Publish with Us

Follow Penguin

Follow Penguinsters

Follow Penguin Swadesh

5 Ways in Which You Can Mickeymize Yourself to a Healthier Life

Life is all about the hustle and bustle. Between polarities, we are constantly being pushed and pulled, against our own will, which leads us to being exhausted and emotionally fraught people.
Global leading wellness coach and corporate life coach Mickey Mehta in The Shoonyam Quotient will help you discover your mind and body in a different way as he makes you introspect about the different facets of your life, to become your source of infinite potential. He will also show you how to be neither pessimistic nor optimistic, but optimized-primed to become the best version of yourself.
Here are 5 ways in which you can simplify your life and mickeymize it.
Shoonya lies within you

Set your priorities right!

Dwell on your personal experiences to look for the Shoonyam Quotient

Let your thoughts and intentions be clear

When you are watching, that’s the time, that’s the moment: transformational vortex

So, how are you going to mickeymize yourself?

Did You Know These Facts About Writer Michael Morpurgo?

Author Michael Morpurgo is best known for his children’s work War Horse that was released in the year 1982.
With a series of books that explore well-known stories from myths and epics, but with a magical twist, Morpurgo’s writings have been termed as “magical storytelling”.
With multiple literary awards to his name, Michael Morpurgo has written a wide range of fascinating books for children in a literary career spanning over decades.
Here are a few facts you may not have known about this amazing writer!





We bet you can’t wait to grab your copies of Michael Morpurgo’s amazing books after reading this. Don’t forget to tell us which ones you liked best!
(Author image credit: https://ichef.bbci.co.uk/images/ic/1920×1080/p01gzy0x.jpg)

