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A Narrative of Three Nations- An Excerpt from ‘1971’

The year 1971 is etched into the minds of the billions that call the subcontinent their home. Post partition, the third Indo-Pak war cleaved through the land to make way for another nation to come into its own. For East Pakistani’s, it was a battle that led to liberation and the birth of Bangladesh. For Pakistan, it was the dismemberment that left behind a sense of loss. For India, 1971 was the war that established it as a nation of humanitarian sensibility and military power.

But what does 1971 mean for the victims and survivors of the war?

Anam Zakaria writes, ‘The war is not just a historical event or a story of gallantry or loss, the war is personal and intimate, the trauma as haunting even forty-eight years later.’   Turning the spotlight away from the state orchestrated narratives of victory and defeat, In 1971: A People’s History from Bangladesh, Pakistan and India, Zakaria draws attention to the festering wounds that victims of the bloodbath bear even today, giving those tormented by terrible memories of heartrending violence a space to voice their experiences.

Read on for a glimpse-

 

Three men, an officer and two sepoys barged in from the back door, pushing our maid to the side, demanding: “Professor Sahib kahan hai? (Where is the professor)?” When my mother asked why, the officer said, “Unko le jayega (We have come to take him).” My mother asked, “Kahan le jayega (Where will you take him?).” He repeated, “Bus le jayega (We will take him).”’

It was the night of 25 March, when Meghna, then only fifteen years old, had been woken up by her father, a provost at Jagannath Hall, a non-Muslim residence hall at Dhaka University. It was the night Operation Searchlight was launched, the Pakistan Army’s action to crush the secessionist movement in East Pakistan. Dhaka University, whose students were actively engaged in the resistance movement against Pakistan, would be one of the primary targets. The operation would unfold into a long, bloody war, first between East and West Pakistan and then between India and Pakistan, finally culminating in Pakistan’s surrender on 16 December 1971, and the birth of Bangladesh.

‘There was a lot of firing that night, but we assumed that it was the Dhaka University students, excited and eager to show their spirit to Zulfikar Ali Bhutto, who was in town. By then, the firing had become a regular occurrence,’ Meghna told me. ‘Our flat was opposite Jagannath Hall, overlooking the Shahid Minar, the monument for the martyrs of the language movement of 1952. In fact, we were at the centre of all the things that were going on,’ she said, referring to how Dhaka University was one of the major centres of political activity, right from when the language movement started to the 1970s. ‘We even went to see Bangabandhu’s speech of 7 March (held at Ramna Race Course, now called Suhrawardy Udyan) and I remember, my father kept saying, “I don’t see any mediation. I don’t know what will happen.” He feared that the army would clamp down because there was no way they would let things continue as they were . . . The radios were broadcasting their own programmes in Bangla, there were marches happening, there was an active civil disobedience movement. But even then, my father thought the army clampdown would just involve forcing students to stop protesting and return to university, or at most translate into the arrest of teachers (who, the state thought, were instigating trouble). We could never have imagined what happened.’

On 7 March 1971, at the speech that Meghna attended with her father, Sheikh Mujib addressed lakhs of people. By now, Yahya Khan had postponed the opening session of the new parliament. As a result, ‘widespread violence erupted in East Pakistan . . . Mujib was under intense pressure from two sides. Leftist politicians and activists in East Pakistan demanded that he declare independence right away, while Pakistan’s military leaders flew in troops to make sure he would abstain from such a pronouncement.’ Against this backdrop, on 7 March, Sheikh Mujib delivered a historic speech, trying to steer a ‘strategic middle ground’ by emphasizing that until the regime met his conditions, all offices, courts and schools would be closed, and there would no cooperation with the government. Before ending the speech, he also declared, ‘This struggle is for emancipation! This struggle is for independence.’


In her third book 1971, winner of the 2017 KLF German Peace Prize Anam Zakaria takes a closer look at the conflicting narratives on the war of 1971 through the oral histories of various Bangladeshis, Pakistanis and Indians.

 

On the Run: 10 Interesting Things about Pablo Escobar from ‘Mrs. Escobar’

The story of Pablo Escobar, one of the wealthiest, most powerful and violent criminals of all time, has fascinated the world. Yet the one person closest to him has never spoken out – until now. Maria Victoria Henao met Pablo when she was 13, eloped with him at 15, and despite his numerous infidelities and violence, stayed by his side for the following 16 years until his death. At the same time, she urged him to make peace with his enemies and managed to negotiate her and her children’s freedom after Pablo’s demise.

