What drove you to write children’s fiction in particular?
I have always believed that stories are a great tool for disseminating ideas. When you read a good book, the story grips you and you sponge in the concepts the writer weaves in. Children are receptive, they are open to ideas. Adults are hardened versions of children and stories – as a means for influencing the reader– grow less effective. This is why I find writing for children far more rewarding.
Apart from this I empathise with children and I enjoy spending time with them. By no means can I call myself young, yet I like to believe that there are a lot of childlike qualities in me.
Ladakh Adventure || Deepak Dalal
Your books may fall under the broad genre of ‘children’s fiction’, but the themes you highlight deserve urgent attention. What attracted you to these fragile ecosystems?
The threat to the well-being of our planet is very real. Across land, freshwater and the oceans, human activities are forcing species populations and natural systems to the edge.There have been 5 mass extinction events in the 4.5 billion years that the earth has existed. Each of them due to natural causes. It is the current belief that we are in the midst of the sixth mass extinction and this one is entirely due to humans and our activities.
Most children live in cities today, entirely disconnected from the natural world. Through stories set in wilderness destinations I try to connect children with wildlife, forests and the great beauty of our planet. My hope is that if at a young age they can be drawn to the natural world, they will help in saving what remains of it.
Ranthambore Adventure || Deepak Dalal
How would you describe the wildlife conservation efforts in India at the moment?
We have some of the best wildlife scientists and conservationists in the world. Several species have been brought back from the brink through their efforts. These include animals like the tiger, the snow leopard, the rhinoceros, and birds like vultures and the amur falcon. But it isn’t all hunky dory. In spite of our best efforts, we are about to lose the Indian bustard and with the shrinking of wildlife habitats many more creatures will disappear. The loss of forests and wildlife isn’t for lack of effort on the part of conservationists. Rather it is the absence of political will and the apathy of our public – for most of whom wildlife is inconsequential – that is at the root of the problem.
You describe the moments of encounters between human beings and animals with great detail and intimacy. Are these based on your own experiences with animals?
I spend a lot of time researching my books. I travel to the destination where the story is set and hook up with wildlife conservationists who are studying animals there. This could be people who are studying tigers, or snow leopards, or marine scientists researching oceanic creatures.These researchers take me into wilderness areas where others can’t visit and it is my experiences with them that provide the backbone to my stories and help me describe animals and landscapes with clarity and detail.
In this moment, do you think it is possible for human beings and animals to really live in harmony without impinging on each other’s spaces?
One can’t do away with human-animal conflict. It will always exist. But we can significantly reduce the conflict. Today wildlife exists in isolated forests, most of them small and inadequate for species like elephants that roam in search of food. Wildlife scientists are campaigning for building corridors (stretches of jungle) that will connect the forests and allow animals to move unhindered from one forest to another. These corridors are vital for reducing tragic encounters between animals and humans.
The battle for Camp Jupiter is over. New Rome is safe. Tarquin and his army of the undead have been defeated. Somehow Apollo has made it out alive, with a little bit of help from the Hunters of Artemis.
But though the battle may have been won, the war is far from over.
Now Apollo and Meg must get ready for the final – and, let’s face it, probably fatal – adventure. They must face the last emperor, the terrifying Nero, and destroy him once and for all.
Here’s a glimpse into the action-packed world of The Tower of Nero, the final novel in The Trials of Apollo series.
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WHEN TRAVELLING THROUGH WASHINGTON, DC, one expects to see a few snakes in human clothing. Still, I was concerned when a two-headed boa constrictor boarded our train at Union Station.
The creature had threaded himself through a blue silk business suit, looping his body into the sleeves and trouser legs to approximate human limbs. Two heads protruded from the collar of his shirt like twin periscopes. He moved with remarkable grace for what was basically an oversize balloon animal, taking a seat at the opposite end of the coach, facing our direction.
The other passengers ignored him. No doubt the Mist warped their perceptions, making them see just another commuter. The snake made no threatening moves. He didn’t even glance at us. For all I knew, he was simply a working-stiff monster on his way home.
And yet I could not assume . . .
I whispered to Meg, ‘I don’t want to alarm you –’ ‘Shh,’ she said.
The Tower of Nero || Rick Riordan
Meg took the quiet-car rules seriously. Since we’d boarded, most of the noise in the coach had consisted of Meg shushing me every time I spoke, sneezed or cleared my throat.