‘This is no ordinary cat’: The Nine Lives of Montezuma — An Excerpt

As the famous saying in English tells us every cat has nine lives, Michael Morpurgo’s The Nine Lives of Motenzuma proves that cats indeed are survivors in this big, bad world.
Montezuma, a ginger cat, is anything but your ordinary furry friend. As soon as he is discovered, the characters in the story realise that this cat is not a normal alley cat but a creature with magical powers, much like its namesake, the survivor King of the Aztec.
Here’s a short excerpt from the book.
He found Montezuma crouching at the end of a long tapering branch that hung out over the pond. The branch looked thick enough and safe enough near the trunk, but the further away it stretched the more fragile it looked. Matthew stood in the fork of the tree and considered all the alternatives, trying to ignore the warnings and advice from below. He could not climb out along the branch to Monty – the branch would not take his weight. He needed a net to throw out over the cat, but there was no-one who could bring a net up to him – neither his father nor his mother could climb trees – at least he had never seen them. He would have to talk the kitten back to safety, that was the only way.
‘Monty,’ he said in as soothing a tone as he could manage. ‘It’s me, Monty. You can’t stay out there all day. You’ll be all right now. I’ll take you down. Come on then, come on. I won’t hurt you.’
But the kitten crouched low, glued to the branch like lichen. He blinked back at Matthew, swallowing hard and mewing weakly every so often. Matthew talked on in a consoling, sympathetic tone; but he received no encouragement from Montezuma who never moved a muscle.
From down below his father was shouting up to him. ‘Can’t you get him down?’ A question which Matthew didn’t feel he could answer politely.
‘Fire Brigade,’ his mother shouted up. ‘What about the Fire Brigade?’ They looked so small down there in the yard. Matthew felt his parents had been getting smaller in recent years, but he had never seen them this small.
‘Not yet,’ Matthew shouted back. ‘Not yet. I’ll try one more thing.’
‘Do be careful, dear. Do be careful.’ His mother’s voice sounded hysterical, but then it always did whenever she shouted.
Matthew held onto the branch above him and edged out onto Montezuma’s branch, stepping sideways like a cautious crab. The two branches ran parallel for a few yards and then the upper one that Matthew was holding onto came to an abrupt halt. Matthew went as far as he could and then released the upper branch. For a moment he stood balancing with nothing to hold onto. The branch swayed underneath him and he lowered himself carefully until he was sitting astride the branch, his hands clasping it firmly in front of him. Like this he pulled himself along inch by inch until he knew he could go no further. The kitten was still well out of reach.
‘That’s far enough.’ His father’s shout was sharp. ‘No further. That’s far enough. The branch won’t take the weight. No further.’
Matthew knew he was right, but he was nearly there and it was only a few more feet. He lay now flat along the branch gripping behind with his feet, his hands holding on in front of him. ‘Come on Monty, come on down. Please, there’s a good kitten. Come on now.’ But as he released one hand to reach out towards the cat, he lost his balance and had to grab at the branch suddenly to retrieve himself. Alarmed, the kitten backed away, lost his grip and tumbled down through the air towards the pond. Matthew watched for the splash and saw his father running down across the yard towards the pond. The ducks evacuated the pond noisily, leaving Matthew’s father alone in the pond striding waist deep to the spot where Montezuma had fallen in. Matthew waited, closed his eyes and prayed. When he opened them his father was shouting up at him and laughing, holding up a dripping kitten. ‘Got him. He’s all right. The little divil’s still breathing.’
By the time Matthew had made the descent, his father was out of the pond and had pulled off his shoes. He was sitting on the ground taking his socks off and wringing out the water. ‘Your father will catch his death,’ said Matthew’s mother, who was holding on to Montezuma in a vice-like grip. ‘Here’s your Monty,’ she said. ‘You take him. And for God’s sake hang on to him. You worry me to death, you two. First you go climbing up trees and then he goes jumping into cold ponds – at his age. You should know better. Could have killed you both and all for what? For a kitten.’
‘For Monty,’ said Matthew, rubbing the kitten dry with the tail of his shirt. ‘This is no ordinary cat, you know. Can you imagine my Dad jumping into a pond to rescue any other cat? He’s dropped plenty of kittens into this pond, but this is the first one he’s ever pulled out and that’s a fact.’
‘And the last,’ said his father wriggling his wet toes. ‘Definitely the last.’
Find out which adventure Montezuma encounters next in this enchanting book by Michael Morpurgo!

