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Novoneel Chakraborty’s new thriller is an intricate game of smoke and mirrors

‘She was a blur when I first saw her.’

No matter how deeply we believe we know someone, there is always something that eludes us. Yahvi eluded Garv, and she’s nowhere to be found. Get a taste of Novoneel Charkaborty’s latest thriller Cross Your Heart, Take My Name with this excerpt:

~

‘Let’s play a game.’
‘Game? Whoa, all right.’
‘Yeah, a game. A game of any sort always makes the moment interesting.’
‘Second that. So . . . ’
‘So, the game is that we don’t give out any details about ourselves. The other person has to guess intelligently from whatever he or she can deduce.’

Impressive, I thought and said, ‘Bring it on.’
‘I’ll start. Then we can alternate.’
‘Got it.’
‘The fact that you haven’t brought your phone out in the last ten minutes or so tells me you aren’t into social media. You are the type who uses it when you need it,’ she said.

Wow! Is the game more interesting or the woman? I wondered and said, ‘Bang on. I really don’t like to . . . ’

‘We don’t have to give any justification or explanations. Just say true or false. Your chance.’

I took a few seconds before responding. I didn’t want to sound dumb with my observation.

‘Since you brought along an old Samsonite, I believe you don’t travel much. Else you would . . . ’

‘True!’ She didn’t let me complete my sentence. But a childlike happiness filled me when she confirmed my guess.

‘My turn,’ she said and added, ‘You aren’t a reader.’

‘Why do you say that?’

‘Someone who gets a flimsy magazine to pass time before a delayed flight is more about pictures than words.’

‘Kind of true.’ I was looking straight at her and yet wasn’t able to decipher much from her expression. That was a problem with me. I couldn’t understand what a person was thinking from his or her face. I knew a lot of people who could. And it was a helpful skill as it let you get ahead in conversations like these.

‘Kind of?’ She sounded bemused.

‘All right, I don’t read much. In fact, I didn’t buy the magazine for the pictures either.’

‘Ah, you were seeking some kind of company.’
‘Maybe. Weren’t you?’
‘That’s the game. What makes you think I was?’
I knew I had to think on my feet. And I did.
‘Why else would you sit here with a stranger and play a game? You also want to pass time like me. I had my magazine. You have me.’ The remark was a bit flirtatious, and I didn’t know if it was too direct or made her uncomfortable.

‘A magazine can be flipped through at will. Not a human being.’

The change in the tone of her voice took me by surprise. If she was a book, even though I was not much of a reader, this was when I would conclude that ‘she’ was unputdownable.

…‘Time to leave,’ she said and excused herself to join the queue. The way she went off, without a care, told me she was good at severing connections. In today’s times, I thought, that was one helluva skill to have. The ability to detach oneself just like that. I too stood up and walked towards the gate.

 

Front cover Cross Your Heart
Cross Your Heart, Take My Name||Novoneel Chakraborty

… Garv was feeling lonely. The way you felt when you had someone in your mind but not beside you. And then there were questions to make the loneliness worse. What had she meant  by that message? They did meet. They had tea together. She kissed him as well. He couldn’t  possibly have imagined all these things. She told him loud and clear that their plan to disappear had to wait for some time. And he understood. Like he always did, without questioning her.  This was not a Mills & Boon romance. Both of them were married to different people.

The note Garv had written and placed under the vase of fresh lilies was for his wife, Nihira. He’d taken an entire day to think what he could write to justify his act. What could a husband say to a wife before leaving her abruptly for no fault of hers? He simply didn’t have the courage to tell her the truth. That was wrong, he knew. And he’d convinced himself that a note would make up for it. After dwelling on it for a long time, he thought the best thing, instead of a long emotional message, would be to write three simple words: I am sorry. To tell Nihira that he still loved her, he kept the note under the vase with lilies, her favourite. Few words; old- fashioned symbolism—the end of a relationship.

Nihira was supposed to fly back from Bengaluru today. And what did he have for her? A note stating that he was sorry. The more Garv thought about it now, the more ridiculous he felt. How had he come to this decision? Was he simply being impulsive? As he tore up the note and threw it in the dustbin, Garv realized he had something more important to find out: Where on earth was Yahvi? He had been messaging her since last night; he had tried her number twice in an interval of three hours but there had been no response. The first time it rang but the second time the number was switched off. Had the battery drained out or had she intentionally switched it off? Garv wondered but concluded she must be up against some problem. And beyond a phone call or a WhatsApp message, there was no way he could reach her. Yet this was the person with whom he had decided to ‘disappear’ for the rest of his life and create an alternate reality.