‘But there’s a monster,’ I persisted.
She looked up from her complimentary Amtrak magazine, raising an eyebrow above her rhinestone-studded cat-eye glasses. Where?
I chin-pointed towards the creature. As our train pulled away from the station, his left head stared absently out of the window. His right head flicked its forked tongue into a bottle of water held in the loop that passed for his hand.
‘It’s an amphisbaena,’ I whispered, then added helpfully, ‘a snake with a head at each end.’
Meg frowned, then shrugged, which I took to mean Looks peaceful enough. Then she went back to reading.
I suppressed the urge to argue. Mostly because I didn’t want to be shushed again.
I couldn’t blame Meg for wanting a quiet ride. In the past week, we had battled our way through a pack of wild centaurs in Kansas, faced an angry famine spirit at the World’s Largest Fork in Springfield, Missouri (I did not get a selfie), and outrun a pair of blue Kentucky drakons that had chased us several times around Churchill Downs. After all that, a two-headed snake in a suit was perhaps not cause for alarm. Certainly, he wasn’t bothering us at the moment.
I tried to relax.
Meg buried her face in her magazine, enraptured by an article on urban gardening. My young companion had grown taller in the months that I’d known her, but she was still compact enough to prop her red high-tops comfortably on the seatback in front of her. Comfortable for her, I mean, not for me or the other passengers. Meg hadn’t changed her shoes since our run around the racetrack, and they looked and smelled like the back end of a horse.
At least she had traded her tattered green dress for Dollar General jeans and a green VNICORNES IMPERANT! T-shirt she’d bought at the Camp Jupiter gift shop. With her pageboy haircut beginning to grow out and an angry red zit erupting on her chin, she no longer looked like a kinder-gartener. She looked almost her age: a sixth-grader entering the circle of hell known as puberty.
I had not shared this observation with Meg. For one thing, I had my own acne to worry about. For another thing, as my master, Meg could literally order me to jump out of the window and I would be forced to obey.
The train rolled through the suburbs of Washington. The late-afternoon sun flickered between the buildings like the lamp of an old movie projector. It was a wonderful time of day, when a sun god should be wrapping up his work, heading to the old stables to park his chariot, then kicking back at his palace with a goblet of nectar, a few dozen adoring nymphs and a new season of The Real Goddesses of Olympus to binge-watch.
Not for me, though. I got a creaking seat on an Amtrak train and hours to binge-watch Meg’s stinky shoes.
At the opposite end of the car, the amphisbaena still made no threatening moves . . . unless one considered drinking water from a non-reusable bottle an act of aggression.
Why, then, were my neck hairs tingling?
I couldn’t regulate my breathing. I felt trapped in my window seat.
It is not for nothing that Devika Rangachari’s new book is called Queen of Earth; we have been conquered completely by this wonderful historical narrative. Rangachari’s research is urgent and important, and has given us a book that is poignant and inspiring in equal parts. We had a chat with the author and it was delightful.
Since you are a historian by training, was there something specific that led you to choose Prithvimahadevi as the protagonist for Queen of Earth?
Prithvimahadevi and her rule over the Bhaumakara dynasty in the ninth century CE formed part of my post-doctoral research on gender in early medieval Odisha. It was an extension of my doctoral research whose underlying essence was the manner in which women have been made practically invisible in the historical record due to an existing gender bias. The silences pertaining to Prithvimahadevi in the annals of the Bhaumakaras were intriguing given that the records of her family, the Somavamshis, indicate that she held her own over this rival dynasty for a period of time. The content of the inscriptions that she issued also contains clues to her political sagacity and shrewdness.
Most historians, on the other hand, in keeping with the ubiquitous gender bias that governs the writing of history, tend to ignore Prithvimahadevi’s rule or dismiss it in a few grudging sentences, implying that her rule precipitated the downfall of the Bhaumakaras. Her story and the manner in which she has been viewed in later ages formed an immediate and striking parallel with Didda, the protagonist of my earlier work, Queen of Ice, who has been similarly vilified for being a strong and ambitious woman. It was for these reasons that I chose Prithvimahadevi as the protagonist of Queen of Earth. The story of this remarkable woman deserves to be more widely-known.
