Loving someone who doesn’t love you back is something many of us have experienced. Rithvik Singh‘s I Don’t Love You Anymore offers solace to those who feel deeply and love unconditionally. Here are five powerful selections from the book, each one a gentle embrace for the heart, reminding us that healing and letting go are part of the journey. Dive in and let Rithvik’s words be the comforting companion you need on your toughest days.
I Don’t Love You Anymore || Rithvik Singh
***
If you ever knew someone who loved you enough to be terrified of losing you, I hope you know how rare it is to find someone like that. Someone who would leave flowers on your dining table, kisses on your forehead and the scent of love in your heart. Someone who would gently hold the pieces of your heart on days when life gets too hard. If you ever knew someone who loved you the way the sky loves its stars, I hope you didn’t end up breaking their heart.
And if you did, I hope life breaks your heart too.
***
You’re not the kind of flower
that can be plucked
and put in someone’s hair.
You’re the kind of flower
people find too pretty to pluck. The kind of flower that deserves to keep blooming.
***
Things are hard with people who don’t love you hard. People
whose love isn’t the ocean but its waves. The ones who always
leave you confused. They don’t tell you that they love you, but
they also don’t accept that they don’t. They hold your hand but
refuse to hold your heart. They lend you space in their heart,
but they don’t let you stay in it.
***
I’ll watch nine episodes of a show in one day, but keep postponing
the last one. When things change. When fate changes. I avoid
watching it. I try not to make it to the end. I bury my curiosity
and start another show. I go out and meet a friend. I do
everything I can to not let the show end. But I know I’ve got to
face the ending, no matter how much it terrifies me, or how far
I try to run away from it. I know the show has already ended. I
know the ending won’t change. This is not about the shows.
***
Love
It’s in having tea at midnight with someone who is used to
having it at night, only to give them company.
In forgetting the distance between cities and crossing it with
a smile on your face—only to put a smile on the face of the
person you love.
Seeing a flower shop and immediately getting a few for someone.
Sitting on video calls at night and not talking to each other
because you’re both tired, but never being too tired to not
make some time for each other.
Holding hands in busy streets and holding them tight at the
end of a busy week.
It’s in refusing to let distance change your feelings. In ensuring
that love never leaves.
Immerse yourself in a captivating blend of animals, poetry, and unique literary journeys in this collection. Explore intimate experiences of millennial marriage, thrilling tiger conservation adventures, and timeless poetic verses that celebrate the beauty of nature, human emotions, and artistic expression.
Soft Animal || Meenakshi Reddy Madhavan
March 2020: Thirty-six-year-old Mallika Rao is largely insulated from the struggles of the millions fighting for their existence all over India. Instead, her Delhi flat and her husband threaten to imprison her as she searches for the confidence that has always eluded her. A rescue dog in her care provides more fulfilment than her husband, who is consumed by work and self-obsession, and she must also confront the universal challenges of having a woman’s body.
Soft Animal unfolds in urgent present tense with illuminating flashbacks, whip-smart dialogue and conspiratorial footnotes. Bringing the deftness of deadpan humour and the precision of meticulous social observation to the self-delusions of India’s privileged urban middle class, Meenakshi Reddy Madhavan’s latest channels an uncomfortably-and sometimes heartbreakingly-intimate experience of millennial marriage that is seldom portrayed but all too real.
Tiger Season || Gargi Rawat
Sunaina Joshi is a reporter with a leading news channel.
Her day-to-day work involves reporting on urban-centric, health-related issues; myriad subjects that bore her, leaving her jaded. Her real passion is a life in the great outdoors, and reporting on wildlife and the environment, something she is unable to do as often as she would like. Unexpectedly, a fabulous opportunity falls into her lap when her channel is commissioned to run a campaign on tiger conservation, featuring a Bollywood star who is trying to resurrect his image and career following a drug scandal.
Yusuf’s Fragrance || Mufti Mudasir, Mahmud Gami
It can be said of the 19th century Kashmiri poet, Mahmud Ga¯mi that he was a pioneer in introducing the Persian genres of the ghazal, nazm, masnavi and na¯t into Kashmiri. Mahmud Gami’s contribution to Kashmiri poetry is unique in both scope and depth. Not only is he the first truly prolific poet who has written entirely in the Kashmiri language, but much of his poetry also stands out for its beauty of expression and depth of thought, such as in the lyrical romance of Shireen Khusrau, Yusuf Zulaikha, and Layla Majnun. Yusuf’s Fragrance is both a celebration as well as an homage to Gami’s oeuvre. Through these beautiful verses, we explore themes of love, both physical and metaphysical, philosophy, folklore, and tradition through different narrative devices, such as nazms, masnavis, and vatsuns.