… Garv drove to the Pune airport to pick up Nihira. This was the longest they’d gone without meeting. and the first sight of her made him feel guilty.

… Right then, Nihira’s phone rang and she excused herself to answer it. Garv could make out it was a work call. He drove to their apartment in silence.

As they neared their gated apartment block, they saw a crowd gathered at the entrance. Garv honked his way in. He wasn’t interested in knowing what the bedlam was about, but Nihira immediately jumped out once the car stopped and walked to the main gate. Perhaps it was this insatiable curiosity that made her want to get involved in people’s stories. and that is why she was doing so well at the NGO.

Garv was unlocking the main door of their flat when Nihira came up, her eyes clouded over.

‘A woman died in the afternoon. Didn’t you get to know when you left the building to come to the airport?’ Nihira asked.

‘No, I came straight from office.’
‘I see.’
‘Some Yahvi Kothari,’ Nihira said. Garv froze for a second before recovering quickly and turning the key one last time. The news left him numb.

~

The excerpt is not enough, we know. Cross Your Heart, Take My Name will keep you racing through the pages.

 

 

 

 

 

Timeless classics from your favourite storyteller

Sudha Murty’s stories are eternal. We finish the books, we keep them back in the shelves, but we can never forget the wonder inspired by her stories and the fascinating characters she crafts. Here are some of her timeless classics that we keep returning to:

 

front cover How The Onion Got Its Layers
How The Onion Got Its Layers||Sudha Murty

 

 

How the Onion Got Its Layers

 

Have you noticed how the onion has so many layers? And have you seen your mother’s eyes water when she cuts an onion? Here is a remarkable story to tell you why.

India’s favourite storyteller brings alive this timeless tale with her inimitable wit and simplicity. Dotted with charming illustrations, this gorgeous chapter book is the ideal introduction for beginners to the world of Sudha Murty.

 

 

 

front cover Grandma's Bag of Stories
Grandma’s Bag of Stories||Sudha Murty

 

Grandma’s Bag Of Stories

 

Who can resist a good story, especially when it’s being told by Grandma? From her bag emerges tales of kings and cheats, monkeys and mice, bears and gods. Here comes the bear who ate some really bad dessert and got very angry; a lazy man who would not put out a fire till it reached his beard; a princess who got turned into an onion; a queen who discovered silk, and many more weird and wonderful people and animals.

Grandma tells the stories over long summer days and nights, as seven children enjoy life in her little town. The stories entertain, educate and provide hours of enjoyment to them. So come, why don’t you too join in the fun?

 

front cover The Daughter From A Wishing Tree
The Daughter From A Wishing Tree||Sudha Murty

 

The Daughter from a Wishing Tree

 

Did you know that the Trinity often turned to goddesses to defeat the asuras?

Did you know that the first clone in the world was created by a woman?

The women in Indian mythology might be fewer in number, but their stories of strength and mystery in the pages of ancient texts and epics are many. They slayed demons and protected their devotees fiercely. From Parvati to Ashokasundari and from Bhamati to Mandodari, this collection features enchanting and fearless women who frequently led wars on behalf of the gods, were the backbone of their families and makers of their own destinies.

India’s much-loved and bestselling author Sudha Murty takes you on an empowering journey -through the yarns forgotten in time-abounding with remarkable women who will remind you of the strong female influences in your life.

 

front cover The Magic of the Lost Temple
The Magic of the Lost Temple||Sudha Murty

 

The Magic Of The Lost Temple

 

City girl Nooni is surprised at the pace of life in her grandparents’ village in Karnataka. But she quickly gets used to the gentle routine there and involves herself in a flurry of activities, including papad making, organizing picnics and learning to ride a cycle, with her new-found friends.

Things get exciting when Nooni stumbles upon an ancient fabled stepwell right in the middle of a forest.

Join the intrepid Nooni on an adventure of a lifetime in this much-awaited book by Sudha Murty that is heart-warming, charming and absolutely unputdownable.

 

 

front cover Grandparents' Bag of Stories
Grandparents’ Bag of Stories||Sudha Murty

Grandparents’ Bag of Stories

 

It’s 2020 and children are stuck indoors as the novel coronavirus finds its way into India. A nationwide lockdown is announced and amidst the growing crisis, Ajja and Ajji welcome their grandchildren and Kamlu Ajji into their house in Shiggaon.

