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Battling Infertility and what they don’t tell you

What’s a Lemon Squeezer Doing in My Vagina? is a witty, moving and intensely personal retelling of Rohini’s five-year-long battle with infertility, capturing the indignities of medical procedures, the sting of prying questions from friends and strangers, the disproportionate burden of treatment on the woman, the everyday anxieties about wayward hormones, follicles and embryos and the overarching anxiety about the outcome of the treatment.

 

Here is an excerpt from the chapter where she first encounters a lemon squeezer.

 

I heard of ‘artificial insemination’ for the first time in a Malayalam movie when I was eight or nine years old. It was Malayalam cinema’s cult classic Dasharatham (1989), which was so ahead of its time that even now I am not sure if its time has come. A leading mainstream actor, Mohanlal, plays a rich, spoilt man-child who decides to act on a whim and have a child through surrogacy. He finds a desperate woman who needs money for her ailing footballer husband’s medical treatment and agrees to rent her womb. They draw up a contract, turn up for the procedure, and fifteen days later she is pregnant! No failed attempts, cancelled cycles or any other complications. With this movie lodged in my brain for reference, I thought fertility treatments were an easy-peasy lemon-squeezy affair. To be fair to the movie, it is not about infertility. It’s about a healthy, fertile couple who use artificial insemination for conception. It may well have happened that quickly and effortlessly in real life too. But the movie glosses over the unseemliness and hardships of the treatment. For those who have seen the movie, I hate to burst your bubble. Welcome to the world of ART.

I began our first IUI in July 2011 with the earnestness of a debutant, expecting early and prompt success. I had not dealt with sickness or physical incapacity in any significant manner until then, being blessed with a constitution that rarely fell prey to illness. I sailed through ten years of school without any noteworthy episodes of fever. My haemoglobin level typically hovered near the fourteen mark. When Ranjith caught the swine flu, despite my being in close contact with him my natural immunity provided the necessary shield against the deadly virus. My good health was my secret pride and I had taken it for granted all my life, expecting the body to tag along in whichever direction I pulled it. Therefore when we started treatment I anticipated the same level of responsiveness and performance from it. But for the first time, my body, specifically the reproductive apparatus, proved to be a terrible let-down, insolently ignoring my instructions.

The procedure itself was relatively simple with only a few key steps. The first step was pills to stimulate my ovaries to release multiple eggs. The second was follicular study. Follicles are tiny fluid-filled balloons in the ovaries that function as the home of the egg. They may expand from the size of a sesame seed (2 millimetres) to the size of a large kidney bean (18 mm to 25 mm) during the course of the menstrual cycle, eventually bursting to push the egg out. The follicles are measured at regular intervals during a cycle to ascertain if they have matured and are ready to release the egg. This is done through a transvaginal ultrasound (TVS).

I was not a big fan of TVS. It involved insertion of a long, slim plastic probe into my vagina and twisting it around to get a close look at the uterus. Magnified images of the uterus appeared on a computer screen. I was appalled the first time when the doctor covered the transducer with a condom and dipped it in lubricating gel, indicating that it had to enter an orifice in my body. I thought that scans, by definition, were non-invasive. It caused some discomfort, but it was not very painful. Eventually, I learnt to relax my muscles and spread my legs far apart to make things easier. I wished I didn’t have to get a TVS, but if I had to then I could tolerate it.

The cycle got off on the wrong foot from the very beginning. The first ultrasound showed only one big-enough follicular blob (at 13 mm). The other four or five follicles were too small, indicating they might not reach maturity. This meant I might have only one egg despite taking drugs to stimulate the release of many.

In the next ultrasound, my ovarian plight did not show improvement. The lead follicle was still only at 15 mm (way below the 18 mm mark of maturity) and the others had not grown at all, looking like they were giving up on ovulation altogether.

There were no outward symptoms to show if the follicles were fattening or dying (this is true for most reproductive processes). So at every ultrasound I went in expecting miracle growth, only to be told that my seeds were lagging poorly behind. I felt helpless at the response from my body because there was nothing I could do to expand the follicles. If it were an outwardly manifest condition I could have applied my inner reserves of resolve and determination to improve the outcomes, in the same way that I would do daily exercise and physiotherapy to regain strength in an injured leg. But my action, or inaction, had no bearing on the ungovernable follicles.

We waited a couple of more days and did a third ultrasound. This time the news was worse. The lead follicle had ruptured; it hadn’t waited for the others to catch up or even to reach its own full maturity. There was nothing left to do but to hurriedly put the sperm inside the uterus since an egg (presumably underdeveloped) had arrived and was waiting. The sperm transfer was scheduled for the same day.

what’s a lemon squeezer doing in my vagina | Rohini S. Rajagopal

I rang up my manager and said I would be taking the day off to address a personal emergency. An hour later, Ranjith drove in from his office to give a semen sample. He came in, gave the semen sample and left. He did not stay any longer because he had meetings that could not be rescheduled at such short notice.

I had come to the clinic at eight in the morning assuming I would just pop in for the ultrasound and pop out. An easy day with only the bother of TVS. But when I heard that I would have to stay back for the IUI, I inwardly experienced a mini-heart attack. Early on, while describing the procedure, Dr Leela had mentioned that the sperm would be injected inside the uterus using a catheter. Having heard the words ‘inject’ and ‘catheter’ in conjunction with my vagina, I thought it best to look up the process in detail on the Internet. One of the first search results showed that during an IUI the doctor uses a ‘speculum’ to pass the catheter into the uterus. It was a surgical instrument inserted inside the vagina or anus to dilate the area and give the doctor a better view. I did a quick search on Google Images to know what it looked like. The photos that flashed on my screen sent ripples of shock through

my system. It looked like the stainless-steel lemon squeezer found in a kitchen. It was made of metal and about the same size as the kitchen tool. It had two blades to widen and hold open the vagina and a third handle with a screw to lock the instrument into place.