Gender-sensitivity is such an important qualifier for a genre like historical fiction for instance. What drove you to write these books for children?
The manner in which history is taught in schools only serves to deepen the gender bias that exists in the writing of past narratives. Textbooks continually underline the apparent irrelevance of women to the historical record by only focusing on what clothes or jewellery they wore and being arbitrary in their selection of names to include in the historical sequence. As a result, the overwhelming impression conveyed is of the men always being at the centre-stage of the polity, society and economy in the past, driving all the action and doing the things that mattered, while the women stayed indoors obsessing over what to wear.
This, as a gender historian like me knows, flies in the face of actual evidence. Original sources, such as texts, inscriptions and coins, reveal the palpable—and often powerful— presence that women had in all stages of history and it is very important to acknowledge this if we are to understand the past at all. Gender-sensitive historical fiction would go a long way in correcting this lopsided historical record—and this is the reason I wrote Queen of Ice and Queen of Earth, featuring strong women characters who left a mark on history but who have been virtually erased from it, legitimate parts of their collective past that children would probably never get to know about.
Queen of Earth || Devika Rangachari
Who were your favourite writers growing up?
That is a rather tough question to answer! I read voraciously—anything and everything I could lay my hands on—so I had a very long list of favourite writers when I was growing up. To add to that, my school librarian realised that I was an advanced reader at a very early stage and challenged me with books that were way beyond my age range, so I discovered some wonderful writers through her, too. I loved Enid Blyton, of course, but not her most popular stories, such as her Famous Five series. Instead, I preferred her standalone books, such as The Six Bad Boys, The Family at Red-roofs and The Put-em-rights. I also loved Elinor M. Brent-Dyer’s riveting Chalet School series about a school that started in the Austrian Tyrol and then moved to Guernsey and, subsequently, Switzerland. As I grew older, I added P.G. Wodehouse, Agatha Christie, Georgette Heyer, Mary Stewart and A.J. Cronin to my list of favourites.
What are your 3 desert island reads?
Touch Not the Cat by Mary Stewart, Up the Down Staircase by Bel Kaufman and The Code of the Woosters by P.G. Wodehouse. And a million others that I want to mention!
Do any of your characters resemble people you know in real life?
My early school stories regularly featured characters based on me and my friends. However, as my focus is on historical fiction now, my acquaintance with my characters is only through research. It must be noted, though, that Didda and Prithvimahadevi, the protagonists of my latest books, are very relatable people whose dreams, motives and actions have familiar resonances.
We hear you’re a potato fan. What is your favourite way to eat potatoes– fried, mashed, roasted, something completely different?
Fried, mashed, roasted, boiled, baked—all forms of the potato are delicious—and eminently welcome. Wondering about potato ice-cream but not sure it’s a good idea!
Devika Rangachari
We also hear you’re fond of libraries. Do you have a favourite one, or is there a library you haven’t yet visited and want to?
The British Council Library in Delhi and the Dr. B.C. Roy Memorial Children’s Reading Room and Library, also in Delhi, are my favourites. The place I most want to visit, though, isn’t a library but a museum and visitor centre dedicated to children’s literature—Seven Stories, the National Centre for Children’s Books in Newcastle upon Tyne, England. Not only does it curate its own exhibitions of the best children’s books, including original manuscripts and illustrations, but it also hosts workshops, seminars and author and illustrator visits throughout the year. I think I could live there perfectly well!
Do you have a writing routine? Is there a specific time of the day for example when you are most productive or get the most writing done? Or is your work pattern more flexible?
I am more a reader than a writer, so I could spend the entire day quite happily between the pages of a book. However, deadlines have an unnerving habit of looming, so that is when I write and then usually in the morning for a couple of hours. I do it fairly fast with very few drafts, so the entire process doesn’t take too long. Mine is a rather flexible work pattern!
If you could meet one author, dead or alive, who would you meet and why?
I can’t really choose! I would probably keep an entire day for meeting my favourite authors, scheduling different time slots for them and being in a joyous trance all through. There is so much I want to know from them—their motives for writing particular stories, the manner in which they honed their craft, their favourite writers and so on. If I had to choose, though, I would like to meet P.G. Wodehouse for his masterful blending of humour and language, and Hilary Mantel for her exquisite retellings of history.