From stitching masks, sharing household chores, preparing food for workers to losing themselves in timeless tales, the lockdown turns into a memorable time for the children as they enter the enchanting world of goddesses, kings, princesses, serpents, magical beanstalks, thieves, kingdoms and palaces, among others. The myriad stories told by their grandparents become the biggest source of joy, making the children compassionate, worldly-wise and more resilient than ever.

Following the trail of the best-selling Grandma’s Bag of Stories, India’s favourite author Sudha Murty brings to you this collection of immortal tales that she fondly created during the lockdown period for readers to seek comfort and find the magic in sharing and caring for others. Wonderfully woven in her inimitable style, this book is unputdownable and perfect for every child’s bookshelf!

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Our bookshelves have an entire section dedicated to Sudha Murty. That’s just how our young readers like it! What about you?

Up close with Krishna Udayasankar

If you just cannot get enough of The Cowherd Prince, you are not alone. Krishna Udayasankar’s prequel to the bestselling novel Govinda is a thrilling insight into the world of Govinda before he became the master strategist of The Mahabharata. We had a chat with the author and it was an absolute delight!

 

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We hear you’re a science fiction buff. Who are your favourite writers in the genre?

KU: I was a huge fan of Isaac Asimov as a child and teenager. I mean, I still am, but it’s difficult to say that now without asking myself questions about separating the art from the artist – after the allegations of harassment against Asimov. But I can’t stop liking what I’ve liked all these years, I can’t change the fact that I love the books and have been influenced greatly by them. So yes…

 

You characterise your protagonist Govinda very carefully. You have also said that consent is one of the most important things to learn from Govinda. What would you say is the importance of looking at mythological characters from a more contemporary lens?

KU: Fiction is a device by which we look at the world around us, all the more so for genres that deal with alternate worlds, like myth and history or fantasy. In fact, I’d go so far as to say that good fiction is always a commentary on the way the world is. When it comes to mythology, I believe that becomes even more important because it is a two-way thing – the way we understand our past, the way we believe things happened, are fundamental parts of how society functions in the present. And if we want to question our present or examine it, then we also need to examine our understanding of myth or the pre-historic past – all the more so because for a large part of our society, myth is the bedrock of defining good and bad, right and wrong.

front cover the cowherd prince
The Cowherd Prince||Krishna Udayasankar

 

We also hear that you hate spinach. If abandoned on a deserted island with only spinach to eat, which three books would you take with you?

KU: Haha! Since I would not eat a book or tear it up even if I were starving, I assume the question is which books can make the spinach go down easier? Traditionally, it would be Amar Chitra Kathas – since those were the spinach-y books of my childhood. But now my list would be: My entire Calvin and Hobbes collection, Kalki’s Ponniyin Selvan and Asimov’s Foundation series. And maybe I’d try to sneak in Lord of the Rings too? And The Jungle Book. And … wait a minute, three books? I can survive on spinach but I can’t survive on only three books.

 

 

What are you reading now? What book are you excited to read next?

KU: I am re-reading Martha Well’s Murderbot novellas in anticipation of reading her latest – a full Murderbot novel next.

 

 

What is your favourite thing about being a writer?

KU: Hanging out with some amazing (imaginary) people. Living in other worlds. Travelling to places I have never been, vicariously doing things I can’t dream of doing otherwise in this lifetime (whether it’s flying a fighter jet or whipping up a six-course meal!) And of course, one of the best parts of being a writer is getting to share these experiences with readers – who often become friends.

 

 

How do you battle writer’s block?

KU: I don’t battle it, not anymore! All I do is show up every day, even if that means I’m doing nothing other than stare at a blank page. But that is when I am writing. I often go for months without writing, particularly between books. I’ve learnt that imagining new worlds, new stories is one of the best parts of writing (other than playing with words). I tell myself now, that its ok to do that, and the story will come to me when it has to.

 

 

What is your writing process like? Are you a planner, or do you wing it, or is there a third customized method that works for you?

KU: I’m a mix of planned, chaotic and downright clueless. I think I try different methods at different points on time in a book – usually winging it when I begin, then stepping back to plan a little bit, then just being instinctive about it again. I also work on multiple books, sometimes, so I could be following different processes at once. Like I said, clueless and chaotic!

 

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Krishna Udayasankar’s The Cowherd Prince is captivating and will keep you reading well into the early hours of the morning.

A tiny glimpse into Sudha Murty’s brand-new bag of stories!

Have you ever wondered why the dogs start barking in the middle of the night? Ajja and Ajji have a story for us that might just explain why this happens. Here is an excerpt:

 

pumpkin

The Language of the Dogs

It was a quiet and hot night. The children were sitting in the veranda under thefan, talking to each other.