Kural || Tiruvalluvar
A celebrated work by the greatest poet of classical Tamil literature Tiruvalluvar probably lived and wrote between the second century BC and the eighth century AD though his dates have not been conclusively established. The work by which he is known, the Kural, comprises 1,330 couplets and is divided into three sections-Virtue, Wealth and Love-and is based on the first three of the four supreme aims prescribed by Hindu tradition: dharma (virtue), artha (wealth), kama (love) and moksha (salvation). Taken together, the three books of the Kural inform, criticize and teach the reader, in brilliantly styled and pithy verse, about life, love and the ways of the world. Translated and edited with an introduction by P.S. Sundaram
Appeasement of Radhika || Muddupalani, Muddupalani (Tr Sandhya Mulchandani)
An erotic narrative poem that explores desire and jealousy, love experienced and love lost, Radhika Santawanam is the most recognized work of nineteenth-century poet and courtesan Muddupalani.
Celebrated as a literary masterpiece in Muddupalani’s lifetime, Radhika Santawanam was banned by the British in 1910 when it was published again, a century and a half later, with critics panning its graphic descriptions of lovemaking. And, after another hundred years, this epic is now available in its entirety for the first time in English translation
Get ready to embark on a passionate journey with our handpicked collection of romance and poetry books. From chance encounters to forbidden desires, love’s complexity to timeless verses, these stories have it all. Ready to fall in love with words? Keep scrolling!
World’s Best Girlfriend || Durjoy Datta
Daksh and Aanchal meet under improbable circumstances in the most unlikely of places-a posh resort in the Andamans. While Aanchal is fighting hard to escape the shackles of a lower middle-class existence, Daksh is aimless and unsure of what his future holds. Strangely, they are drawn to each other.
Four years later, when they meet again, Daksh’s world has crumbled around him. The burden of caring for his sick father and six-year-old sister has left him with little time for anything else. Yet, despite their diverging paths, Daksh and Aanchal find themselves reconnecting in unexpected ways. Their mutual attraction deepens.
Till now, fate has been pushing them together, but what will happen when they decide to take matters into their own hands? Will life be as they’ve imagined, or will destiny take even that away from them?
The Girl Who Kept Falling in Love || Rheea Mukherjee
When Kaya meets and falls deeply in love with a fellow activist from the very religious community the country is actively trying to erase, her twin purposes are miraculously aligned in an intoxicating combination that she becomes immediately fearful of losing. In the midst of spirited protests and rising violence, Kaya bears witness to vast human suffering while experiencing profound joy. It is time to make a choice. Kaya knows if she chooses love this time, she will betray everything she has claimed to believe in. If she is willing to do that, can Kaya truly be loved by the person she most desires?
Told through the lens of urban myths, accounts of past lovers, bared confessions and half-truths that make up Kaya’s world, The Girl Who Kept Falling in Love dives deep into the futilities of being attached to global aspiration and fighting institutionalized hate while chasing a universal need for love and acceptance.
A Touch of Eternity || Durjoy Datta
Born on the same day and at the same time, Druvan and Anvesha know they are soulmates in every sense of the word. Their parents, however, refuse to accept their ‘togetherness’ at first and try to tear them apart. Druvan and Anvesha hold on to each other against all odds.
In the same timeline, the world is on the brink of a major scientific breakthrough that could make reincarnation possible.
This is an opportunity for the two to prove their love and to tell the world that it is love that can make the impossible, possible.
Druvan and Anvesha participate in the experiment as if their life depends on it, because it does. Will the dream of a man to control love and life come true? And when the time comes, can one stay true to their soulmate?
If It’s Not Forever It’s Not Love || Durjoy Datta, Nikita Singh
To the everlasting power of love . . . When Deb, an author and publisher, survives the bomb blasts at Chandni Chowk, he knows his life is nothing short of a miracle. And though he escapes with minor injuries, he is haunted by the images and voices that he heard on that unfortunate day. Even as he recovers, his feet take him to where the blasts took place. From the burnt remains he discovers a diary. It seems to belong to a dead man who was deeply in love with a girl. As he reads the heartbreaking narrative, he knows that this story must never be left incomplete. Thus begins Deb’s journey with his girlfriend, Avantika, and his best friend, Shrey, to hand over the diary to the man’s beloved. Highly engrossing and powerfully told, If It’s Not Forever . . . tells an unforgettable tale of love and life.
Till the Last Breath || Durjoy Datta
When death is that close, will your heart skip a beat? Two patients are admitted to room no. 509. One is a brilliant nineteen-year-old medical student, suffering from an incurable, fatal disease. She counts every extra breath as a blessing. The other is a twenty-five-year-old drug addict whose organs are slowly giving up. He can’t wait to get rid of his body. To him, the sooner the better. Two reputed doctors, fighting their own demons from the past, are trying everything to keep these two patients alive, even putting their medical licences at risk. These last days in the hospital change the two patients, their doctors and all the other people around them in ways they had never imagined. Till the Last Breath is a deeply sensitive story that reminds us what it means to be alive.