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~ We agree with you 100% Devika. Especially about the potatoes. ~
From fierce women warriors to never-told-before stories behind your greatest epics, we are bringing to you some eternal tales to introduce the next generation of readers to!
Scroll down for stories of EPIC proportions!
The Puffin Mahabharata by Namita Gokhale
The Puffin Mahabharata || Namita Gokhale (Author), Suddhasattwa Basu (Illustrator)
‘A long, long time ago, in the ancient lands of India, known in those days as Bharatvarsha, a family quarrel grew into a bloody war. There had been wars before, and there have been wars since, but that mighty battle between warring cousins of the Kuru clan has become a part of the mythology and history of India. Told and retold a million times, the story of the Mahabharata is about defeat as much as victory, about humility as much as courage. It is the greatest story ever told.’
Like a modern-day suta or storyteller, Namita Gokhale brings alive India’s richest literary treasure with disarming ease and simplicity.
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The Serpent’s Revenge: Unusual Tales from the Mahabharata by Sudha Murty
The Serpent’s Revenge || Sudha Murty
How many names does Arjuna have?
Why was Yama cursed?
What lesson did a little mongoose teach Yudhisthira?
Award-winning author Sudha Murty reintroduces the fascinating world of India’s greatest epic through the extraordinary tales in this collection, each of which is sure to fill you with a sense of wonder and bewilderment.
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The Man from the Egg: Unusual Tales about the Trinity by Sudha Murty
The Man from the Egg || Sudha Murty
Did you know that Brahma once had five faces?
Why do snakes have a forked tongue?
Do gods cheat?
Why does Shiva sport a crescent moon on his head?
Sudha Murty walks by your side, weaving enchanting tales of the three most powerful gods from the ancient world. Each story will take you back to a magical time when people could teleport, animals could fly and reincarnation was simply a fact of life.
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Two-Epics-in-One (The Girl Who Chose and The Boys Who Fought) by Devdutt Pattanaik
Two-Epics-in-One || Devdutt Pattanaik
What were Sita’s choices?
What was the outcome of the fight of the five brothers against a hundred princes?
A tale told two thousand years ago, of Ram and Ravan-the sun-prince of Ayodhya who follows the family rules and the king of Lanka who had little respect for others’ choices-is one that has been reinterpreted in myriads of ways, exalting the virtues of the princes. Few notice, however, that the story is actually lead by the girl who chose, Sita.
The other is the tale of the five Pandavas and their cousins, the hundred Kauravas, who threw out the family morals. Instead of taking care of their five orphaned cousins, the princes burnt their house, abused their wife and stole their kingdom. This is the saga of the boys who fought not for revenge but for dharma.
The country’s favourite mythologist, Devdutt Pattanaik, empowers and entertains with a double bill of the Ramayana and the Mahabharata for a whole new generation of readers!
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The Daughter from a Wishing Tree: Unusual Tales about Women in Mythology by Sudha Murty
The Daughter from a Wishing Tree || Sudha Murty
Did you know that the Trinity often turned to goddesses to defeat the asuras?
Did you know that the first clone in the world was created by a woman?
The women in Indian mythology might be fewer in number, but their stories of strength and mystery in the pages of ancient texts and epics are many. They slayed demons and protected their devotees fiercely. From Parvati to Ashokasundari and from Bhamati to Mandodari, this collection features enchanting and fearless women who frequently led wars on behalf of the gods, were the backbone of their families and makers of their own destinies.
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The Upside-Down King: Unusual Tales about Rama and Krishna by Sudha Murty
The Upside Down King || Sudha Murty
Did you know there was a time when bears spoke, the moon laughed and babies were found inside fish?
Have you heard of the two-horned sage who had never seen a woman in his life?
Did you know Ravana’s half-brother was the god of wealth?
Have you ever seen a man with a thousand arms?
The tales in this collection surround the two most popular avatars of Lord Vishnu-Rama and Krishna-and their lineage. Countless stories about the two abound, yet most are simply disappearing from the hearts and minds of the present generation.
Now that we know that Phoenicians probably sailed around the Cape of Good Hope 2000 years before Vasco da Gama, we’re here to find out more about the man who gave us that amazing fact and others like them! Get to know writer Sanjeev Sanyal a little better.
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1) He was one of the first Indians to get a paragliding pilot license. He was part of the first batch of Indians in 1990 to earn a pilot’s license after undergoing training in Himachal Pradesh. Since there was no Indian certification body at that time, the license was given by the British Association of Paragliding Clubs.
