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A brief journey across 5000 years of the making of a civilization

Indian civilization is an idea, a reality, an enigma. In the riveting INDIANS: A Brief History of a Civilization, Namit Arora takes us on an unforgettable journey through 5000 years of history, reimagining in rich detail the social and cultural moorings of Indians through the ages.  Enlivening the narrative with the  idiosyncratic perspectives of the many famous foreign travellers who visited India over millennia, local folklore and his own inimitable insights, Arora guides us through  six iconic places-the Harappan city of Dholavira, the Ikshvaku capital at Nagarjunakonda, the Buddhist centre of learning at Nalanda, enigmatic Khajuraho, Vijayanagar at Hampi, and Varanasi.

Read on for a glimpse into the exciting churn of ideas, beliefs and values that unfolded among our ancestors through the centuries.

 

Front cover of INDIANS
INDIANS || NAMIT ARORA

 

Still, the lack of loud and clear indicators of war or standing armies, so commonplace in other civilizations, is a striking feature of the Harappan Civilization. Further, Harappan cities have not revealed monumental, or even humble, temple structures, a great puzzle for scholars. There aren’t any equivalents of the temples and pyramids of ancient Egypt or the ziggurats of Mesopotamia. Some say the Great Bath of Mohenjo-Daro had a religious purpose but this is highly speculative. Or perhaps the Harappans built religious shrines and large sculptures from perishable materials like wood. In any case, while there are hints, we have no clear sense of Harappan gods and rituals, or whether they had any temples or priests. Scholars have offered divergent interpretations of seals with possible religious content: a handsome seven-inch sculpture of a man named ‘priest-king’, who could well have been an aristocrat; a seal named ‘proto-Shiva’ that depicts a multi-headed, seated figure in a yoga-like pose, one of ‘several other yogi images in the corpus of Mature Harappan materials’; another seal that shows a female (deity?) standing under a Bodhi tree with its heart-shaped leaves, a figure kneeling before her in supplication and seven standing figures watching them; other seals that depict mysterious objects and rituals before a unicorn; the swastika motif appears often; some female figurines have a paste-like substance along the middle parting of their hair; a stone object in the shape of a phallus has been identified; two terracotta male figurines have erections; a small terracotta object in Kalibangan resembles the familiar Shiva lingam. All this is very tantalizing. There can be little doubt about cultural continuities. Harappan beliefs clearly shaped later religions of the Axial Age in the subcontinent. Quite possibly, Indian ideas of meditation and even renunciation have Harappan origins. But it’s difficult to draw firm conclusions about this, or about what the Harappans themselves believed, at least until the script begins to speak. Scepticism is essential: The deciphered Mayan script revealed how wrong many scholars were about the beliefs they had attributed to the Mayans (such as being peaceful). The Harappans did not build monumental sculptures, such as of kings or gods, as did the Mesopotamians and the Egyptians. This doesn’t make them any less complex than others, writes Possehl, rather it’s an alternative way in which a civilization, with a ‘highly complex sociocultural system, has expressed itself’.  They did make fine miniature art, as in seals and beadwork. And while their figurines aren’t notable for their artisanship, they still evocatively depict their people ‘in great variety, with many poses: sitting in chairs, lying on beds, holding babies and animals, kneading bread, and other things that people do to round out their existence,’ writes Possehl. Animal puppets, in which a bull might shake its head or pull a cart, reveal a playful sense of humour, perhaps designed to amuse children. There are some fantasy creatures too, but ‘on the whole, the Indus peoples in their art, as in other aspects of their lives, come across as people with a practical bent, a tendency to deal with and represent the real world as they [and we] see it’. That said, what jumps out as the Harappans’ greatest monumental work is the city itself, a marvel of urban design and engineering, city- wide sanitation systems that include the first indoor toilets in the world and sophisticated water management. ‘Probably not until later Roman times did people devise so many clever construction techniques to deal with comforts and discomforts related to water.’ They also excelled at shipbuilding and long-distance trade—another reason to think that they had centralized authority and bureaucracy to mobilize labour, develop trading networks and organize long-distance shipping expeditions. Harappan cities of the mature period (2600–1900 bce) had some walled neighbourhoods with larger buildings and better provisions, suggesting that an elite class resided there. But not everyone agrees. There is ‘no justification’ or archaeological support for this presumption, says archaeologist Jonathan Mark Kenoyer. In fact, in certain stages, the ‘citadels’ in Dholavira and Mohenjo-Daro were hubs of artisanal– industrial activity. There is no evidence of royal palaces; homes differ in size and provisions but not by much. Sanitation and water wells were available to all. Based on the bones of the dead, the rich and the poor seem to have enjoyed similar access to nutrition. Their burials too display a narrow range in their sizes and types of funerary objects. However, as noted earlier, burial practices may have varied across individuals, or social groups. That the Harappans had a social social class hierarchy is clear enough. What’s remarkable is that this hierarchy seems so much flatter than in other ancient (or modern) civilizations.