Moulded by Pablo Escobar to be his obedient wife and a loving mother to his children, Victoria Eugenia Henao is often seen as a continuation of her husband’s evil. In Mrs. Escobar, she leads us into her world and reveals the real man behind the notorious drug lord’s legend.


Born to Dona Hermilda Gaviria, a school teacher, and Abel, a farmer, Pablo Emilio Escobar Gaviria was the youngest of seven children. In contrast to his humble beginnings, Pablo Escobar’s aspirations became evident early in life when in 1974, he was arrested for driving a stolen Renault 4.

*

Pablo’s involvement in trafficking narcotics first came to light when he was arrested in 1976 for possession of 26 kilos of coca-paste.

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The decade after 1978 marked Escobar’s meteoric economic rise. The young man once arrested for driving a stolen car now had the financial power to venture into the world of automobile racing. Pablo Escobar participated in the Renault Cup series of 1979 and 1980.

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Pablo Escobar’s estate Hacienda Napoles, was named in honour of American gangster Al Capone, whose parents had been from Naples. Pablo admired Capone and was often seen reading books or articles about him.

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The most fascinating part of Pablo Escobar’s estate was the zoo which was a testimony of his love for the beauty of exotic animals. Pablo spent US $ 2 million in cash to buy giraffes, kangaroos and elephants ,among other animals, for the zoo in Napoles which he opened for families to visit without any fee so they could enjoy the spectacle of nature in the heart of Colombia.

*

Escobar gained popularity with his social programmes designed to improve lives of the poverty stricken in impoverished areas of Medellin, Envigado and other towns of Aburra valley. He encouraged sports by building dozens of football fields, led tree planting drives and mingled with people as one of their own.

*

In April 1983, a national media outlet labelled a delighted Pablo ‘An Antioquian Robin Hood’ for his work such as his project Medellin without Slums- which offered homes to families living in impoverished areas.

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During his short-lived political career which began in 1982, Pablo Escobar, as a representative with parliamentary immunity, waged a war against the extradition of Colombian citizens to the United States.

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His political aspirations were squashed in October 1983, when the House of Representatives, by majority vote, lifted Pablo Escobar’s parliamentary immunity on suspicions of his involvement in drug trafficking and other crimes.

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The unrelenting hunt for Pablo Escobar, the once indomitable head of the Medellin Cartel, came to an end on 2 December 1993 when he was killed on the roof of his hiding place in Medellin.


In stark contrast to his formidable image as a drug lord, Mrs. Escobar creates a portrait of a man who shares moments of raw emotion with his loved ones even as he fights to bolster his crumbling empire of crime.

How to be Ordinary- A Handbook for the Savvy Survivor

Are you the shallow, insular self contained wallflower that Naomi Dutta waxes eloquent about in her book, of how-to’s and whatnot, How to be a Likeable Bigot? Jokes aside, Dutta’s book very smoothly sails through a myriad of scenarios that should either have you in splits or, leave you feeling offended.

Either way, if you’re on a quest to achieve the ordinary, blend in and be largely forgettable, you may find the following excerpts almost relatable!

 

 

  • Put it on email

 

 

Please note that this is the only time you will show initiative, but for a larger cause: initiative to bring about inertia. It isn’t rocket science, but it could be physics. Every action has an equal and opposite reaction. By proactively setting off an email chain, you are bringing about inactivity. It looks like a lot of activity but its marginal productivity is zero. They have a term for this in high school economics: disguised unemployment. 

 

 

  • The Art of managing WhatsApp groups at work

 

 

Send messages at unearthly hours. Make sure to send messages to the group at odd hours to appear ever alert and wakeful. The messages don’t have to be of any import, but will shame the rest of the group as they try to sleep, eat or do anything apart from Top Priority 101. 

 

 

  • You are a mass of inertia, but your career will always be on a steady ascendant

 

 

Our key objective to stay in one organization for as long as possible – stay the course, survive management changes, blend in, be seen as a company loyalist and inveigle yourself into some mid-senior managerial post. That is ideal. You are the person who throws the rule book at new employees and resists all change by saying that it is against the brand values of the company. 

