’

The stranger nodded and offered him one of his arrows.

Resting one end of the long bamboo bow against the wall and pressing down hard, Tetsuya strung the bow. Then, without a word, he set off toward the mountains.

The stranger and the boy went with him. They walked for an hour, until they reached a large crevice between two rocks through which flowed a rushing river, which could be crossed only by means of a fraying rope bridge almost on the point of collapse.

Quite calmly, Tetsuya walked to the middle of the bridge, which swayed ominously; he bowed to some- thing on the other side, loaded the bow just as the stranger had done, lifted it up, brought it back level with his chest, and fired.

The boy and the stranger saw that a ripe peach, about twenty meters away, had been pierced by the arrow.

‘You pierced a cherry, I pierced a peach,’ said Tetsuya, returning to the safety of the bank. ‘The cherry is smaller. You hit your target from a distance of forty meters, mine was half that. You should, therefore, be able to repeat what I have just done. Stand there in the middle of the bridge and do as I did.’

Terrified, the stranger made his way to the middle of the dilapidated bridge, transfixed by the sheer drop below his feet. He performed the same ritual gestures and shot at the peach tree, but the arrow sailed past.

When he returned to the bank, he was deathly pale.

‘You have skill, dignity, and posture,’ said Tetsuya. ‘You have a good grasp of technique and you have mastered the bow, but you have not mastered your mind. You know how to shoot when all the circumstances are favorable, but if you are on dangerous ground, you cannot hit the target. The archer cannot always choose the battlefield, so start your training again and be prepared for unfavorable situations. Continue in the way of the bow, for it is a whole life’s journey, but remember that a good, accurate shot is very different from one made with peace in your soul.’

The stranger made another deep bow, replaced his bow and his arrows in the long bag he carried over his shoulder, and left.

~

We can’t wait to settle in with The Archer this winter.

 

 

 

The life and dilemmas of Ruby R.

Ruby finds herself in politics, a field where even the best of people like Saif Haq have the moral compass of a plastic bag. But this is a game where Ruby will not be defeated. Get a glimpse into Moni Mohsin’s delightful new read through this excerpt:

 

Ruby had intended to push her way through the crowd to congratulate Saif on his rousing speech. Though neither as sophisticated nor as socially connected as Kiran, Ruby was not lacking in confidence. She knew from experience that diffidence in a woman was seldom rewarded. But once near the lectern, she was overwhelmed by unaccustomed shyness. Hugging her folder to her chest, Ruby lingered at the edge of the cluster around Saif. A couple of girls, she saw with a stab of envy, had managed to push through the thicket of boys and were now at his side, their radiant faces turned up to him like sunflowers.

He beamed at them from his great height. His caramel- coloured eyes crinkled at the corners and long vertical grooves creased his cheeks. Their voices raised in excitement, the boys were all speaking at once. One was suggesting they repair to the college canteen; another was asking how Saif intended to win the next election; a particularly loud one was demanding a selfie with him; Jazz was insisting that they go to a restaurant, while the handler with whom Saif had arrived—a beefy, middle-aged man sporting an ill-fitting blazer and a comb-over—stood by impassively.

Saif raised his hands as if in surrender and said in a loud but amused voice, ‘All right, everyone. All right.’ They fell silent at once. ‘I had a prior appointment, but you know what?’ He grinned at his fans. ‘I’ll cancel it. How’s that?’ His announcement was greeted with whoops of joy. Looking over the bobbing heads surrounding him, Saif glanced briefly at his companion who nodded and turned away. Pulling out a cell phone from his jacket pocket, he went towards the exit. Saif turned back to his admirers and laughed.

‘Okay,’ he said, clapping his hands, ‘let’s go to your restaurant then. But it better be a desi place. I’m sick of bland white food.’

Front Cover Ruby R
The Impeccable Integrity of Ruby R||Moni Mohsin

An ecstatic Jazz, his face lit up by a gigantic grin, whipped out his cell phone and spoke rapid Punjabi into it. Then he announced: ‘It’s arranged. Choy Saab says there’s only one small table  of diners and they’re finishing. Restaurant is empty otherwise. He’ll hold it for us.’ Several students peeled away, citing essays and other commitments, and slouched reluctantly towards the exit. Kiran, brushing past Ruby without a word, followed them out. Ruby had to leave for her babysitting job. She would have to hurry if she wanted to be on time. But she was finding it hard to wrench herself away. It was as if Saif exerted some gravitational pull that forced her to stay in his orbit.