A short distance away, Ajja and Kamlu Ajji were sitting on the stairs in comfortable silence, each lost in their own thoughts. They could hear the street dogs barking near the main gate of the house.

‘Why do the dogs bark at night?’ asked Kamlu Ajji. ‘It’s the same story in Bangalore too—they start barking in the middle of the night and go on for a really long time.’

‘They also have their own problems,’ said Ajja. ‘Usually, the dogs are fed leftover food from restaurants. But these days, no hotels are open during the lockdown and many are going hungry.’

Ajja turned and called out to Ajji who was still inside the house. ‘Do you have any food for the dogs?’ he yelled.

‘A few chapatis and some rice,’ she yelled back. ‘Bring them here!’
Ajji brought the food and biscuits and went with

Ajja and Kamlu Ajji to the main gate. The children watched from a distance. They looked on as two dogs appeared.

Grandparents' Bag of StoriesAjji put biscuits, rice and chapati in a bowl and kept water in another bowl just outside the gate. The two dogs looked at her and attacked the food greedily, gobbling it down in minutes. Then they drank the water, wagged their tails to thank her and ran away.

Slowly, the trio walked back and sat on the steps of the veranda. Ajji said, ‘I wish they could speak. Then I could make them their favourite food. After all, the earth also belongs to them.’

‘Your perspective is so different,’ said Ajja. ‘Humans can speak and that’s why we can do the things we want to and own material things like property and land.’

‘Poor animals. We are occupying their land just because they cannot communicate like us. Even if they had ownership of any piece of land before us, they can’t tell us.’

‘You are right,’ said Kamlu Ajji. ‘Now that humans are all indoors, lots of animals in India are coming out from the forests to the cities nearest to them because it was all their land a long, long time ago.’

Ajja added, ‘This world would have been a different place if we understood the chirping of birds and the language of animals.’

Ajji smiled and said, ‘I am thinking of Dheeraj now.’ ‘Who’s Dheeraj?’ asked Ajja.
‘Do you want to listen to a story?’
Ajja and Kamlu Ajji nodded their heads like children, eager to listen to what Ajji had to say.

 

***

Amit and his wife Preeti were high-ranking officials in their kingdom. They were young, powerful and rich and lived in a mansion by a river. They frequently hosted official celebrations on their yacht or their beautiful large gardens, but made sure they invited only those people from the kingdom who were also rich or powerful, and not whom they considered less fortunate.

Ramu was a housekeeper who lived with them and served them for years. One day, he brought home a young boy of six years. The boy looked innocent and intelligent.

Ramu asked Preeti, ‘I met this boy in the village fair. He doesn’t have anyone to take care of him. I would like to help him. Can he live with me?’

Preeti glanced at the boy and said, ‘Sure, as long as he works for us and does not spoil the premises.’

And that is how Dheeraj began living in Preeti and Amit’s home.

front cover - Grandparents's Bag of Stories
Grandparents’ Bag of Stories||Sudha Murty

One day, Amit hosted a dinner for an important minister. The evening began with a tour of the river on the yacht. Then the yacht docked on the riverside, and music began playing as the celebrations commenced in the beautiful gardens. There was a wide spread of delicacies being served. Dheeraj was assisting Ramu with his chores.

The dinner was in full swing when the barking of two dogs disturbed Amit and his guests. The dogs were right outside the main gate of the gardens. Amit gave instructions to Ramu to hush them and chase them away, but the dogs refused to move. The non-stop barking upset Amit and he said, ‘I wish someone could understand what they are saying so that we could respond appropriately and ask them to leave.’

Dheeraj was nearby and overheard Amit. Timidly, he approached the master of the house and said, ‘Sir, I can understand them.’

Some of the guests laughed while others passed sarcastic comments.

Preeti asked, ‘Tell me, boy, what are they saying?’

‘Madam, I will tell you if you promise me that you will not get upset when I share their words with you,’ said Dheeraj, looking worried.

‘They must be talking about food, boy! Anyway, hurry up and tell us,’ said Preeti firmly.

‘Madam, they are not talking about food.’

‘Get to the point, boy! I am losing patience with you,’ snapped Amit.

Nervously, Dheeraj continued, ‘Sir, there is a male dog and a female dog at the gate. The male dog said, “Look at life’s irony.”

“What do you mean?” said the female dog.