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2) He also has an Instructor grade certification for kayaking and canoeing from way back in 1991. He was one of the earliest certified instructors of the Indian Kayaking and Canoeing Association.
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3) He is a martial arts black belt (Taekwondo) which he earned in 2008.
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4) He is currently researching a book on the contributions of armed Revolutionaries in India’s freedom struggle
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5) He collects old maps of India, Indian cities and of the Indian Ocean.
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Sanjeev Sanyal has given us a fascinating maritime history of the Indian Ocean, with the most beautiful illustrations.
The Incredible History of the Indian Ocean || Sanjeev Sanyal
Wondering how to spend one more month at home? Wonder no more! October is here and so is a brand-new list! Our new releases will keep you and your beloved young readers company and take you on a varied and delightful literary adventure. Tuck in with this list!
The Wild Wisdom Quiz Book Volume 3
By WWF
The Wild Wisdom Quiz Book Volume 3 || WWF
Which colour cannot be seen by bees?
What are fossilized dinosaur droppings called?
Delve deeper into the world of animals, plants and more with this indispensable quiz book that helps you explore our planet’s natural beauty and myriad facets. Based on India’s only international-level quiz on wildlife, The Wild Wisdom Quiz Book Volume 3 is packed with exciting new chapters on biomimicry, evolution, conservation heroes and so much more.
Nava Durga – The Nine Forms of the Goddess
By Nalini Ramachandran
Illustrated by Priyanka Pachpande
Nava Durga || Nalini Ramachandran
Durga, is a powerful warrior-goddess with nine special forms!
Shailaputri, Brahmacharini and Chandraghanta,
Kushmanda and Skandamata,
Katyayani and Kaalratri,
Maha Gauri and Siddhidatri . . .
Each form is unique and together they are the Nava Durga. This is their story!
Ogd
By Anushka Ravishankar
OGD || Anushka Ravishankar
Once upon a time, in the kingdom of Ogd, a messiah was born, with her foot in her mouth. She travels through many dimensions, and teaches us about the nature of apocalypse, cartography, education, inter-dimensional travel, mathematics, monarchy, philosophy, physics, poetry and toenails. A seemingly nonsensical enquiry into things which addresses complex issues of the world.
A Box of Stories: A Collector’s Edition
By Ruskin Bond
A Box of Stories || Ruskin Bond
Featuring some of Ruskin Bond’s finest stories, poetry and non-fiction pieces, this special collector’s edition brings together the best works of India’s best-loved author. Included in the collection are the two treasuries The Room of Many Colours and Uncles, Aunts and Elephants. With illustrations and a varied group of characters, this box set is a perfect collection for fans of the master storyteller.
The Puffin Mahabharata
By Namita Gokhale
Illustrated by Suddhasattwa Basu
The Puffin Mahabharata || Namita Gokhale
‘A long, long time ago, in the ancient lands of India, known in those days as Bharatvarsha, a family quarrel grew into a bloody war… That mighty battle between warring cousins of the Kuru clan has become a part of the mythology and history of India. The story of the Mahabharata is about defeat as much as victory, about humility as much as courage. It is the greatest story ever told.’
This is a retelling of a timeless tale in a clear, contemporary style. It brings the epic to life through brilliant illustrations, and is a treat to be cherished.
The Grand Chapati Contest
By Asha Nehemiah
Illustrated by Chetan Sharma
The Grand Chapati Contest || Asha Nehemiah
When the Royal Chapati Cook quits, there is no one to make the fluffy-puffy chapatis that the king loves. Can they find another champion chapati maker at the Grand Chapati Contest?
In this Hook Book, join Hawaldar Hook as he takes our little friends (aged 5 and above) on a colourful journey!
Moodunnit
By C.G. Salamander
Illustrated by Aindri C.
Moodunnit || C.G. Salamander
Hawaldar Hook is back with another adventure!
The vegetables from Ammu’s parents’ cart have disappeared! Who could have stolen them? Amma and Appa are sure the thief comes in a helicopter. But Ammu, following a trail left by the thief, finds some very strange clues …
Come join us as we try to find out where these vegetables are going!
