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This Tinder Date Ends in Murder – Read the Chilling Details!

From a dating app match to a suitcase on a highway—Swipe Right to Kill takes you deep into the twisted true-crime story of the Jaipur Tinder Murder. Anirban Bhattacharyya unravels how Priya Seth and her accomplices spun a web of deceit, leading to a chilling betrayal that shook the nation.

Get ready for a ride through the dark side of love, lies, and murder.

Swipe Right to Kill
Swipe Right to Kill || Anirban Bhattacharyya

***

 

2 May 2018, Wednesday

 

What Priya had been holding off for the past two months as bait was now offered to Dushyant, aka Vivan Kohli, on a platter. The date for consummating their relationship was set as 2 May 2018.

 

Dushyant was overjoyed. He was finally going to ‘score’. Dushyant planned for the day, which included the alibi he would give his family if they questioned him. Priya had told him that she would call him up and tell him where to meet her and then they would go to her house. At this time all Dikshant and Lakshya knew was that Priya had identified a target from whom she would extort the money to pay the lakhs that Dikshant owed, and also to fund their life for the next few months. Lakshya, who was Dikshant’s childhood friend, became privy to the real Priya and her real occupation, once Dikshant was made aware. Lakshya too stayed back and did not run away. He too wanted to enjoy the good life that Priya’s dubious earnings offered.

 

When Priya revealed that she was going to be bringing Vivan home that day, there was an air of nervousness tinged with excitement at Eden Garden. Dikshant was suddenly alert as it dawned on him that he was staring at the point of no return!

 

When Priya had first shared the plan of kidnapping somebody for ransom, Dikshant had baulked for an instant, according to the police. But he too saw the ‘merit’ in this shortcut to acquire money in an instant. He wanted to erase his debts as soon as possible.

 

At 5 p.m., Priya asked Dikshant to call Lakshya to their Eden Garden flat. At this point, Lakshya had no clue what was about to unfold that evening. Priya primed them with drinks and ganja. Soon, they were high and happy. At approximately 6 p.m., Priya messaged Dushyant, setting in motion the dastardly plan. She told him that she would meet him below Bhaskar Pulia, Tonk Road at around 7.30 p.m.

 

Dushyant was back from work and relaxing when the call came in. He sprang up for a shower and started getting dressed. His wife, Bittu, found this rather unusual because once her husband returned home from work, he usually didn’t go out again.

 

‘Kahan ja rahe ho?’ (Where are you going?) Bittu asked him. Dushyant avoided looking his wife in the eye and hurriedly said, ‘Urgent kaam hai’ (There is urgent work) as he slipped into his Nike sneakers.

 

‘Nikki beta, what work do you have in the night? You have just come back home!’

 

Rameshwar joined in the conversation. Dushyant’s pet name was Nikki. Even his father thought that this was unusual behaviour.

 

Dushyant realized he had to make a credible excuse to get his family off his back. And so he did. ‘One of the company vehicles carrying sand from the river has been seized by the police. You know how the police keep targeting mining companies . . .’

 

That seemed to do the trick. And for good measure, he added, ‘I will be back in an hour.’

 

‘Papa, I am taking your car.’ With that, at 7 p.m. on 2 May 2018, Dushyant walked out of his Shivpuri Extension home in Jaipur for the final time. He got into his father’s Hyundai i10 and drove off.

 

Priya knew their lives were about to change forever. She had already manifested the riches and money that the scamwould bring them. She was very proud of the way she had handled Vivan so far, the way she had seduced him, kept him dangling and convinced him she wasn’t after his money. This was going to be her lottery ticket—the biggest payload. She called him up to ensure he was on his way. Dushyant was excited. On his way, he stopped at a medical store and bought a packet of condoms. He then stopped at a liquor store and bought a bottle of red wine. He wanted the night to be as romantic as possible. Priya called him up again.

 

‘Yes, yes, I am on my way.’ Hearing this, Priya left her flat at approximately 7 p.m. for the rendezvous. While Priya was gone, Dikshant narrated the plan to
Lakshya. Lakshya was immediately nervous and did not want to get involved, ‘We will let him go, right? After we get the money?’

 

Priya had hatched a new story for Lakshya. She had tutored Dikshant to tell Lakshya that this ‘target’ was a man who was harassing and troubling her, and therefore they would extract money from him as punishment. Dikshant assured him it was going to be a simple operation.

 

‘We will keep him hostage and demand a ransom. Once we receive the money, we will let him go . . .’

 

Lakshya relaxed a bit.

 

Meanwhile, at approximately 7.45 p.m., Priya called up Vivan aka Dushyant, giving him directions as to where she was waiting. When Dushyant picked her up, both were excited to see each other. Dushyant was excited in anticipation of the passionate night that lay ahead, while Priya was excited about the money she would have within the next few hours!

 

Priya sat in the car and smiled at Dushyant, who seemed unable to hide his excitement.

 

***

Get your copy of Swipe Right to Kill by Anirban Bhattacharyya on Amazon or wherever books are sold.

Will Janardan Maity Solve the Photographer’s Deadly Secret in ‘Aperture’?

What happens when a struggling photographer’s secret hobby turns into a dangerous game? In Bhaskar Chattopadhyay‘s latest book, Aperture a photographer becomes obsessed with spying on people in a shady hotel through a hidden window in his apartment. When he witnesses a murder, he turns to detective Janardan Maity for help, but there is more than they have bargained for!