“This couple is used to being served by someone all the time. But a day will come when the master of this house will give an important person water to wash their hands and the lady will voluntarily run and bring a towel for him to wipe his hands.”

“Who are you talking about? Whom will this couple serve?”

“The male dog grinned and said, “This little boy.”

Both the dogs then had a hearty laugh,’ said Dheeraj, and fell silent.

The silence spread through the guests and it ruined their mood.

bird

Did you lose yourself in Ajja and Ajji’s world of stories? We did too! There is so much more in Grandparents’ Bag of Stories.

‘The me that’s…just me.’

Everyone has a dark, ugly side-some of us just choose to hide it better than others

She’s a young woman going through a mid-twenties crisis, trying to deal with the dark and intoxicating side of life with haunting memories of an abusive ex-boyfriend, remnants of a broken family and obvious mental health issues.

We all find something that is therapeutic, that is personal and special to us, that helps us cope. For her – it’s art.

Find an excerpt below that talks about how she found art and how it helps us be her in the present time.

**

Goner || Tazmeen Amna

I gave the test and begged my teacher to score me the minute I submitted that piece of paper. I was so sure I’d get a 10 out of 10. I just wanted the formality of knowing out of the way, because the sooner I knew my marks the sooner I could get those crayons. My hands were itching to pull those gorgeous crayons out of the box and actually feel them gliding over paper, filling up the bland blank sheet with their colours.

The teacher raised her eyebrows at my worksheet and handed it back to me. She also patted my shoulder slightly.

Dang.

My stomach fell.

8/10.

I cried the whole bus ride back home. Or stared pointedly out of the window without even blinking.

I went home and dejectedly walked up to my mom and handed her the worksheet. She saw the score and stooped down to me and said, ‘You know what? I think you did well and I’m going to buy you those crayons anyway.’ Then she handed me fifty bucks and I ran to the shop, wild with excitement. Not only would I be the proud owner of that set of crayons, I also realized at that moment how much of a rockstar my mom was.

It was on that day that I decided that I would never put down the paintbrush, for as long as I lived, because of the faith that my mom showed in me. Sometimes it really just takes one empathetic glance, one touch of tenderness, and a teeny, tiny, minute sliver of hope to, I don’t know, set things rolling.

And since then, it’s been a pretty stable relationship (between me and my art). The only stable relationship I’ve ever had in my entire life, fortunately and unfortunately. I went from pastels to watercolours, pencils to charcoals, acrylics to oil paints, paper to canvas, and many other mediums. It is the only thing that helps me connect with myself. Not the me that is sedated with antidepressants and high on mood-booster pills. Not the me that is a lifeless machine running on tablets and capsules and surviving (barely) on therapy. But the me that’s . . . just me.

**

A hard-hitting narrative of a young woman’s struggle with mental illness, Goner is a voice that needs to be heard today.

Can she defeat her infamous trait of self-sabotage and manoeuvre her way through some hard-hitting truths?

Crime, corruption, and the freedom to dream

Megha Majumdar’s electrifying debut novel, A Burning, is about the cost and freedom of dreams in a world burdened with class and socio-political power-structures.

She traces the lives of three protagonists Jivan, Lovely and PT Sir – which get entangled after a terrorist attack on a train in Kolkata. The responsibilities for both Jivan’s false charges and her freedom lie in the hands of PT Sir and Lovely – who too are battling with the daily indignities of their life.

With entrenched injustices, fascism, politics of religion, and betrayals coming into play – these characters become reflective of daily human struggles in a country spinning towards extremism.

*

 

Jivan

 

‘If the police didn’t help ordinary people like you and me, if the police watched them die, doesn’t that mean that the government is also a terrorist?’

Jivan is a Muslim girl living in a slum in Kolkata. She witnesses the aftermath and carnage of a terrorist attack on a train and reshares a video on Facebook with the caption given above. Days later she is arrested for the attack and thrown into prison undoing tears of work she has spent clawing her way out of poverty.

 

 

PT Sir

 

‘PT Sir knows who she is. Isn’t she the ghost who begs him for mercy? Isn’t she the ghost who searches the gaze of her teacher, hoping that he might offer rescue? Maybe that is why they had the white curtain up at the court— not so that Jivan could not influence his testimony, but so that he would not have to face her.’

A gym coach, PT Sir is Jivan’s former physical education teacher who turns against out of his thirst for recognition. He embraces a political career, getting entangled in extremist politics, inextricably connecting his political rise with Jivan’s fall.

 

 

Lovely

 

‘Uff! Don’t make me say it, Lovely. I can’t do this marriage scene with a half man.’