Get your copy now for a truly epic exploration of the cultural behemoths that continue to shape ‘INDIANS’ today https://www.amazon.in/Indians-History-Civilization-Namit-Arora/dp/0670090433

Start the new year with the right book!

Let’s admit it: 2020 was not fun. But as well go into 2021 it’s hard to get the new year feeling. Some argue it’s just a day apart from 2020 – why should it be drastically different?

Well, dear reader, it could be. All you need to do is change up your mindset, and what better way than to educate/explore/entertain yourself with new books? Here are the new releases at Penguin Random House India. We hope you find the perfect fit!

 

India 2030

Front cover of India 2030
India 2030 || Gautam Chikermane

Thought leaders from twenty diverse fields, ranging from politics, economics and foreign policy to health care and energy, predict what 2030 will look like for India and how the nation will evolve in this decade.
A handbook for citizens, a road map for policymakers and a guide for scholars, this collection captures the many aspects of a future that will see India becoming the world’s third-largest economy and a regional power before the decade gets over.

 

Flying Blind

front cover of Flying Blind
Flying Blind || Mohamed Zeeshan

In recent years, India has repeatedly expressed its ambitions of becoming a global power – or ‘jagat guru’. Yet, many believe that India’s economic troubles at home are far more pressing and that foreign policy aspirations can wait. But is a proactive foreign policy really a ‘luxury’ for India, to be postponed until the economy develops; or is it, in fact, a prerequisite for economic growth in a globalized world?

 

The Little Book of Encouragement

Front cover of little book of encouragement
Little Book of Encouragement || His Holiness the Dalai Lama

His Holiness The Dalai Lama, a perennial source of inspiration, is one of the most eminent spiritual leaders in the world. Recipient of the Noble Peace Prize, His Holiness’s life and works have inspired millions of lives throughout the world. In this specially curated companion volume, His Holiness shares words of encouragement to deal with new realities in a pandemic stricken world.

 

Ghalib

Front cover of Ghalib
Ghalib || Mehr Afshan Farooqi

Ghalib’s poetic trajectory begins from Urdu, then moves to composing almost entirely in Persian and finally swings back to Urdu. It is nearly as complex as his poetry. However, his poetic output in Persian is far more than what he wrote in Urdu. More important is that he gave precedence to Persian over Urdu. Ghalib’s voice presents us with a double bind, a linguistic paradox. Exploring his life, works and philosophy, this authoritative critical biography of Ghalib opens a window to many shades of India and the subcontinent’s cultural and literary tradition.

 

The Good Girls

Front cover of The Good Girls
The Good Girls || Sonia Faleiro

One night in the summer of 2014, two teenagers disappeared from their home in the village of Katra Sadatganj in Uttar Pradesh. The next morning India woke up to the devastating image of their dead bodies hanging from a tree in a mango orchard. Slipping deftly behind political manoeuvring caste systems and codes of honour in a village in northern India, The Good Girls returns to the scene of Padma and Lalli’s short lives and tragic deaths, and dares to ask: what is the human cost of shame?

 

Bike Ambulance Dada

Front Cover of Bike Ambulance Dada
Bike Ambulance Dada || Biswajit Jha

Bike Ambulance Dada, the authorized biography of Padma Shri awardee Karimul Hak, is the most inspiring and heart-warming story you will read this year. It documents the extraordinary journey of a tea garden worker who saved thousands of lives by starting a free bike-ambulance service from his village to the nearest hospital in an attempt to fill the gap the insufficient rural healthcare created.

 

Cages

Front cover of Cages
Cages || Aabid Surti

Cages touches upon the themes of patriarchy, gendered violence, sisterhood and the validity of a woman’s sexual desires. Even fifty years after it was first written, it makes you realize that some things don’t change – as long as predatory men are around, women will have to fight to retain control over their bodies, their identities and their ability to say no.