‘Ruby?’ Jazz called out. Their posse, now reduced to a core of about fifteen fans and Saif, was heading towards the exit. ‘You coming?’

‘Er, I’d love to, but I have to go somewhere,’ she said, edging away.

‘Can “somewhere” wait?’ asked Saif. He broke away from the crowd and approached her. ‘You’re a student here, right?’

‘Yes, master’s in business and media,’ she said primly, tightening her grip on her files. ‘But I did my undergrad in political science. From Punjab University, Pakistan,’ she added stupidly, colouring in embarrassment.

‘Wow! I would love to hear your views on our plans.’

Ruby patted her hair to ensure that her protuberant ears hadn’t burst through.

‘It’s just that I have this, er . . . commitment and I . . .’

‘Well, if it’s with someone significant then I mustn’t keep you.’ He smiled his crinkly smile at her.

‘Oh? Oh, no.’ Her hand flew to her mouth. ‘It’s not that. Not at all, no, no.’

‘So, then?’ He cocked a teasing eyebrow.

The group was getting restless behind them. Jazz cleared his throat noisily. Saif, his gaze squarely on Ruby, gave no indication that he had heard. Ruby fiddled with her folder. If she didn’t make it to her job tonight, she would be letting down Annie and Jack. She couldn’t really afford to forgo the payment and fall behind in her bills . . .

‘Okay, I’ll come,’ she said impulsively. ‘But I have to quickly send a text first.’

Ruby was not the impulsive sort. She was, in fact, quite the opposite—calm, cautious, deliberate. But much like the committed dieter who gives into temptation and has a slice of cake, and then follows it with a milkshake because the damage is already done, having broken her iron schedule once at Kiran’s behest, Ruby succumbed again. Knowing for certain that tomorrow would find her back at the library table in her usual place beside the window in the third aisle from the door, Ruby allowed herself this one indulgence. It was a once in a lifetime opportunity. In what world would Saif Haq ever invite Ruby Rauf to dinner again?

~

The Impeccable Integrity of Ruby R is exciting, and we can’t help but wonder how Ruby will fare in Saif’s ruthless world.

Cloudy with a chance of fruitfall

Poondy’s weather reports feature fruits. They fall from the skies. But there’s a lot more happening in this quaint town. Get a glimpse into the magic with this excerpt from Arjun Talwar’s delightful new book, Bim and The Town of Falling Fruit:

Bim

Most of Miss Chitty’s passengers were people who’d just arrived to Poondy. This meant that she had to carry their suitcases and put them on top of her car before taking them to town. If the passengers discovered they were in the wrong Poondy, Miss Chitty had to take these down and say sorry, as if it was all her fault. So she had a habit of telling these newcomers where they were before she touched their bags.

‘This is the Poondy where fruit always falls,’ she would say.

Because if there’s anything special about Poondy, it’s the jackfruit, coconut and toddy trees that are always threatening to drop their fruit on everyone’s heads. Most of these trees lean away from their roots at an angle, so fruit floats above the whole town. There are skinny trees, fat trees, trees you could climb and trees you couldn’t, but the sound of fruit falling is always the same: thrrrump.

…There are two approaches to the problem of falling fruit in Poondy. One is simply to always look up. You see when a jackfruit or coconut breaks off its branch. You move away, your head is saved. On the other hand, two up-lookers might bump into each other. But there are ways to avoid this (for example, by whistling). Even then, an up-looker can easily step into a pile of cow poo. Can you imagine scraping poo off your sandals while looking up?

For a long time, this was the only strategy they had in Poondy. Then Falwala came up with the idea of a fruit-helmet.

A fruit-helmet is a piece of headgear, with or without chinstrap, intended to save the skull from the force of falling fruit. What makes a fruit-helmet special is the gap between the top of the helmet and the head below it. Because of the gap, the head is safe, even when a jackfruit lands on it. A statue of Falwala in a prototype fruit-helmet stands in the middle of the Big Square (Falwala didn’t enjoy his success for long; he was pummelled by a coconut while washing the prototype in a pond).

The helmets look silly. But you can walk freely, whistle or not whistle, have clean feet and, in general, lead a normal life, while living in a world of falling fruit. For these reasons, fruit-helmets are popular with Poondizens. They’re traded in various forms—brightly coloured or unpainted, steel or wooden—and can be ready-made or made to order. You can find pointy ones that split the fruit open, so it can be eaten. You can have a hole in the back to put your ponytail through. But the essence of a fruit- helmet is the same as it was in Falwala’s day. It boils down to that invisible ingredient: the gap.

front cover Bim and The Town of Falling fruit
Bim and The Town of Falling Fruit||Arjun Talwar

Our fruit helmets are ready. How about you?