 

 

  • Words that should definitely find their way into your resume:

 

 

Ideas curator/ aggregator: You have never actually had an original idea in your life but are really good at filching ideas. Which means that you have the elusive ability to detect a good idea and then pass it off as your own. You were made for senior management. Go ahead and describe yourself as an ideas curator.

 

Digital Evangelist: You can use ‘evangelist’ on its own as well, but attaching digital to anything automatically makes it sound modern and cutting-edge. An evangelist is a passionate advocate for something, so if you are the most passionate setter-up of work WhatsApp groups, you are a digital evangelist. 

 

 

  • No productive person values their lunch hour 

 

This could be potentially the biggest sacrifice this book entails. Do not tell people on social media what you eat everyday – no daily lunch hour updates. A truly productive person is one who strategically schedules meetings that eat into lunch hour or one who proposes a working lunch. If you have the time to post photos online of your lunch, you have the time to eat lunch, which can only mean that you are shirking something that could potentially alter the course of humanity – such as working on an Excel sheet with details of how many cups of coffee team members have in a day and correlating it to performance.  

 

 

  • How not to look idle on social media

 

 

Be Well- Referenced: You don’t need to be well-read. The key is to be well-referenced. Post links to articles on a wide variety of topics, preferably from international publications on things that are of little or peripheral interest to the catchment. Like Brazil going right wing or the repercussions of Brexit on Lebanese eateries in London. Do not add your agreements or disagreements with any of these posts. Merely say, ‘interesting perspective’ or ‘an off-centre take on something that has been preoccupying me for a bit’ or ‘this does raise some interesting points’. 

 

 

  • Active participation has nothing to do with the intensity of involvement

 

Treat Social Media like a spectator sport. Part of the reason why we love being on social media is because there is always a high probability of a fight going on somewhere. Divergent opinions clash, people get snarky and all of this can get the adrenaline going. But here’s the thing: you don’t need to be an active participant because: i.) that gives you visibility which we don’t want; and ii.) it is finally work, which we absolutely don’t want. 

 

 

  • Instagram is a great platform to give you the fame of non-achievement

 

 

Photograph everything. Invest in a good camera phone and shoot everything. If you are a woman, most of your followers will be quite happy if you post a ‘Good Morning’ selfie everyday. But don’t do this as a vanity exercise. Be sure to write a few words of inspiration…

You don’t have to be penning your own motivational quotes. Luckily for us, Rumi, Gibran and many other great writers, have left us a handy bank of quotes that can be used for anything. 


We both know that this has the potential to become long winded but we’d love for you to check out the outrageously witty satire How To Be A Likeable Bigot by Naomi Dutta and tell us what you thought of it!

 

On Building a Secular Democracy: Excerpt from ‘Vision for a Nation’

What is the nation? What is the idea of India? And whose India is it?

These are highly relevant and pressing questions for our country today. The first in a fourteen-volume series titled Rethinking India, Vision for a Nation: Paths and Perspectives, edited by Aakash Singh Rathore and Ashish Nandy, aims  to champion a plural, inclusive and prosperous India that is committed to unity and individual dignity.

Here is an insightful excerpt from ‘Secularism: Central to a Democratic Nation’, contributed by Neera Chandhoke, a former professor of Political Science at the University of Delhi:

**

The results of the 2019 general elections in India confirmed the lurking fear that has hovered like a dark cloud over our political horizon since 2014. India is a multireligious country, but we now see the consolidation of the Hindu vote across caste and across class. This consolidation has brought the religious right back into power with an improved majority. Election rhetoric had ridiculed political leaders who stood from minority-dominated constituencies; appealed to a narrow, religion-based nationalism; evoked fear that Pakistan threatened the body politic; and raised aloft the banner of national security over other concerns. None of the planks that garnered rich dividends had anything to do with what are often called ‘real facts’, but fiery rhetoric won over mundane issues of a declining economy and increasing unemployment. A victorious prime minister told his national constituency: ‘Secularism was a tax that used to be paid till today. Fake secularism and its leaders who were calling for the secular forces to unite have been exposed.’ Exposed, one may ask, as what? As Indians committed to the dignity of all and discrimination against none? Or as citizens who want passionately to defend the plural character of Indian society?