Journey to Sommelier

By Magandeep Singh
I recall when Alanis Morisette released the song, Ironic. She spoke of a black fly in your Chardonnay and I didn’t know what was Chardonnay nor what colour it was. Upon being told it was a white wine, I wondered how that would be ironic. Irony, for me, would have been if there was a black fly in my glass of black wine. Clearly I didn’t get irony. Or Chardonnay. Or any wine at all, for that matter. The year was, I suspect, 1997.
Three years later I graduated from a hotel school having topped their beverage program nationally and fast forward a few more years, I was in France, sitting at sommellerie school for my first blind tasting class.
But it had been a long journey even till that point. I scored high in my board exams which, in India, automatically means that you are destined to be an engineer followed by the MBA rat-race and then to become a consultant with a big multinational and hope they send you somewhere on an expat package. Alas, money meant little to me and I instead chose hospitality, the industry that, till then, was considered the place for NDA-rejects and back-benchers to end up at. Who in their right mind did well in their 12th standard exams and then opted to be a cook or, worse still, a waiter!?
Well, I did and the next three years were diametrically different to my science days in school just before. I learnt a lot about the finer aspects of life, about how to see things not just in measures of logic and science but as forms of art. By the time I graduated, I was once again, confused about what career path to take next. Going to the US to pursue higher studies in hospitality seemed like a safe bet. But clearly, by now it had been established, that safe bets wasn’t my thing. Instead, I decided to pursue a long-unticked box off on my bucket list: to speak French like a native. And so, instead of going to the US, I went to work and study in a country where I didn’t know the language and possessing a culture which was completely unknown to me, a people that fought vehemently over what wine to drink besides their meals and employed more than 365 different words just to describe all the cheese they make!
I learnt French faster than most people normally would (the trick is to throw away your English-French dictionary and just learn the language instead of focusing on translating every word) which helped me at work and in my studies. But to truly capture the essence of being French, I realised, I would have to capture the essence of their relationship with food and wine. This is what led me to my next place to stay and study, L’Université du Vin, a small wine school housed in a 16th century Chateau in the region of the Rhone valley. This is where I learnt to be a sommelier, tasting wines and spirits and brews, day in and out, making extensive notes, compiling lists of French words to describe wine, visiting wineries and wine regions, working in wine shops and vineyards, all these stints kept accumulating, increasing my awareness of the subject without even my realising it. By the time I came back to India, I was tasting wines fairly well even though at the beginning I had been simply lousy at it. Here’s an example. It was the first week at my wine university and I had just burned my palate the day before trying to hold down a hot potato — now that’s a good pun and also ironic — so my tactile receptors were rather numb. Add to this that I was still sniffling from a cold and it was no surprise that I flunked my first blind tasting miserably. For those wondering, no a blind tasting isn’t an exercise for those with some form of a physical impediment; instead you just taste wines without being told first what they are. One is supposed to taste and guess what they could be from their appearance, aromas, and taste.
By the time I finished school there, I was among the top few tasters in my batch. I could announce the wine region, style and gauge closely its origin, vintage and even the residual sugar, if any. I could comment on the age-worthiness of a wine and also how to pair it with food of all kinds. And I could do all this in English and French!
Same guy who didn’t know his Chardonnays from his black currant juice, a chap who never had his first drink till he was well past his teens, and one who had grown up in families where one half was strictly teetotallers while the other half only understood whisky-soda;  clearly I had come a long way. And it was at this point I decided to come back; to try and inspire more Indians to accomplish what I had managed. There would never be a dearth of sommeliers in Europe, even lesser a need for someone with a staunch opinion on wines. But back here in India I faced an entirely new problem. So unknown was even the term sommelier that people kept wondering that if I was saying that I am a Somalian then why didn’t I sound foreign!?
Today, more than a decade has gone by and people talk about their last vineyard vacay or who’s their favourite sommelier and at which precise wine bar with almost a practised yet nonchalant ease. I almost feel that somewhere, no matter how little, I managed to play a teensy-teensy part in precipitating this change. For a civilisation with a history of food going back centuries, it would only be natural that tasting and appreciating fine beverages comes as an innate quality. I am glad that India, and its peoples, are gradually showing the world how it is possible to stay rooted and yet embrace the world when you fly!
About The Author
A certified sommelier, Magandeep Singh found his calling in wines while working in France. In India he spends his time as a consultant with hotels and restaurants, conducts wine appreciation sessions and writes columns on wine.

6 facts About Salman Rushdie You Probably Didn’t Know

Sir Salman Rushdie is no stranger to literary excellence. Author of 12 bestselling books such as Midnight’s Children and Shame, he won the Booker Prize in 1981 and the Best of the Booker Prize in 2008.
Rushdie is back with Quichotte, a tour-de-force that is both an homage to an immortal work of literature and a modern masterpiece about the quest for love and family.
Here are 6 facts you might not have known about this magnificent author.
Early Beginnings!

Language is no barrier when it comes to Rushdie’s books.

Rushdie is a playwright too.

Master of all trades!

Wow!

Professor Rushdie has a ring to it, doesn’t it?

Did Terminator inspire Rushdie?


Are you excited about Rushdie’s latest venture, Quichotte?

5 anecdotes from Kalam’s autobiography ‘The Life Tree’

Dr.APJ Abdul Kalam’s vivacity and creative energy traverses its way through in his autobiography, The Life Tree. The poems in the autobiography capture the essence of nature, human relationships and love for the country.
On the occasion of his birthday, here are a few moments from his life, immortalized in poems.
The picturesque view that Dr.Kalam and his friend, Vidyasagar witnessed is expressed in the lines below.