 

Read this exclusive excerpt and join them on a thrilling investigation.

Aperture
Aperture || Bhaskar Chattopadhyay

 

For several seconds, there was a heavy and distinctly uncomfortable silence in Maity’s sprawling drawing room. Maity’s expression was calm but serious. Sayantan Kundu had sunk back in his chair, clearly exhausted after letting the burden of his truth out. I, on the other hand, was wondering what was going on in Maity’s head presently. Was he excited at the prospect of having to deal with such a bizarre set of events? Or was he disgusted by the young photographer’s heinous acts? I figured it was a bit of both.

 

‘I suppose,’ Sayantan finally said, ‘you would want the specifics.’

 

‘You suppose correctly,’ came Maity’s response. Sayantan took a few seconds to find the words. Then he said: ‘It happened exactly a week ago. On Tuesday,  the nineteenth of June. It was a hot day, but a brief spell of rain in the afternoon had cooled things down a little. A young couple had checked into one of the rooms on the third floor—the same level as I live in my own building. Seemed like a honeymoon couple. The woman was pretty, but a— how shall I say—coarse sort of pretty. Long straight hair. Poorly-done henna on her palm. Glass bangles. Overdone makeup. The young chap was rugged and good-looking.

 

 

It seemed to me that they . . . they weren’t very well off. I mean why would they be in that hotel otherwise? But . . . they did seem to be in love. Deeply. They were having a good time and not just in a sexual way. They would talk for hours on end. Sometimes, I would get bored. But as you can imagine, Mr Maity, in this profession, we are not allowed to get bored. I waited for my chance. Sometimes, it seemed it would come. They would cuddle, kiss, get cosy. I’d get some good shots. But then they would break off. As if . . .as if something was stopping them, as if there was a barrier between them.’

 

 

Maity and I were listening with such rapt attention that I had not even noticed when Mahadev had come and taken the empty cups away.
‘They would seem . . . sad. But then it was the woman mostly who would cheer up, throw her arms around her husband and embrace him. They would go to bed. That was when I would get the . . . the real shots.’

 

‘From your room,’ Maity said. ‘Are you ever able to hear anything that happened in the rooms of that hotel? Any sound of any kind?’

 

‘No. After I got into this . . . business, I invested in a tinted glass, had it installed on the ventilator opening. I can see everything clearly from my side of the window. But no one would be able to see me from the other side. Plus, I chose the colour of the glass in such a way that it would camouflage my window. One disadvantage of doing all this, though, was that I would hear absolutely nothing, no sound from the other side.’

 

‘I see,’ nodded Maity. ‘Interesting, very interesting!’

 

 

‘Anyway, I got some really good shots of the couple. In . . . in the act, you know? Shots that would suffice for my purpose. The best shots are the ones that show the faces clearly. I’m sorry you are having to hear all these details, but . . .’

 

‘As despicable as your crimes are, Mr Kundu,’ Maity interrupted, ‘I’m afraid the details are important. That’s usually where the devil resides.’

 

‘I understand,’ Sayantan nodded. ‘Like I said, I got some good shots. But that night, while they were in the . . . you know . . . the height of their act, something else caught my attention through the lens. At first, it seemed quite funny to me. In fact, I remember having chuckled behind my camera. The room exactly below them was occupied by a middle-aged couple. Perhaps in their late forties or early fifties. They had checked in a day before, on the eighteenth. When the younger couple were having sex, I could see the middle-aged couple look up at the ceiling of their room. They could obviously hear the noises coming from the room above. And they were clearly not amused. The wife said something to the husband, the husband replied angrily. There was a brief quarrel between the two. It was amusing, to be honest . . . this . . . this contrast between what was going on in those two rooms. One on top of the other.’

 

‘What happened then?’

 

 

‘The quarrel stopped after some time. The woman went to bed, held a pillow over her ear. That didn’t seem to work, because she flung the pillow across the room, and it almost hit her husband. The husband yelled at her—she yelled back. That’s when the real quarrel started. It all came to blows. The wife seemed furious.’

 

 

‘And this young couple in the room above . . .’ Maity interjected with a suggestion of a question.

 

‘Yes,’ nodded Sayantan, ‘they had . . . finished by then. They were exhausted. The couple below were now in a bitter fight. The woman had started slapping her husband left, right and centre. She was screaming and sobbing. The husband was taking all the hits. But after a while, he punched his wife right across the face. Sent her flying across the room and on to the bed.’

 

‘He . . . he killed her?’ I asked, apprehensively.

***

Get your copy of Aperture by Bhaskar Chattopadhyay on Amazon or wherever books are sold.

Snippets from the New Murder Mystery in Town

In Bulbul Sharma’s new book, Murder at the Happy Home for the Aged, the tranquillity at the Happy Home is shattered when a body is found hanging in the garden. The inhabitants of the home are first perplexed, then decide to come together to solve the murder that has suddenly brought the violence of the world into their Goan arcadia.
Set in the lush landscape of Goa, where tourists flock from all over the world, where the rich set come to play, bringing in their wake fortune-hunters and other predators, the cast of possible murderers is infinite. But patiently, and with flashes of inspiration, the unlikely detectives follow the clues and in doing so emerge from the isolated and separate worlds they had inhabited for so long.
Here are some snippets from the book that you’re bound to enjoy!

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