The prime minister is not politically naive; he surely knows that political commitments that run against ruling ideologies do not fade into the twilight with the coming into power of a new government. These commitments might not be palatable to the new ruling class, but they continue to inhabit democratic imaginations, continue to act as signposts to a road that leads to a good life for all, and continue to act as a watchdog of ruling dispensations. Criticism of the government and its policies lies at the heart of democratic society, at the heart of the political project to hold elected power elites accountable for their acts of omission and commission.

In any case, democracy is not reducible to election results. Elections are one—albeit significant and decisive—moment of democracy. Democracy establishes and maintains a conversation between the citizens and their representatives. Elections decide who these representatives will be. The process of holding these representatives accountable does not cease with the results of an election. It holds good, no matter who holds power, or with what majority. For that reason, it is democracy, not just elections, of which we should speak, and it is the democratic spirit which we should, and will, uphold.

**

Vision for a Nation provides a positive counter-narrative to reclaim the centrality of a progressive, deeply plural and forward-looking India.

New Books To Add to Your Christmas Wishlist

Christmas is right around the corner and we’re all scrambling to find some good reads before the year ends! Take a look at some of our recommendations for December below:

How to Be a Likeable Bigot

In this collection of satirical essays in her deft, inimitable style, Naomi Datta tells you how to survive various situations-from how to befriend tiger moms to how not to get a pink slip- simply by being ‘ordinary’.

How to be a Likeable Bigot celebrates conformity and tells you how to be perfectly regular, to blend in and be largely forgettable.

New Rules of Business 

How did Apple teach its employees to become sales consultants?
How did Tanishq pivot to unlock growth?

Businesses are reinventing themselves and how they deal with employees, customers and other stakeholders. The New Rules of Business unfolds the mysteries of these new ways of doing business which most companies try to keep as secret. Compellingly written with several anecdotes, this is a gripping book full of incredible insights.

In Service of the Republic

This authoritative book is like nothing you have read before on the state of public policy in India.

In Service of the Republic is a meticulously researched work that stands at the intersection of economics, political philosophy and public administration. This highly readable book lays out the art and the science of the policy making that we need, from the high ideas to the gritty practicalities that go into building the Republic.

I’ve Never Been (Un)Happier

Alia Bhatt’s older sister, screenwriter and fame-child, Shaheen Bhatt, now invites you into her head.

Shaheen was diagnosed with depression at eighteen, after five years of already living with it. In this emotionally arresting memoir, she reveals both the daily experiences and big picture of one of the most debilitating and critically misinterpreted mental illnesses in the twenty-first century.

Commentaries on Living

 

Challenge the limits of ordinary thought with J. Krishnamurti’s Commentaries On Living series, a three-volume series, which records J Krishnamurti’s meetings with individual seekers of truth from all walks of life.

The series invites readers to take a ‘voyage on an unchartered sea’ with Krishnamurti in his exploration of the conditioning of the mind and its freedom.

 

The Power of Opportunity: Your Roadmap to Success

They all started with nothing, and leveraged the power of opportunity to achieve success.

And now so can you.

In this book, Richard Rothman shows you why opportunity is the most important and indispensable element necessary to achieve business and career success.

So All is Peace

When twin sisters Layla and Tanya are found starving in their upmarket apartment, there is frenzy in the media. How often does one find two striking, twenty-something women, one half-dead, the other not speaking, living in a state of disrepair and chaos, for no apparent reason?

A richly atmospheric, deeply claustrophobic story with a stunning denouement, of two women confronting the everyday realities of their city and country, So All is Peace provides an unflinching insight into love, lust, fear, grief, and the decisions we make, through a cast of sharply drawn characters brought together by an unspoken wrong.

Uparwali Chai

The ultimate teatime cookbook, with an Indian twist!

From Saffron and Chocolate Macarons to Apricot and Jaggery Upside Down Cake to a Rooh Afza Layer Cake, Uparwali Chai is an original mix of classic and contemporary desserts and savouries, reinvented and infused throughout with an utterly Indian flavour. A beautifully curated set of recipes full of nostalgic flavours and stories, this is a book every home cook will be referring to for generations to come.

Vision For A Nation

What is the nation? What is the idea of India? Whose India is it, anyway?