APJ Abdul Kalam, in the poem below, reflects on his childhood and the meaning of communalism

Dr Kalam was overjoyed receiving the Padma Vibushan in 1990. The lines below capture the emotion he felt upon receiving it.

The late President was distressed on hearing about Mother Teresa’s illness. The poem below captures his anguish.

Dr Kalam’s father said – “Never receive a gift; a gift is always accompanied by some purpose”. At 70, he recollects a lesson from the past.

Aren’t these lines magnificent just like him?

‘A Checklist For God’s Own Office’, An Excerpt

What happens when a vacation turns into a business opportunity? James Joseph, an NRI professional decided to take a family vacation in Aluva, Kerala where he stumbled upon a business opportunity in the form of jackfruits. Today, he is the founder of a successful entrepreneurial venture called Jackfruit365, an initiative to create an organized market for nutrient-rich jackfruits in India.
His book, God’s Own Office is a part-memoir, part how-to on how to integrate with the local community and set up a home office alongside nurturing your entrepreneurial ambitions.
On October 14, 2017, James is going to share his wisdom in a TedX Talk on how to set up God’s own office. He’s also going to dedicate the book to the late President APJ Abdul Kalam.
Here’s an excerpt from the book God’s Own Office, it’s a checklist of what you need to have to set up your own home office in a remote part of the country.
A Checklist For God’s Own Office
1.Do you have an unwavering conviction to return home?
2. Do you have a constant focus to return home? Does that keep you awake?
3. Have you earned the right to return? Can you pass the Mohammed versus Mountain test?
4. Can you still uproot your family? Can you still pass the inchworm test?
5. Do you have the right location for God’s Own Office?
a. Easy travel connectivity to your base office
b. Reliable digital connectivity
c. Constant source of positive energy to work alone
6. Can you arrange enough backup to avoid disruptions?
a. Power
b. Broadband
7. Do you or your employer have the right technology for remote working?
a. Digital presence information
b. Instant messenger
c. Online audio/video conferencing
d. Desktop sharing
e. Remote access to corporate network
f. Cloud services to store and share data
8. Can you make your home office sound proof?
9. Do you have the discipline?
a. Work without supervision
b. Handle interruptions by family and guests
10. Can you still stay on top of the mind of your colleagues and management?
11. Can you be a local ambassador for your employer?
12. Do you have options to adopt start-ups near your home town?
13. Can you ensure the safety of your family when you are away from home?
14. Can you allocate sufficient time to help your children remain globally competent in a small town?
15. Can you help your children integrate well in a regular school?
16. Are you willing to help people around you?
17. Are you happy to reconnect with extended family back home?
18. Can you find enough activities to recharge yourself in a sleepy village?
a. Adopt a farm
b. Participate in cultural activities
19. Do you have the resilience to stomach the dark sides of a small town?
a. Avoidable deaths around you
b. Bureaucracy
c. Need for extra humility, patience and tolerance
20. Will the economics of God’s Own Office work for you?

“We are never alone, are we?” An Excerpt from Shinie Antony’s ‘Boo’