Lovely is a transgender woman from the same slum as Jivan – who dreams of making it big in Bollywood and attends a local acting class. She faces day-to-day ignominies because of her gender-identity. She has a husband named Azad. Lovely has an alibi that can prove Jivan’s innocence – but it would cost Lovely everything she holds dear.

*

 

A Burning|| Megha Majumdar

 

Jivan, Lovely and PT Sir present to us an unforgettable character-arc that explores the complexities of possessing morals in today’s world. As each of them face profound obstacles and inequalities, Majumdar gives us one searing question to explore through them: Who is allowed to dream?

Midnight Misgivings

A Burning by Megha Majumdar is an electrifying debut novel about three unforgettable characters who seek to rise to the middle class, to political power, to fame in the movies.

One is Jivan, a Muslim girl from the slums accused of executing a terrorist attack on a train because of a careless comment on Facebook. The second is PT Sir, an opportunistic gym teacher who hitches his aspirations to a right-wing political party, only to find his own ascent linked to Jivan’s fall. And the third is Lovely, an irresistible outcast who has an alibi that can set Jivan free-but at the cost of everything she holds dear.

The excerpt below marks the starting moment of the adversity Jivan will face, as well as, the beginning of understanding lovely’s life.

 

Jivan

A hand reached out of the dark and dragged me up in my nightie. I screamed and fought, believing it was a man come to do what men do. But it was a policewoman.

My father, on the floor his throat dry and his painful back rigid, mewled. Nighttime turned him into a child.

Then I was in the back of a police van, watching through the wire mesh a view of roads glowing orange under streetlamps. I exhausted myself appealing to the policewoman sitting in front of me: “Sister, what is happening? I am a working girl. I work at Pantaloons. I have nothing to do with the police!”

They said nothing. Now and then a crackle came from the radio on the dashboard, far in front. At some point, a car filled with boys sped by, and I heard whooping and cheering. They were coming from a nightclub. The doddering police van meant nothing to these boys. They did not slow down. They were not afraid. Their fathers knew police commissioners and members of the legislature, figures who were capable of making all problems disappear. And me, how would I get out of this? Whom did I know?

 

A Burning || Megha Majumdar

Lovely

At night, after the acting class, I am lying in bed with Azad, my husband, my businessman who is buying and reselling Sansung electronics and Tony Hilfiger wristwatches from Chinese ships docking on Diamond Harbor. I am showing him my practice video from the day’s class, and now he is saying, “I have been telling you for hundred years! You have star material in you!” He is pinching my cheek, and I am laughing even though it is hurting. I am feeling peaceful, like this thin mattress on the floor is our own luxury five-star hotel bed. In this room I am having everything I am needing. A jar of drinking water, some dishes, a small kerosene stove, and a shelf of my clothes and jewelry. On the wall, giving me their blessings everyday, are Priyanka Chopra and Shah Rukh Khan. When I am looking around, I am seeing their beautiful faces, and some of their good fortune is sprinkling down on me.

“Azad,” I am saying this night. My face is close to his face, like we are in a romantic scene in a blockbuster. “Promise you will not get angry if I am telling you something?”

I am taking a moment to look at his face, dark and gray. Some long hairs in his eyebrows are trying to make an escape. I am having difficulty looking eye to eye for these hard words.

“Aren’t you thinking,” I am saying finally, “about a family and all? We are not so young–”

Azad is starting to talk over me like always. “Again?” is he saying. I am knowing that he is annoyed. “Was my brother coming here?”
“No!”

“Was my brother putting this rubbish in your head?”

“No, I am telling you!”

Why Azad is always accusing me of such things?

**

A Burning has been so masterfully compressed that it can be read in a single sitting to reveal how Jivan deals with the mounts of challenges coming her way. Continue to see how two other integral characters – PT Sir and Lovely – weave their way into the heart of the story in an unprecedented, yet vital manner that will leave you wanting more.

 

 

Bookish Gifts for Mother’s Day!

Mother’s Day is coming and we do miss scrambling and shopping for gifts to pamper our mothers with.

While we brainstorm ideas to make this day more special than it already is – we decided to ask our fellow Penguins about the books (because, what else, right?) they would love to gift to their mothers!

 

 

My mother and I share a relationship where most things go unsaid. She lost her mum at a very young age and to bring her some comfort, I would like to gift her LEGACY by Sudha Menon which is a collection of personal and evocative letters from parents to their daughters. The wisdom my grandmother couldn’t give her now, some of these delightful and inspirational letters might!