This inaugural volume in the series titled Rethinking India aims to kickstart a national dialogue on the key questions of our times.

The essays in the book are meaningful to anyone with an interest in contemporary Indian politics, South Asian studies, modern Indian history, law, sociology, media and journalism.


1971

Navigating the widely varied terrain that is 1971 across Pakistan, Bangladesh and India, Anam Zakaria sifts through three distinct state narratives, and studies the institutionalization of the memory of the year and its events.

Using intergenerational interviews, textbook analyses, visits to schools and travels to museums and sites commemorating 1971, Zakaria explores the ways in which 1971 is remembered and forgotten across countries, generations and communities.

A Good Wife

At fifteen, Samra Zafar had big dreams for herself. Then with almost no warning, those dreams were pulled away from her when she was suddenly married to a stranger at seventeen and had to leave behind her family in Pakistan to move to Canada.

In the years that followed she suffered her husband’s emotional and physical abuse that left her feeling isolated, humiliated and assaulted. Desperate to get out, she hatched an escape plan for herself and her two daughters.

A Good Wife tells her inspiring story.

Breath of Gold

Fights, action, music, romance, secret trysts-renowned classical musician Pandit Hariprasad Chaurasia’s life reads almost like a film script. Wrestler in the morning, student during the daytime and flute player in secret, he lived more than a double life through his early years, till he broke away from his father’s watchful eye to join All India Radio as a flautist.

Hariprasad Chaurasia and his Breath of Gold will inspire and amaze everyone who reads the life story of this much-loved flautist.

A Chequered Brilliance 

A portrait of Krishna Menon, one of the most controversial figures in India’s recent history.

Menon continues to command our attention not just because he was Jawaharlal Nehru’s confidant and soulmate but also for many of his own political and literary accomplishments.

Meticulously researched, this book reveals all his capabilities and contradictions.

Chhotu

The year is 1947. The British are slowly marking their departure from the country. And while Partition looms large over India, Chhotu, a student-cum-paranthe-cook in the dusty gullies of Chandni Chowk, has other things on his mind-like feeling the first flushes of love of his crush, Heer, the new girl at school.

Set against the backdrop of Partition and the horrors that followed, Chhotu is a heartwarming coming-of-age graphic novel set against the backdrop of India’s Partition.

Mapping The Great Game

Ever wondered if there’s a story behind maps? When was the first definitive image of the subcontinent created and by whom? Would you believe that there’s a correlation between espionage and cartography?

Find out the answer to these and more in Mapping The Great Game

The Ramcharitmanas (Vol 1, 2 and 3)

The most popular retelling of the legend of Ram is now fully translated!

Rohini Chowdhury’s exquisite translation brings Tulsidas’s magnum opus vividly to life, and her detailed introduction sheds crucial light on the poet and his work, placing them both in the wider context of Hindi literature.

Roses Are Blood Red

A gripping coming-of-age thriller!

Aarisha Shergill’s life is about to get ripped apart because she should have known some things should be left alone.

Novoneel Chakraborty is back with Roses Are Blood Red, a chilling story of love, deception and passion.

Sridevi

Hailed as the first pan-Indian female superstar in an era which literally offered actresses crumbs, Sridevi tamed Hindi cinema like no other.

Charting five decades of her larger-than-life magic, Sridevi: The Eternal Screen Goddess celebrates both the phenomenon and the person Sridevi was. This is her journey from child star to one of our greatest movie luminaries who forever changed the narrative of Indian cinema.

Unleashing the Vajra

A must-read for anyone who wants to understand Nepal’s position in the global economy.

 Nepal’s great advantage is its location between India and China, particularly now as these two Asian giants are set to be the world’s leading economies in 2050.

Sujeev Shakya argues that it is imperative to understand history and learn from it to shape events for a better future. Unleashing the Vajra outlines the factors that will determine Nepal’s destiny in the years to come.

 

Eggnog with Alicia: A Conversation on the Festive Season, Family Time and her Upcoming Book

What’s your favorite thing about Christmas?

Oh that’s a hard one! What’s NOT my favourite thing about Christmas!

I think probably the fact that the house looks AND smells different from the rest of the year. That’s something that I appreciate every single day of December.