Have you ever felt someone was watching you, even though you are all alone? Shinie Antony’s ‘Boo’ is a collection of thirteen well-crafted paranormal tales, each uniquely haunting in its own way. The stories penned by Shashi Deshpande, K.R. Meera, Jerry Pinto, Durjoy Datta, and many other illustrious names are sure to send a chill down your spine.
Here’s an excerpt of the introduction of the book.
The unknown has always beckoned. Infinite, cobwebby, black as the night, silent as the grave, what we cannot see hear touch. What, furthermore, is perhaps not alive.
My own experiences of the uncanny stay mine; fear takes me where it will. There were whispers without words and things I almost saw. And unlike what I always thought, squeamish as I am and lily-livered, these semi-happenings did not creep me out. Sometimes I saw them as other-worldly warnings, sometimes they were not meant to be seen and my eye had somehow breached a divide, sometimes my mouth formed words I did not mean to say . . .
The paranormal has many subgenres, but of these it was not the occult, poltergeists or screams of the possessed that brought me to these stories, but the psychological thrill. The mind is where it all begins. The mind is where it lives. This feeling that there’s something out there—and it is on to us. It knows that we know. And we must forever pretend we don’t know, not catch its eye—even when it is looking straight at us.
The gothic charm of K.R. Meera’s story, the sweet smell of onions in Kanishk Tharoor’s tale, the burden of hindsight in Shashi Deshpande’s mythofiction, the menacing narrator in Jerry Pinto’s story—they all bring in the supernatural slyly, stylishly. Durjoy Datta, Jahnavi Barua, Manabendra Bandyopadhyay, Kiran Manral and Jaishree Misra give us the old-fashioned traditional ghost story, the one where the banshee sighs or screams. While Ipsita Roy Chakraverti decodes a message from the beyond, Madhavi S. Mahadevan and Usha K.R. take us to places where the backstory is everything.
We wouldn’t be here—you reading this, me writing this—if we didn’t know. Despite science, reason and a raised eyebrow. Deep in our bones, when all falls silent, there is a knowing that precedes births and lingers after deaths. It lifts the hair at the nape of our neck; it stares at us, infatuated, from behind stairs; prescient, it invades our very rocking chair, replacing peace and calm with a restless zigzag; it rotates its head 360 degrees when we aren’t looking.
It doesn’t dispel though we move on, go our ways, live lives, love and let go. What is it that shifts just beyond our vision? Who listens when we talk in our heads? When does dark get just that little bit darker? Why that word on the billboard—the same word we just finished thinking about? And then bumping into the very person we thought of after a hundred years only that morning . . .
What do we know about ourselves besides incidents and milestones and birthdays and heartbreaks, what do we know of that which cannot be known? It is there in a photograph or painting you see—the feeling that you’ve been there before, seen that face somewhere. We are here but we are elsewhere too.
A haunting. Begins as a catch in the side, a stiff neck, a hunch, a bad feeling, pins and needles, an eye twitch, sleep talk, a leg gone numb, vertigo, spasms, heart that trebles its beat, a smell, a chill, a spell, a tingle, dreaming the same dream, a sudden vision of what’s to come, waking at 3.33 a.m., a song no one else can hear, the sound of breathing when we hold our breath . . .
We are never alone, are we?

How To Foster And Resolve Productive Conflict

Productive conflict resolution
Conflict is an unavoidable, even necessary, part of collaboration, and all teams experience it, not just cross-cultural or virtual ones. “There will, even should be, conflict in a group with a task that has even a minimum of complexity,” according to Jeanne Brett, a professor at Northwestern’s Kellogg Graduate School of Management and director of its Dispute Resolution Research Center. Teams that don’t disagree also don’t challenge assumptions, investigate ideas, point out mistakes, and motivate each other to their highest performance. Indeed, the whole point of fostering diversity on your team is to bring different viewpoints to the table. To some extent, you want these viewpoints to come into conflict; that’s how creativity and learning happen.
But, of course, not all conflict is useful. Personality clashes and task-related disagreements can bring a destructive toxicity.
Many managers believe that their role is to minimize all conflict on the team. Not so. The trick is to encourage healthy conflict. That means facilitating constructive conflicts and resolving harmful ones. Here’s the difference: healthy disagreements result in a better work product and/or stronger intrateam relationships. Unhealthy disagreements undermine your shared accomplishments and damage the team’s working relationships.
It can be a tough call to make in the moment—“Should I let my employees pursue this disagreement, or is it time to intervene with a conflict resolution?” You’ll have to go with your instinct a lot of the time, but when you’re really torn, ask yourself: Is this productive? Is this moving us closer to or further from a positive outcome?
If your answer to the first questions is yes, your best bet is probably to encourage debate and discussion so that each side can confront the other’s point of view. This isn’t a free-for-all: you still need to be actively involved as a moderator, so that the conversation stays respectful and on track. But if your answer is no, your people may need the structure of a conflict- resolution process to reach closure. Here’s how to handle both situations:
How to facilitate constructive conflict
It’s not easy to fight well, but shared processes help. Clarify your expectations with the team before a major conflict arises, either by posting your own rules somewhere (in a meeting room, on the team site) or by leading the group in a shared discussion of norms. Address these key topics:
Set ground rules.
Naming the behaviors that are and aren’t OK during a conflict will keep disagreements from spiraling out of control. Every team is different, and the specific personalities and organizational culture at play will dictate what makes sense in your particular environment. One rule, though, applies universally: conflict should be handled openly. Disagreeing with someone isn’t inherently disrespectful, and if team members choose not to voice their opinion, they should be prepared to let it go. For other potential guidelines, see the earlier box “Rules inventory.”
Establish a shared process for resolving conflict.
If team members know what to do when friction arises, they won’t shy away from necessary disagreements, and more often than not, they’ll be able to solve their own problems. Clear, step-by-step protocols for handling con- fl ict should be a central part of your team’s normal processes. One such protocol should deal with formal conflict resolution, addressed later. But spell out the lower-stakes alternatives, too. For example, team members should:

  • Respectfully confront the colleague they disagree with before they bring in anyone else, including you.
  • Talk about complicated issues face-to-face or over video chat, not over email.
  • Prepare on their own before they open a discussion with each other, so they come ready to explain their concerns and discuss alternatives.
  • Take turns summarizing each other’s ideas or concerns—in good faith. By forcing themselves to articulate each other’s point of view, they might find new ground for compromise.
  • Put the discussion on pause when they feel themselves losing track of the argument or their own self-control.
  • Escalate the argument without becoming vindictive or angry. When disagreements prove intractable, frame it as “We need help sorting this out,” not “The team leader will decide who’s right and who’s wrong.”

Provide criteria for contentious trade-offs.
When zero-sum decisions arise for a team, it’s helpful to have some well-defined criteria for making trade-offs. Fortunately, your team has these at hand, in the form of your organization’s overall strategy and the purpose and objectives this strategy has already defined for your group’s work. Clarify these points with your people and be specific about your goals and highest priorities. For example, “Meeting the deadline for this assignment is more important than fulfilling its scope” or vice versa.
How to resolve destructive conflict
With practice, your team members may learn to manage constructive conflict mostly on their own, with little intervention from you. By contrast, a formal conflict-resolution process always involves you. Sometimes your employees will bring an issue to your attention and ask for your help. But if they’re not self-aware enough to do this, you may need to take the initiative and ask them to participate. However, you start off, the process should have three phases:
Step 1: Find the root cause.
This step may require some research on your part. If the conflict is complicated or long-standing, you’ll want to know what’s going on before you invite two tense people to a meeting to hash it out. If you do decide to involve other people in your inquiry, try to talk to all parties involved in the conflict separately. And follow up with anyone else on the team whose perspective could clarify the problem, if you can do it sensitively. The questions you want to clarify for yourself through these interviews are:

  • Why are team members arguing with each other?
  • Is there a deeper personality conflict here?
  • Are there organizational causes of this conflict?
  • Is this a recurring pattern?
  • Why does one member always insist on getting his or her way?
  • Is the cause of this conflict a behavior? A clash of opinions? An external situation?