Vaishnavi Singh, Manager – Digital Platforms & Video Rights

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My mother loves everything written by Gulzar and ofcourse loves his voice too (she always wanted dad to speak like him). I grew up listening to ghazals and songs written by Gulzar because my mother is a huge fan of his writings  I love the way my mom actually makes me understand each and every word in a song written by him as if he actually sat with her when he was penning it.

For her undying love for Gulzar, i’d like to gift her the book, SELECTED POEMS BY GULZAR. She will love reading them!

Soumili Sen, Executive – Digital

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I would love to gift Mumma Sudha Murty’s THREE THOUSAND STITCHES. She adores short, impactful stories and especially the ones that are more about people rather than the plot. She has enjoyed other books by Sudha Murty in the past, is an ardent fan of her writing, so I think Three Thousand Stitches would be perfect for her collection.

Ananya Mathur, Consultant – Marketing & Digital

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While my entire family is a bibliophile, it was my mum who fired our crazy obsession for books, so much so that books became a part of our household, our home décor, our dinner tables, and our bedtime rituals. Believe it or not, she started working only to be able to afford the books she wanted to read, after her father couldn’t expend any more money to her. Presently, she is over 70 years old and books seem to have lost their charm on her. She no longer has the patience or the span of attention and I have seen her struggle to read. Now if I am asked to gift her a book, I think I will give her Sudha Murty’s HERE, THERE AND EVERYWHERE. A simple book with real stories and a message at the end of each. My mom discovered Sudha Murty at the Penguin Annual Lecture 2019 and she was thoroughly taken with her personality, her life story, and her charisma. I believe my mother would enjoy traversing through Mrs Murty’s world of timeless stories.

Pallavi Narayanan, Senior Manager – Corporate Communications

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My pick is LEGAL CONFIDENTIAL: ADVENTURES OF AN INDIAN LAWYER. My mother’s always loved consuming content surrounding crime and the legal system. The context of this book being a memoir as well as it being based in Delhi will make it an absolutely thrilling read for her.

Veer Misra, Freelancer – Digital

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The Night Sparkled and So Did All of Us

Memory of Light is a tender romance of two young courtesans in Nawabi-era Lucknow. The entire novel unfolds through the narrator, Nafis Bai’s memory of events, lending it her unique voice, which stays with the reader.

Intrigued? Read an excerpt from the book below:

Late at night before the big occasion, I tried the outfit on her; the fabrics I had chosen kissed her skin, her skin not washed-out white like the English ladies’ but kanak kamini, warm as wheat, as gold.

‘Like lightning flashing in the summer sky,’ I said, as I tied the silver drawstring with its pearl pendants, gleaming through the pale blue swirl of the peshwaz and dangling below its hem.

While I dressed her she undressed me, discarding the purple I had selected for myself.

‘Purple doesn’t suit you,’ she said. ‘Parrot-green blossoms on you. Wear this green one with—let’s see.’ She threw her red orhni over me. ‘There—it’s like a flame on you.’

Until then purple had been my favourite colour. I’ve never worn it with pleasure since.

The night sparkled and so did all of us, lit by the sheen of youth. Even I felt beautiful when her eyes touched me. The whole town seemed to be there, troops of merchants with tributes for the English, foreigners with heavily powdered hair, and every dancer worth the name. Bands were playing foreign instruments, organs bellowed and fireworks fizzed above. A group of hijras performed and then Ratan. I looked up from a dark corner where I was adjusting Chapla’s shoes with their long curling toes, to see Sharad framed in a lighted doorway, chest half-visible through lacy white embroidery—a flowering tree covered with leaves and buds. His hair was abundant in those days, long curls almost out of control, and his eyes were on Ratan.

Mir Insha was in his element—flitting from group to group, alight with laughter. ‘Even the buds are proffering their glasses,’ he whispered to me, as champagne bubbled up in crystal for a fat European lady and her young daughter. ‘Look, flowers and bunches, all are imbibing.’ I giggled; the lady’s dress, billowing stiffly round her, did make her look a bit like a bunch of large showy flowers, the kind that the white people favour.

Then he whispered to Chapla:

Chaar naachaar hu’a jaana hi Landan apna
Le ga’i chheen ke dil ek firangan apna

No choice, I have to go to London now
A foreign woman has snatched away my heart

At this, both of us burst out laughing and Ammi threw us a reproachful glance.