How big are you on decorating for Christmas? Is a Christmas tree part of it?

I’m more on the obsessed side. I plan my date in November mostly because I have to have it on a weekend when my husband and I are both in town, which towards the end of the year can be a bit strategic. He does the lights in the house and also the taking down of things which he calls ‘excessive’. I, on the other hand, feel like it’s not decorated till even the sand in the plant pots are red.

Decorating the tree is a biggie! I’ve been collecting ornaments on every trip of mine (especially abroad because in the west they have all-year Christmas shops, which are like mini heavens). Also I have little rituals like making an ornament every year.

What would you want Santa to bring you this year?

Can I say ‘Peace on Earth’ without sounding Christmas-y cliche?

Also, a great metabolism forever won’t hurt 😛

You have your book coming out very soon, would you like to give your readers a sneak peek into what it’ll be about?

It’s basically about the quirks of living with your significant(ly messy) other. The joys, the annoyance and general happy life of being in everyday love.

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“And then, when I was five years old life changed in an instant, dramatically and forever.” An excerpt from ‘I’ve Never Been (Un)Happier’

Despite all this time spent in close proximity to the film-making process and the odd ‘film-child’ (heh) friend I had, I was shielded from the Bollywood world. The fuzzy memories I have of early childhood are all happy ones. I began my education at a small Montessori school not far from home, and once my mother and I made it through a harrowing first week involving a lot of tears, broken promises and her having to sit around directly in Baby Shaheen’s eyeline for hours at a time—it was smooth-sailing. Well, for the most part. There was one hysterical temper-tantrum (tiny balled up fists being beaten on the ground, screaming, sobbing, hiccups, the works) thrown in the aisles of a busy supermarket because I was denied a box of crackers, but my mother assures me that that was a one off and not a regular occurrence or some sort of dramatic foreshadowing of things to come.

And then, when I was five years old life changed in an instant, dramatically and forever. So far, I’d spent my entire life with the undivided, uncontested attention of my mother and those around me, but suddenly there was a tiny new person to share my world with. My sister Alia came into the world during the turbulent 1993 Bombay riots and from the first second I saw her pink, mousey face, life was never the same.

I had desperately wanted a little sister and I was giddy with excitement when Alia was born. She was my pride and joy. Every spare second I had was spent watching over her and playing with her—I soon became so possessive of her that I refused to let anyone else touch her.

Still, adjusting to life with a new sibling is challenging for any young child. As a five-year-old I thrived on being the centre of attention—a stark contrast to the shy and reclusive adult I am now—but the attention that once came solely my way was slowly redirected towards Alia. She was disturbingly cute as a child, and even then she had an effortless knack of drawing people to her. Always the natural performer, most evenings at home involved a spirited performance by Alia to her favourite song of the week, irrespective of whether anyone was watching or not.

My own powers of magnetism, on the other hand, relied more on a carefully crafted combination of jumping, violent arm-waving and incessant demands for people to witness my majesty than effortless charm—and I disliked having to vie for the spotlight.

**

 

 

The People that Work Behind-the-Scenes in Cinema

With Directors’ Diaries 2, Rakesh Anand Bakshi adds yet another volume to his ongoing series of conversations with Hindi cinema’s most iconic voices. This time he shares with us his conversations with some of the industry’s most eminent film-makers as well as significant but often overlooked behind-the-scenes crew such as spot boy Salim Shaikh, make-up artist Vikram Gaikwad and sound designer Rakesh Ranjan.

Read on to get a look at the workings of the behind-the-scenes crew of a movie:

 

  • Spot boys have feelings too!

    Few people address us [spot boys] by our names. We like it when they [film crew] address as a Spot Dada, but it feels great when we know that they know our names. We spot boys do many odd jobs in the long chain of film-making and are largely unnoticed and sometimes appreciated by the crew. People who watch films are unaware of our work and our significance on the film set. Even the people who handle lights and the settings department have greater visibility than us. 

 

  • Spot boys are the foundation of film-making

    According to me [Spot Boy Salim Shaikh], spot boys, light men and the settings department lay the foundation every day in film-making. These three departments together help the unit set up a shoot every day and clear things post pack-up, when all the technicians, actors, cinematographer, producer, director, have gone home. We stay around for at least two more hours after everyone has left and arrive an hour or two before the others. Yet, we are paid only for the duration of our fixed shifts and never for overtime.