When you have some answers to these questions, you’ll be able to start generating ideas for negotiating a resolution. For example, if the conflict is caused by a personality clash, you’ll probably need to help the team members learn to communicate better with one another and be more respectful when they disagree. If the conflict is caused by project circumstances, you and your team can brainstorm fixes like hiring additional resources, redefining roles, or modifying the scope of the work.
Step 2: Facilitate a resolution.
You may have a few ideas for how this situation should evolve, but it’s best to avoid dictating a solution. Solutions don’t work simply because they make sense or because you said so; they work when they have buy-in from the people who have to execute them. For this reason, compromises that are imposed from above tend not to be as thorough or as resilient as the ones a team arrives at by itself.
Frustrating as it may be, play no more than a facilitating role. Your listening-to-telling ratio should be 4:1, and the “telling” part should mostly be active listening tactics to help team members understand underlying assumptions. That means asking open-ended questions, restating and reframing team members’ perspectives, and encouraging the other people in the room to do the same. Set the tone for this discussion by reminding people to stick to the facts, to talk about behaviors instead of traits, and to follow the team’s ground rules for conflict.
If the team members resist coming to a resolution despite your best efforts, you may need to steer the conversation a little more decisively. Leadership coach Lisa Lai recommends using these five questions to facilitate the conversation:

  1. What does each person really want?
  2. What matters to them, personally and professionally?
  3. What motivates them? What fears do they have?
  4. Where is there common ground?
  5. What’s the difference between their stories?

If the conversation really seems stuck, try these tactics:

  • Ask each team member to share their BATNA. In negotiation parlance, a BATNA is your “best alternative to a negotiated agreement”—basically, what your team members think will happen if they can’t resolve their dispute. Then ask them how their BATNAs will affect the rest of the team. Articulating consequence to the group may help them recommit to finding a solution.
  • Refocus the discussion on the team’s strategic objectives. Sometimes, the team members’ shared interests are strong enough to compel a resolution on their own (see the box “Case study: Focusing team members on a shared goal”). Other times, you may need to push a little harder. Ask the team members to identify together the key priorities that their agreement should address and then limit the scope of the discussion to these issues alone: “This is a very complicated situation, and I can see it’s wearing on everyone involved. But if we can’t resolve all of it right now, that doesn’t mean we can’t resolve any of it. For now, let’s focus on coming up with a solution for X issue.”

This is an excerpt from Harvard Business Review’s Manager’s Handbook – the 17 Skills Leaders Need to Stand Out. Get your copy here.
Credit: Abhishek Singh

What attracted Usha Narayanan to Mythological Stories?