What’s a Lemon Squeezer Doing in my Vagina offers a no-holds-barred view of Rohini S. Rajagopal’s circuitous and highly bumpy road to motherhood.

Art in the Time of Orthodoxy

By Faiqa Mansab
There is a saying in Punjabi: When you make friends with elephants, you should build bigger doors. I’ve always felt that’s an apt way of describing what being an artist means. Art is the elephant; and an artist must make space for the subsequent battles that their art lets into their life. Such battles are small at first: about time spent doing ‘better, more useful things’; then the battles are angrier, ‘you want to end up dead?’ Rubbing the orthodox demagogues, the wrong way isn’t safe in my country and I chose to write stories that are taboo, dangerous even, in the current scenario.
For orthodoxy and extremism to succeed—and they are conjoined twins—a single identity is imperative. Plurality weakens the declaration of ‘us’ versus ‘them’ necessary to the narrative of dogma and so plurality is being systematically shunned. When religion is constructed as the defining feature of a society, then any difference in opinion is perceived as a threat. The bid for a religious identity must be singular, and it must be patriarchal—much like the concept of nationalism. Such an ideology is based on binaries: one must hate in order to love. Extremism is a necessary tool to the fulfillment of nationalistic jargon and jingoism, even though both are in response to global power dynamics and socio-economic oppression.
The battle between organized religion and spiritualism is as old as religion itself. Art for me is a kind of spiritual expression.  Doctrine commands that life must be lived with rules. An artist, by nature, flouts rules. Spiritualism suits me better than orthodox tenets, even if spiritualism is currently out of favor within the society and State I call home. This is precisely because conventional religious dogma suits the State. Orthodoxy means rules, rules mean control and control means power.
It isn’t a West versus Islam condition at all. Even a largely Muslim majority country like Pakistan is facing ethnic and sectarian issues because difference is not tolerated in any form at any level. Look at what is happening at Sufi shrines, the very cradle of love and tolerance is being targeted to reinforce orthodoxy.
Extremism around the world is fed by the ‘us’ versus ‘them’ psyche, spreading like a contagion; and it is not just xenophobic, Islamophobic, anti-Semitic. Shia versus Sunni; liberal versus conservative, orthodox Muslim versus Sufi Muslim, neighbor versus neighbor—as if 1984’s Orwellian universe has become the new reality. These days one must have a single identity to be considered ‘true’ to one’s country, one’s race, one’s people. Not having a single identity makes one suspect. Plurality and hybridity are threats to be eliminated. Hence the witch hunt against seekers of truth—journalists and artists ongoing in Pakistan.
When society is divided between self-proclaimed self-righteous soldiers of God and ‘others’, then any deviation is open to interpretations of madness, of rebellion and sin. When ‘justice’ is meted out by mobs, and social media becomes a platform for shaming and blaming rather than a platform of freedom of speech, then extremism has already infected the socio-political fabric of society. It is already an unstable environment where conformist thinking has taken strong root and flowered into radicalism. These conditions bother me and in my stories, I’ve tried to depict this volatile and insecure place where law is open to interpretation by the highest bidder.
There is a lovely poem in Urdu by Dr. Khalid Javed Jan “Main Baghi Hoon”. It’s a beautiful poem about an artist, a person of principles, who is aware that he dares to do the right thing by speaking out against oppression. It’s one of my most favorite poems.
Man is a political animal. So is woman.
The worst off in this tussle, as in many other power struggles over the past centuries, are women. Their bodies are the site of struggle between conformist and liberal thinkers, and patriarchal wars are waged on their bodies. Should women be ‘allowed’ to wear the hijab?  Should they be ‘allowed’ to wear burkinis? Should they be ‘allowed’ to wear bikinis? If perchance, it’s the body of an immigrant woman, then the right to speak about it, to dictate to it, to pass laws and judgment on it, increases manifold.
It began with Eve, who was not only an exile but also an immigrant. She came to a new world, leaving the familiar, her home—the Garden of Eden (‘Home’ is always the garden of Eden in memory and nostalgia) looking to build a new life with Adam on Earth. Immigration is ingrained in human psyche. It is a natural progression for some, a necessary act of survival for others.
There is another kind of immigration that the world finds problematic: the one between genders. Where do people of indeterminate gender, people who choose to change their sexual identity go? There is no country for queer people.
We can all agree that gender is a political declaration. My novel, This House of Clay and Water tells the stories of Bhanggi, Nida and Zoya, a hermaphrodite, a woman, and a child who are victims of their place, their society and culture, because of their genders and because they do not conform. Gender is still at the heart of power struggles in a lot of places in the world. And place, space, position is important in negotiating with power. Where one is from, and where one can go, are equally dynamic parameters of negotiation.
I often wonder, what art means. It is a roar against patriarchy for me, and it is a declaration of independence against conformity. Art reflects its times and the response of people to those times.
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Feminism Defined Right

What is Feminism? Feminism is often misinterpreted to state that it propagates female chauvinism. But the original thought behind feminism is equality for women in the domains of economic, personal, social, and political rights.
Here are five iconic quotes about feminism by women authors to set the record straight on feminism.
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Know more quotes which define feminism the right away? Tell us in the comments.

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