     

  • Make-up Artists Know Best!

    The job of a make-up artist is not only to apply make-up but to also tell directors when it is required and when it is not. Unfortunately, many actors, especially females, and directors do not understand or appreciate this. They force us to apply make-up even when it is not required. For example, if you want a young girl to look like a mature woman, simply apply a lot of make-up. But, if the aim of the story is to retain the innocence and youth of the character, by forcing me [Make-up Designer Vikram Gaikwad] to apply too much make-up, the actor or director is going against the essence of the character.

 

  • If you’re working with prosthetics, too much heat is a problem!

    The craft of prosthetic make-up is a nightmare in India because of the heat and humidity. Prosthetics are usually created by the application of foam pieces or silicon rubber pieces over the skin. For the foam or skin-safe silicone rubber to stick to the skin, we use a ‘medical’ gum—a paste that is skin-safe. The problem that arises is that the sweat from the heat or humidity dissolves the medical gum, thus weakening the bond between the skin and the moulding.

 

  • The sound designer is a very effective storyteller

    Yes! The sound man is a very effective storyteller. He has to his disposal the various elements of the narrative—such as the dialogue, location ambiences, foleys, BGM and most importantly, silences—all of which constantly manipulate the audience’s perception of the story along with the visuals and the visual edits. I [Sound Designer Rakesh Ranjan] consider the sound textures as themes, because the tonal quality of all the sounds plays a very important part in the narrative, and this varies from subject to subject. I create sound texture by working on the tonal quality of the actor’s voice, their footsteps, and other foley sounds.


Aspiring directors, book lovers and cinema fans should grab their copies Directors’ Diaries 2 today!

Fear of Transience: Excerpt from Shaheen Bhatt’s ‘I’ve Never Been (Un)Happier’

‘I don’t write about my experiences with depression to defend the legitimacy of my pain. My pain is real; it does not come to me because of my lifestyle, and it is not taken away by my lifestyle,’ says Shaheen Bhatt in her multidimensional philosophical tell-all book, I’ve Never Been (Un)Happier.

A poignant illustration of her day-to-day struggles with depression, Shaheen Bhatt’s memoir is crucial in starting a conversation that has been hushed for too long.

Read on to find an excerpt to begin a dialogue around mental health in India.

**

Perpetual bliss does not exist and anyone who peddles the belief that it does, or tries to convince you that there is a secret path through the woods that leads to an oasis of unending peace and happiness is either deluded, or a liar.

For too long we’ve been convinced that the emotional fairy tale—the perfect state of emotional well-being— exists, and that it’s tantalizingly close but just out of reach. We’ve been convinced that it exists and we’ve been convinced that there’s something fundamentally wrong with us for not being able to attain it.

It’s high time that we realize that there’s nothing wrong with us.

There’s something wrong with the fairy tale. Perpetual bliss does not exist, and saying that does not make me a nihilist.

I sit on the same see-saw that we all do and it continuously goes up and down, shifting between darkness and light—it’s the same for us all. Some of us simply stay down a little longer in a dark that’s just a little darker.

Transience is something we’re all so afraid of, and we live in perpetual fear of a new, different reality.

But thank God for transience because even though it means that happiness doesn’t last it also means that pain eventually passes.

It means that neither heaven nor hell are permanent.

There is nothing glorious or freeing or romantic or lovely about depression. Depression is a monster, a villain and thief, but even the worst of experiences teach you something. Depression has taken a lot from me and it has also given me a lot, but only because I eventually demanded it. I demanded my lessons and I took them head on.

‘You must not allow your pain to be wasted, Shaheen,’ my father said to me. I chant that quietly to myself—‘My pain must not be wasted,’ I say—and I try to learn, I try to do. I grieve and cry and hurt but I also take my medication and go to therapy. I watch my soul being bent and twisted into painful, unnatural shapes and marvel at how I’ve never seen it from those angles before. There are still days and weeks and months when I am also consumed by depression, when I forget all my lessons, when I forget everything but the pain. And that’s also when I turn to the very idea I’m afraid of: transience.

I remind myself if happiness is fleeting, then so is sadness.

I remind myself depression is the weather, and I’m a weather-worn tree.