He brought it all to life again in his poem—glasses, bottles, free-flowing liquor, lights in the trees, delicacies laid out on tables. He ignored Azizan resplendent in magenta and gold, and devoted his attention to Chapla, doing justice to my handiwork:

With a silken drawstring flowing like water,
Satin trousers blooming like foliage,
A light blue silk peshwaz like a cloud,
Its skirt edged with silver like a moonflower,
A veil of moon and stars like a moonlit night,
Anklets tinkling like drops of rain,
Chapla Bai stood up to dance.
Seeing her, Khutan gazelles forget to leap
Nature made her replete with beauty
From her face the Pleiades borrow radiance
The envy of fairies, she’s called ‘Lightning’
Light’s world turns dark when she departs . . .
Who can praise the breasts of that infidel idol?
Oh lord, their curves and that rising youth—
Half-blossomed lotuses, two fine founts,
They shine like round swelling whirlpools
Or like chakva and chakvi sitting on two shores,
The string of pearls between is Jamuna . . .
That ring-watch blooming with delicacy
I’d sacrifice to it hundreds of sounding organs . . .
Her plait like the shade of a kadamb tree . . .

What an eye he had for detail—the verse I liked best described how her red heels made the white beads on her pearlescent white silk shoes reddish like ratti, those poisonous seeds used to weigh gold, or like red champa flowers with their creamy insides:

Those two arms boughs of the tree of Paradise—
Obtain from them what your heart desires

Her forearms male and female skinks
The sight of them drives men and women wild . . .
Those red heels make the pearls on her shoes
Look like red ratti seeds or champa flowers
. . . Today’s the fourth day of the month of June
This happy day shines with special beauty


To know what happens next, check out Memory of Light

A Book I Love: We Share Our Favourites this World Book Day

There are characters that brought us closer to ourselves, and stories that we didn’t know we needed to read.

If you ever wondered which books left a mark on the people who work on (almost) all your favourite books, here’s a list this World Book Day:

The God of Small Things by Arundhati Roy

As a (trying) writer, a lot of the books I get attached to are those that bring me closer to the themes I want to write about. Arundhati Roy’s fiction is rooted in the rawest socio-political fabric of India. This one is my pick because of the surprise element – I picked it up accidentally, not really braced for the enormity of the characters, themes, story of the book. It was cinematic and incredibly immersive, and left me with a hangover of sorts where I couldn’t read anything new for about three months. I think her characters really blend fact and fiction; the way she writes about the pit, absolute rock bottom of human suffering shakes you to the core. Not to mention that this has some of the most powerful lines I have read: “…the fact that something so fragile, so unbearably tender had survived, had been allowed to exist, was a miracle.”

This was one of the very few books that have made me bawl.

– Swara, Freelancer – Digital

To Kill A Mocking Bird by Harper Lee

To Kill a Mockingbird will never stop being a good book, and it will never stop inspiring people. This richly textured novel, woven from the strands of small-town life, lets readers walk in the shoes of one fully realized character after another. It’s one of the most important books of our times, Atticus Finch’s message should be heard in the midst of all the global conflicts that we hear of on the news every night.

Importantly, everyone who reads it can take something out of it which no one has before.

Sanjeeta, Assistant Manager – Marketing & Digital

 

The Shadow Lines by Amitav Ghosh

My favourite read and re-read is the The Shadow Lines. No matter how many times you read it, you find something new. What are the shadow lines? Are they around me? There are days when I actually feel like Tridib. That’s the magic of this book.

I was in college when I first read it. I thought that my life was not perfect because I had just come out of a relationship and everything felt bad. But when I started reading this book, I started to think differently. This book helped me understand the importance of having multiple perspectives.

Soumili, Senior Executive – Digital

Jane Eyre by Charlotte Brontë 

The book that I keep going back to again and again is Jane Eyre. It was the first classic I read and I really enjoyed reading about a simple, stubborn and intelligent woman who beat the odds stacked against her. Jane and Mr. Rochester ignited a passion for reading in me and I cannot thank this book enough for it!

I revisted the book in college and loved analyzing it’s depths especially the character of Bertha Mason.

Kadambari, Consultant – Digital

The Boy, The Mole, The Fox and The Horse by Charlie Mackesy 

Nothing I say about The Boy, The Mole, The Fox and The Horse can ever explain how it feels like a warm hug on a cold night. You don’t have to be feeling lost or down to find a ray of light in it. It’s a book about friendship, love, kindness and hope, but it’s not preachy at all. Everything in this book is so beautiful; the flow, the illustrations and the characters. It’s a story I wish I had read a long time ago.

Ananya, Consultant – Marketing & Digital

 

 

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