Immerse yourself in a captivating blend of animals, poetry, and unique literary journeys in this collection. Explore intimate experiences of millennial marriage, thrilling tiger conservation adventures, and timeless poetic verses that celebrate the beauty of nature, human emotions, and artistic expression.
March 2020: Thirty-six-year-old Mallika Rao is largely insulated from the struggles of the millions fighting for their existence all over India. Instead, her Delhi flat and her husband threaten to imprison her as she searches for the confidence that has always eluded her. A rescue dog in her care provides more fulfilment than her husband, who is consumed by work and self-obsession, and she must also confront the universal challenges of having a woman’s body.
Soft Animal unfolds in urgent present tense with illuminating flashbacks, whip-smart dialogue and conspiratorial footnotes. Bringing the deftness of deadpan humour and the precision of meticulous social observation to the self-delusions of India’s privileged urban middle class, Meenakshi Reddy Madhavan’s latest channels an uncomfortably-and sometimes heartbreakingly-intimate experience of millennial marriage that is seldom portrayed but all too real.
Sunaina Joshi is a reporter with a leading news channel.
Her day-to-day work involves reporting on urban-centric, health-related issues; myriad subjects that bore her, leaving her jaded. Her real passion is a life in the great outdoors, and reporting on wildlife and the environment, something she is unable to do as often as she would like. Unexpectedly, a fabulous opportunity falls into her lap when her channel is commissioned to run a campaign on tiger conservation, featuring a Bollywood star who is trying to resurrect his image and career following a drug scandal.
It can be said of the 19th century Kashmiri poet, Mahmud Ga¯mi that he was a pioneer in introducing the Persian genres of the ghazal, nazm, masnavi and na¯t into Kashmiri. Mahmud Gami’s contribution to Kashmiri poetry is unique in both scope and depth. Not only is he the first truly prolific poet who has written entirely in the Kashmiri language, but much of his poetry also stands out for its beauty of expression and depth of thought, such as in the lyrical romance of Shireen Khusrau, Yusuf Zulaikha, and Layla Majnun.
Yusuf’s Fragrance is both a celebration as well as an homage to Gami’s oeuvre. Through these beautiful verses, we explore themes of love, both physical and metaphysical, philosophy, folklore, and tradition through different narrative devices, such as nazms, masnavis, and vatsuns.
A celebrated work by the greatest poet of classical Tamil literature Tiruvalluvar probably lived and wrote between the second century BC and the eighth century AD though his dates have not been conclusively established. The work by which he is known, the Kural, comprises 1,330 couplets and is divided into three sections-Virtue, Wealth and Love-and is based on the first three of the four supreme aims prescribed by Hindu tradition: dharma (virtue), artha (wealth), kama (love) and moksha (salvation). Taken together, the three books of the Kural inform, criticize and teach the reader, in brilliantly styled and pithy verse, about life, love and the ways of the world. Translated and edited with an introduction by P.S. Sundaram
An erotic narrative poem that explores desire and jealousy, love experienced and love lost, Radhika Santawanam is the most recognized work of nineteenth-century poet and courtesan Muddupalani.
Celebrated as a literary masterpiece in Muddupalani’s lifetime, Radhika Santawanam was banned by the British in 1910 when it was published again, a century and a half later, with critics panning its graphic descriptions of lovemaking. And, after another hundred years, this epic is now available in its entirety for the first time in English translation