Usha Narayanan, author of Prem Purana, has donned many hats, before becoming a successful full-time author. In her glorious career, she has dabbled with genres like thriller and romance, before turning to mythology. Her works Pradyumna: Son of Krishna and The Secret of God’s Son have been praised as ‘Indian mythology at its fiercest and finest’. 
Her latest book, Prem Purana is about stories of love and extraordinary devotion found in Hindu mythology. On the launch of the book we asked her what about the mythological stories attracted her to write about them.
Here’s what she had to say.
The idea of writing mythological love stories was born during a conversation with my editor Vaishali Mathur at the Jaipur Literature Festival when she suggested that I should combine my strengths in writing mythology and romance. At that point, I was busy with The Secret of God’s Son and it was only after it was completed that I could think seriously think about this. I knew that our epics and Puranas focused more on the battle between good and evil, with heroic gods and fearsome demons confronting one another. Only a few love stories were widely known, such as the one of Kama shooting his arrow of love at ascetic Shiva, or of Arjuna winning Draupadi’s hand at her swayamvara.
I began my quest by re-reading all the ancient lore with an eye to discovering tales of the heart. As always, when writing mythological fiction, I wished to focus on untold stories, using my imagination to bring alive minor characters or lesser-known aspects of major ones. The first character who caught my eye was Ganesha. We think of him as the lovable elephant-headed god with a fondness for modakas. But who did he marry? People in the south of India swear that he is single, but others state vociferously that he is married. The images in temples show him either alone or with a wife or two. What are their names? Some say Siddhi and Riddhi, while others think their names are Siddhi and Buddhi. That was enough intrigue to stimulate my mind!
Another interesting layer to the story is the idea that Buddhi, Siddhi and Riddhi represent intellect, spiritual power and prosperity. As their names are merely mentioned in passing in most Puranas, I could give full rein to my imagination in portraying them. I endowed the three with distinct characteristics and showed Ganesha wooing them in different ways, according to their particular likes and dislikes. My Riddhi is sprightly, Buddhi is silent and deep, and Siddhi is fierce and opposed to the very idea of marriage! Their stories span three realms and four yugas, shedding light on many engaging aspects of Ganesha, the first among the gods. To add to the appeal, I discovered that in Bengal, during Durga Puja, Ganesha even has a banana bride!
I think readers will enjoy seeing Gajamukha in a refreshing new light in Ganesha’s Brides, the first of the three stories in Prem Purana.  
“Siddhi watched as more and more arrows struck Ganesha, causing blood to flow like a flood. Was he ready to meet death rather than forsake his promise to her? Would he sacrifice everything for the sake of his love?”
**
For the second story, Mandodari, my inspiration came from the Ramayana. Ravana was Brahma’s great grandson on his father’s side and an asura prince on his mother’s. Choosing to follow the asura path, he pillaged heaven and earth, ravished women and abducted Rama’s wife Sita. What I found of interest was not his war with Rama, but his relationship with his wife Mandodari. How did she react to all this? Did she protest or did she submit silently to his actions? What was her background? Did the rakshasa love her? And the most exciting question of all―did Mandodari come face to face with Sita, the woman she regarded as the instrument of doom that would bring down Lanka?
I found no answers in the commonly available texts where Mandodari features in a mere two or three scenes. Fortunately, however, there are many Ramayana versions available. I followed the uncommon trails, used my imagination and fleshed out the queen’s character, placing her emotions at the centre of the narrative. The story also reveals startling new facets of Ravana’s character and motivations. I think Mandodari, with all its twists and turns, will be riveting and revelatory to readers.
“‘Snatching a woman by force or stealth is not an act of valour, Ravana. She is not an object of lust or a means to settle scores with your enemy,’ said Mandodari, her voice loud and clear. She would speak the truth regardless of consequences. It was a risk she had to take for Ravana and her people.”
**
After delving into the lives of a merry god and a dire rakshasa, it was time to move to the human plane, with the story of King Nala and Princess Damayanti. She turned down the gods who courted her at her swayamvara and chose Nala as her husband. Though she chose love over immortality, Nala was driven by his own demons and abandoned her in a dangerous forest. Damayanti struggled to survive the perils that confronted her at every turn, but forged forward regardless. She did not give up hope and devised various stratagems to reclaim her happiness.
I was fascinated by her strength and also by the magical swan that plays a key role as the messenger of love. I named the swan Gagana, meaning sky or heaven, and created a charming and audacious companion to Damayanti. The Kali demon, who plays a major role in my previous books, Pradyumna: Son of Krishna and The Secret of God’s Son, is the enemy that Nala and his queen must confront. How can a mortal pair combat the power of the demon who reigns over a dark yuga that signals the end of the world? Love, loss, hope and despair form the chequered background of this poetic tale.
“‘Majestic Ashoka, whose name signifies one who destroys grief . . . Free me from pain and unite me once more with my Nala!’ cried Damayanti, sinking to her knees under a soaring Ashoka tree. Alas, the tree made no answer and all she could hear was the wind rustling among the leaves.”
**
A major part of my excitement in writing these stories came from the opportunity to focus attention on the women in our epics who are often sidelined. We often find that a woman is regarded as a prize to be won, someone who is forced to watch quietly while her husband makes disastrous decisions. However, the heroines in Prem Purana are central to the action. They are strong, independent thinkers who inspire the males in their lives―god, asura or king―to do the right thing and live up to their responsibilities.
I hope readers enjoy reading these tales which provide a good mix of fervour and fury, heroism and heartbreak, set against a spectacular backdrop spanning heaven and earth.
Prem Purana Footer (1)

error: Content is protected !!