Wish I Could Tell You || Durjoy Datta
A disillusioned and heartbroken Anusha finds herself in the small world of WeDonate.com. Struggling to cope with her feelings and the job of raising money for charity, she reluctantly searches for a worthwhile cause to support.
For Ananth, who has been on the opposite side, no life is less worthy, no cause too small to support.
Behind them are teams for whom going to extraordinary lengths to save lives is more than a full-time occupation. In front of them is the virtual world of social media-watching, interacting, judging, making choices, and sometimes, saving lives.
From the virtual to the real, their lives and that of their families, entangle in a way that moving together is the only solution. They can’t escape each other.
In this world of complicated relationships, should love be such a difficult ride?
Your Dreams are Mine Now || Ravinder Singh
‘It can’t be love . . .’ he thinks and immediately his heart protests
They are complete opposites! She’s a small-town girl who takes admission in Delhi University (DU). An idealist, studies are her first priority.He’s a Delhi guy, seriously into youth politics in DU. He fights to make his way. Student union elections are his first priority.
But then opposites attract as well!
A scandal on campus brings them together, they begin to walk the same path and somewhere along,
fall in love . . . But their fight against evil comes at a heavy price, which becomes the ultimate test of their lives. Against the backdrop of dominant campus politics, Your Dreams Are Mine Now is an innocent love story that will tug at your heartstrings.
It was Always You ||
Karan and Shruti are a happily married couple. Until Karan’s ex resurfaces into his life one day. Soon Karan finds himself getting nostalgic over matters of the heart and thinking fondly of his first romance. Will he put his steady and seemingly perfect marriage at stake for his ex-girlfriend?
Meanwhile his best friend Aditya finds his own relationship with his wife Jasmine going through an emotional turmoil. Will both friends work towards keeping their marriage afloat, or make a decision they would later regret?
You only live once || Stuti Changle
What if you ran away from your life today?
Twenty years later, three people are looking for you.
One is dying to meet you again.
The other wishes you had never met them.
The third wishes they could have met you at least once.
You are one person. Aren’t you? But you are not the same person to each of them.
Find the answers about your own life in this story about searching for love and discovering yourself. Join a broken but rising YouTube star Alara, a struggling but hopeful stand-up comedian Aarav, and a zany but zen beach shack owner Ricky. Together, take the journey to seek the truth behind the famous singer Elisha’s disappearance somewhere by the deep sea in Goa.
Will you be able to find Elisha? Or will you end up finding yourself?
Soft Animal || Meenakshi Reddy Madhavan
March 2020: Thirty-six-year-old Mallika Rao is largely insulated from the struggles of the millions fighting for their existence all over India. Instead, her Delhi flat and her husband threaten to imprison her as she searches for the confidence that has always eluded her. A rescue dog in her care provides more fulfilment than her husband, who is consumed by work and self-obsession, and she must also confront the universal challenges of having a woman’s body.
Soft Animal unfolds in urgent present tense with illuminating flashbacks, whip-smart dialogue and conspiratorial footnotes. Bringing the deftness of deadpan humour and the precision of meticulous social observation to the self-delusions of India’s privileged urban middle class, Meenakshi Reddy Madhavan’s latest channels an uncomfortably-and sometimes heartbreakingly-intimate experience of millennial marriage that is seldom portrayed but all too real.
Tiger Season || Gargi Rawat
Sunaina Joshi is a reporter with a leading news channel.
Her day-to-day work involves reporting on urban-centric, health-related issues; myriad subjects that bore her, leaving her jaded. Her real passion is a life in the great outdoors, and reporting on wildlife and the environment, something she is unable to do as often as she would like. Unexpectedly, a fabulous opportunity falls into her lap when her channel is commissioned to run a campaign on tiger conservation, featuring a Bollywood star who is trying to resurrect his image and career following a drug scandal.
Yusuf’s Fragrance || Mufti Mudasir, Mahmud Gami
It can be said of the 19th century Kashmiri poet, Mahmud Ga¯mi that he was a pioneer in introducing the Persian genres of the ghazal, nazm, masnavi and na¯t into Kashmiri. Mahmud Gami’s contribution to Kashmiri poetry is unique in both scope and depth. Not only is he the first truly prolific poet who has written entirely in the Kashmiri language, but much of his poetry also stands out for its beauty of expression and depth of thought, such as in the lyrical romance of Shireen Khusrau, Yusuf Zulaikha, and Layla Majnun. Yusuf’s Fragrance is both a celebration as well as an homage to Gami’s oeuvre. Through these beautiful verses, we explore themes of love, both physical and metaphysical, philosophy, folklore, and tradition through different narrative devices, such as nazms, masnavis, and vatsuns.