 

The Hidden Garden

Front cover of The Hidden Garden
The Hidden Garden || Gopi Chand Narang

Mir Taqi Mir is widely admired for his poetic genius. The most prolific among all Urdu poets, he produced six divans. His deceptively simple poetry had an unusual mellowness and natural flow. With a substantial selection of Mir’s most memorable ghazals, The Hidden Garden introduces readers to the life and poetry of the grossly misunderstood poet. This book is the perfect read for lovers of poetry and Urdu alike.

 

Unscripted

front cover of Unscipted
Unscripted || Vidhu Vinod Chopra

Starting in Wazir Bagh, a small mohalla in Kashmir, Vidhu Vinod Chopra’s life has been well and truly unscripted. Over the last thirty years, he has blazed a trail in Hindi cinema-even going on to direct a film in Hollywood. From someone who once released his student film though it was incomplete, because he ran out of money and film stock, he now has the distinction of heading one of the key production houses in India, VVC Films.

 

A Touch of Eternity

Front cover of A Touch of Eternity
A Touch of Eternity || Durjoy Datta

Born on the same day and at the same time, Druvan and Anvesha know they are soulmates in every sense of the word. Their parents, however, refuse to accept their ‘togetherness’ at first and try to tear them apart. Druvan and Anvesha hold on to each other against all odds.
In the same timeline, the world is on the brink of a major scientific breakthrough that could make reincarnation possible.
Druvan and Anvesha participate in the experiment as if their life depends on it, because it does. Will the dream of a man to control love and life come true? And when the time comes, can one stay true to their soulmate?

 

Elephants and Cheetahs

Front cover of Elephants and Cheetahs
Elephants and Cheetahs || Saral Mukherjee

Do systems have souls? This book encourages business leaders to ask two different sets of existential questions: Does the organization that I am managing have a soul, and if so, what are the strategic choices that enable its synthesis (external orientation)? And, do I have a soul, and if so, who am I (internal orientation)? In the process, it uncovers a beauty inherent in patterns of strategic choices that enables an organizational soul to emerge, and an appreciation of the diversity of such souls.

 

Indians

Front cover of Indians: A Brief History of a Civilization
Indians || Namit Arora

Indian civilization is an idea, a reality, an enigma. In this riveting book, Namit Arora takes us on an unforgettable journey through 5000 years of history, reimagining in rich detail the social and cultural moorings of Indians through the ages. Drawing on credible sources, he discovers what inspired and shaped them: their political upheavals and rivalries, customs and vocations, and a variety of unusual festivals.

 

Coaching: The Secret Code to Uncommon Leadership 

front cover of Coaching
Coaching: The Secret Code to Uncommon Leadership || Ruchira Chaudhary

 

This is a book for our times. Businesses are facing a new reality, characterized by a VUCA (volatile, uncertain, complex and ambiguous) world. This new reality has forced organizations to depart from conventional command-and-control practices to a completely new model – a model in which leaders support and guide, rather than instruct and control, their team members. Exploring some of the key ingredients of impactful leadership, Coaching: The Secret Code to Uncommon Leadership offers tips and tricks, backed by research and incisive insights, on how to become an effective leader-coach.

 

Maverick Messiah

front cover of Maverick Messiah
Maverick Messiah || Ramesh Kandula

 

Nandamuri Taraka Rama Rao, widely known as NTR, was not merely a film star who strayed into politics and captured power in Andhra Pradesh. The actor-politician redefined the political culture in the state and scripted a new political idiom.
Maverick Messiah captures the different facets of NTR’s life in all their varied hues and puts in perspective the significant contribution of the actor-politician to the Indian political tapestry.

 

Platform Scale for a Post-Pandemic World

front cover of Platform Scale
Platform Scale || Sangeet Paul Choudary

 

The pandemic has accelerated the very grounds on which BigTech was supposed to be regulated. Data access, privacy and usage laws are being revisited to counter the pandemic through contact tracing and other surveillance mechanisms.
The pandemic has reinforced the importance of the platform economy. In the 2020s, we will see the platform economy gain further strength as the post-pandemic world uncovers new value pools for platforms to exploit. This book provides a compelling framework for building platforms, networks and marketplaces.

 

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