 

Festive reads for you and your family

It’s the most wonderful time of the year and we bet you’re looking forward to the festivities! Spread the joy with some of our handpicked selection of books to choose from. Here is a list of books from Penguin and Puffin, perfect for your little one, yourself, or as a gift for friends and family!

The Thursday Murder Club

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The Thursday Murder Club || Richard Osman

In a peaceful retirement village, four unlikely friends meet up once a week to investigate unsolved murders. But when a brutal killing takes place on their very doorstep, the Thursday Murder Club find themselves in the middle of their first live case.

Can our unorthodox but brilliant gang catch the killer before it’s too late?

The Boy, The Mole, The Fox and The Horse

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The Boy, the Mole, the Fox and the Horse || Charlie Mackesy

Enter the world of Charlie’s four unlikely friends, discover their story and their most important life lessons. The conversations of the boy, the mole, the fox and the horse have been shared thousands of times online, recreated in school art classes, hung on hospital walls and turned into tattoos.

Uparwali Chai: The Indian Art of High Tea

front cover of Uparwali Chai
Uparwali Chai || Pamela Timms

From Saffron and Chocolate Macarons to Apricot and Jaggery Upside Down Cake to a Rooh Afza Layer Cake, Uparwali Chai is an original mix of classic and contemporary desserts and savouries, reinvented and infused throughout with an utterly Indian flavour. A beautifully curated set of recipes full of nostalgic flavours and stories, this is a book every home cook will be referring to for generations to come.

An Extreme Love of Coffee

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Extreme Love of Coffee || Harish Bhat

When they drink a cup of ‘magic’ coffee, Rahul and Neha are entrusted with a quest that promises to lead to great treasure. As they race from the plantations of Coorg to Japanese graveyards, they are trailed by the Yamamoto brothers-bearing grudges and carrying swords.
But will they manage to evade their Japanese assailants and find the treasure they first set out for?

Wish I Could Tell You

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Wish I could Tell You || Durjoy Datta

A disillusioned and heartbroken Anusha finds herself in the small world of WeDonate.com. Struggling to cope with her feelings and the job of raising money for charity, she reluctantly searches for a worthwhile cause to support. For Ananth, who has been on the opposite side, no life is less worthy, no cause too small to support.

They can’t escape each other. In this world of complicated relationships, should love be such a difficult ride?

Diary of a Wimpy Kid: The Deep End

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Diary of a Wimpy Kid || Jeff Kinney

Greg Heffley and his family hit the road for a cross-country camping trip, ready for the adventure of a lifetime. But things take an unexpected turn, and they find themselves stranded at a campsite that’s not exactly a summertime paradise. When the skies open up and the water starts to rise, the Heffleys wonder if they can save their vacation – or if they’re already in too deep.

The Puffin Mahabharata

Front cover of The Puffin Mahabharata
The Puffin Mahabharata || Namita Gokhale

 Like a modern-day suta or storyteller, Namita Gokhale brings alive India’s richest literary treasure with disarming ease and simplicity. She retells this timeless tale of mortals and immortals and stories within stories, of valour, deceit, glory, and despair, for today’s young reader in a clear, contemporary style.

A brilliant series of evocative and thoughtful illustrations by painter and animator Suddhasattwa Basu brings the epic to life in a vibrant visual feast.

A Girl Like That

Front cover of a girl like that
A Girl Like That || Tanaz Bhathena

 Sixteen-year-old Zarin Wadia is the kind of girl that parents warn their kids to stay away from. You don’t want to get involved with a girl like that, they say. After a tragic encounter her story is pieced together, told through multiple perspectives, and it becomes clear that she was far more than just a girl like that. This beautifully written debut novel from Tanaz Bhathena reveals a rich and wonderful new world to readers; tackles complicated issues of race, identity, class and religion; and paints a portrait of teenage ambition, angst and alienation that feels both inventive and universal.

Tharoorosaurus

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Tharoorosaurus || Shashi Tharoor

Shashi Tharoor is the wizard of words. In Tharoorosaurus, he shares fifty-three examples from his vocabulary: unusual words from every letter of the alphabet. You don’t have to be a linguaphile to enjoy the fun facts and interesting anecdotes behind the words! Be ready to impress-and say goodbye to your hippopotomonstrosesquipedaliophobia!

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