Kural || Tiruvalluvar
A celebrated work by the greatest poet of classical Tamil literature Tiruvalluvar probably lived and wrote between the second century BC and the eighth century AD though his dates have not been conclusively established. The work by which he is known, the Kural, comprises 1,330 couplets and is divided into three sections-Virtue, Wealth and Love-and is based on the first three of the four supreme aims prescribed by Hindu tradition: dharma (virtue), artha (wealth), kama (love) and moksha (salvation). Taken together, the three books of the Kural inform, criticize and teach the reader, in brilliantly styled and pithy verse, about life, love and the ways of the world. Translated and edited with an introduction by P.S. Sundaram
Appeasement of Radhika || Muddupalani, Muddupalani (Tr Sandhya Mulchandani)
An erotic narrative poem that explores desire and jealousy, love experienced and love lost, Radhika Santawanam is the most recognized work of nineteenth-century poet and courtesan Muddupalani.
Celebrated as a literary masterpiece in Muddupalani’s lifetime, Radhika Santawanam was banned by the British in 1910 when it was published again, a century and a half later, with critics panning its graphic descriptions of lovemaking. And, after another hundred years, this epic is now available in its entirety for the first time in English translation
Pablo Neruda was a Chilean Nobel Laureate, famous for his surrealist and passionate love poems, along with historical epics and political manifestos. He was regarded as the “the greatest poet of the 20th century in any language” by another South American Nobel Laureate Gabriel Garcia Marquez. There have been two schools of thought regarding what poetry should stand for and who it should be written for. While one school says poetry should be for the elites, or it should be “pure”, the other school, that Pablo Neruda believed in, felt poetry should be “impure” or depicting the blunt realities of life. This belief of his can be observed throughout his body of work, using metaphors and imageries that are drawn from every day things. Here is the essay he wrote on why poetry should be impure.
It is good, at certain hours of the day and night, to look closely at the world of objects at rest. Wheels that have crossed long, dusty distances with their mineral and vegetable burdens, sacks from the coal bins, barrels, and baskets, handles and hafts for the carpenter’s tool chest. From them flow the contacts of man with the earth, like a text for all troubled lyricists. The used surfaces of things, the wear that the hands give to things, the air, tragic at times, pathetic at others, of such things—all lend a curious attractiveness to the reality of the world that should not be underprized.
In them one sees the confused impurity of the human condition, the massing of things, the use and disuse of substance, footprints and fingerprints, the abiding presence of the human engulfing all artifacts, inside and out.
Let that be the poetry we search for: worn with the hand’s obligations, as by acids, steeped in sweat and in smoke, smelling of the lilies and urine, spattered diversely by the trades that we live by, inside the law or beyond it.
A poetry impure as the clothing we wear, or our bodies, soup-stained, soiled with our shameful behavior, our wrinkles and vigils and dreams, observations and prophecies, declarations of loathing and love, idylls and beasts, the shocks of encounter, political loyalties, denials and doubts, affirmations and taxes.
The holy canons of madrigal, the mandates of touch, smell, taste, sight, hearing, the passion for justice, sexual desire, the sea sounding—willfully rejecting and accepting nothing: the deep penetraion of things in the transports of love, a consummate poetry soiled by the pigeon’s claw, ice-marked and tooh-marked, bitten delicately with our sweatdrops and usage, perhaps. Till the instrument so restlessly played yields us the comfort of its surfaces, and the woods show the knottiest suavities shaped by the pride of the tool. Blossom and water and wheat kernel share one precious consistency: the sumptuous appeal of the tactile.
Let no one forget them. Melancholy, old mawkishness impure and unflawed, fruits of a fabulous species lost to the memory, cast away in a frenzy’s abandonment—moonlight, the swan in the gathering darkness, all hackneyed endearments: surely that is the poet’s concern, essential and absolute.
Those who shun the “bad taste” of things will fall flat on the ice.
Indian literature is an ocean replete with brilliant pearls. All it takes is a swim in its depths to explore the gifts that Indian writers have left for us. One such gift is Kalidasa’s Meghadutam – The Cloud Message.
Kalidasa explored new boundaries of literary stylistics – and his poem, Meghadutam stands true to his legacy.
It is perhaps the most translated text in all of Indian literature and can be found all over the world in different languages, formats and styles. A beautifully scripted poem, it chronicles the story of a banished yaksha who petitions a cloud to send a message to his distant lover. It’s a captivating story that transcends through ages and enthrals its readers.
Here we have picked some verses from Meghadutam’s latest translation by Srinivas Reddy.
***
Fascinating, isn’t it?
You can get your copy of Meghadutamhere.