I remind myself even the worst storms pass.

I remind myself I’ve survived them all.

 

**

A topic of massive interest to anyone with mental health disorders, I’ve Never Been (Un)Happier stretches out a hand to gently provide solace and solidarity. Go get your copy today!

Sridevi: The Eternal Screen Goddess- An Excerpt

Hailed as the first pan-Indian female superstar in an era which literally offered actresses crumbs, Sridevi tamed Hindi cinema like no other.

Sridevi-The Eternal Screen Goddess by Satyarth Nayak is the superstar’s journey from child star to one of our greatest movie luminaries who forever changed the narrative of Indian cinema.

Get a glimpse into the story of her life from the excerpt below:

The theatre had come alive. Halfway through the film—during the intermission—Tamil chartbusters were blaring from the speakers. A four-year-old girl had got up from her seat and was dancing in the aisle. Her face cherubic, eyes luminous and feet frolicking. Her parents gaped as the audience cheered her on. Oblivious to all this, the girl danced with abandon, casting a shadow on the blank cinema screen. Sharing this childhood memory with me (author) in our only meeting in 2012 at the Delhi premiere of English Vinglish, Sridevi had said, ‘I danced and danced until someone pulled me back.’

And yet, in a 1985 interview with Cine Blitz, Sridevi also described her younger self in these words: ‘I was a very shy and lonely child. Ihated crowds. The minute I saw more than three or four people in the room, I would run and hide behind my mother’s pallu.’

Reconciling these two childhood versions of Sridevi, so seemingly incompatible with each other, is difficult, but perhaps it was this fascinating dichotomy that spun the aura and mystique around her. People close to the actress vouch that she was not one or the other; she was both. Both the personas merging into one. That girl withdrawing behind her mother’s pallu could also streak through the silver screen like a bolt of lightning.

Sridevi was unquestionably to the movies born. The episode at the theatre ticked all the boxes for a star in the making—someone who is naturally drawn to the spotlight, and who can easily insulate oneself from the reality around, instead finding sanctuary in a world of her own. A being so truly dazzling that all those who watched were sucked into the fantasy she created on screen.

Sridevi was born on 13 August 1963. Her parents K. Ayyappan and Rajeshwari were residents of Meenampatti, Sivakasi, Tamil Nadu. Her younger sister Srilatha and stepbrother Satish, from Ayyappan’s first marriage, completed her family. Director Pankuj Parashar reveals how the actress got her name: ‘She once told me that when she was born, there was a bright red mark on her forehead, like a tika. Everyone started saying that a devi had taken birth and they named her Ayyappan Sridevi.

…Today, it is all the characters she has left behind who will keep flashing her magic. Some of us would be content with just those cinematic versions of her. But some of us might look beyond those avatars to seek out the real Sridevi, try to locate her in that twitch of the lips or that flutter of the eyes, in that laughter that never ended or that teardrop that never descended, in her every cadence and every silence, in her infinitesimal moments scattered throughout celluloid. We shall wonder whether the actress, who kept playing ‘others’ onscreen, ever got to be who she truly was. And having spent a lifetime creating ‘Sridevi’ for others, if the real person lived somewhere in her own fantasy.

In an interview with Cine Blitz in 1994, when asked what creature she would wish to be, Sridevi had replied: ‘A bird. I would love to fly free.’ Perhaps it is this unspoken longing in her eyes which a fan like Harish Iyer recognized that makes him say: ‘Many of her admirers keep tweeting “RIP—Return If Possible.” It is not easy for me to say this but I don’t want Sridevi to come back. I hope she is happy and at peace wherever she is. I just want her to rest.’

We can only thank her for those countless moments when she touched our very core with her art, we can only be awed by her immense legacy that generations will continue to discover, we can only be grateful to her for being that life on-screen who inspired lives everywhere. And we can only forever stare at the irony of her last words on celluloid. When walking away from all of us in that scene in Zero, Sridevi giggles and says: ‘Next time!’


Such was Sridevi’s megastardom that she emerged as the ‘hero’ at the box office, towering above her male co-actors. Challenging patriarchy in Bollywood like no other, she not only exalted the status of the Hindi film heroine but also empowered a whole generation of audiences.Find out more about her in Sridevi: The Eternal Screen Goddess.

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