Among the chief struggles of raising little bundles of joy is making sure that they eat (and enjoy) their daily dose of wholesome and nutritious meals! Bringing the ultimate solution is Uma Raghuraman-aka @Masterchefmom a super- popular food blogger and Instagrammer who has packed My Genius Lunchbox with recipes for creative dishes that are nutrition packed, vibrant and appeal to both the eye and the very discerning palate of fussy little eaters.
Here are eight very useful tips straight from a Masterchef Mom that will help you create healthy and tantalizing treats that guarantee happy, healthy and well-fed children who look forward everyday to their own ‘genius lunchbox’!
Dry fruits make a delicious addition to any meal and are a powerhouse of essential fatty acids and vitamins. Whether powdered or used whole, the possibilities are endless, whether used in the crunchy-munchy Makhana Profiteroles or the Khajoor Rock Buns.
Chole Chimichangas
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When you want to switch up cuisines a little, while still using easily available and essentially Indian ingredients—Mexican is a great alternative, as seen in the flavor and protein-packed CholeChimichangas!
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Behold the wonderful versatility of Hung curd! With its probiotic properties, and packed with calcium it makes for a great addition as a spread or dip. Check out the lip-smacking Haydari Sandwich.
My Genius Lunch Box || Uma Raghuraman
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Go vocal for local! A little ingenuity works for even most tricky ingredients as in the brilliant substitute of muthia for sausages to make the Muthia Hotdogs. Play around a little with traditional ingredients and see what positively genius substitutes you can come up with.
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Tired of fat and preservative filled sandwich spreads? Whizz up your own veggie-tastic versions using vegetables and legumes to make the Guacamole Chutney Sandwich or Pakwan Lavash and Dal Hummus instead!
Steamed Rainbow Frushke
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Gluten-free can be made tension-free as well. My Genius Lunchbox uses a number of wonderful maida substitutes that are easily available and packed with their own unique nutrients such as singhara, millet flour and cornmeal . We recommend trying the Singhara and Paneer Tarts.
Muthiya Hotdogs
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Want to reduce waste while not letting leftovers kill your buzz. My Genius Lunchbox offers us number of super creative ways to turn leftovers into something unrecognizably delicious as seen in the Vermicelli Pancakes.
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Play around with harness the natural sweetness of vitamin packed fruits to make delicious vibrant treats like the Steamed Rainbow Frushke.
As readers, we love that our world is enriched by books from various languages, cultures, and countries. This has only been made possible by the immense contribution of translators from all around the world. To celebrate World Translation Day, which is celebrated on 30th September every year, and honour the work of translators everywhere, we have compiled a special list of works translated from various Indian languages into English.
Happy reading!
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Chowringhee
Sankar, translated from Bengali by Arunava Sinha
Chowringhee || Sankar
Set in 1950s Calcutta, Chowringhee is a sprawling saga of the intimate lives of managers, employees and guests at one of Calcutta’s largest hotels, the Shahjahan. Shankar, the newest recruit, recounts the stories of several people whose lives come together in the suites, restaurants, bar and backrooms of the hotel. As both observer and participant in the events, he
inadvertently peels off the layers of everyday existence to expose the seamy underbelly of unfulfilled desires, broken dreams, callous manipulation and unbidden tragedy. What unfolds is not just the story of individual lives but also the incredible chronicle of a metropolis.
Raag Darbari
Shrilal Shukla, translated from Hindi by Gillian Wright
Raag Darbari || Shrilal Shukla
Raag Darbari’s plot is set in Shivpalganj, which is a small village located in Uttar Pradesh. The narrator of this novel is Ranganath, who is a research student of History. He comes to visit his uncle, Vaidyaji, who serves as the head of the village and his supporters are placed at key locations in the village. Vaidyaji is a highly corrupt ruler who has defeated every individual who tried to stand against him. The readers are also introduced to Langad, who desires to carry out dealings in an honest manner. Things take a turn for Vaidyaji when some people try to bring him down from his influential position. The novel exposes the helplessness of intellectuals in the face of a strong and corrupt nexus between criminals, businessmen, police and politicians.
Tamas
Bhisham Sahni, translated from Hindi by Daisy Rockwell
Tamas || Bhisham Sahni
In a city in undivided Punjab, Nathu, a tanner, is bribed to kill a pig. When the animal’s carcass is discovered on the steps of the local mosque the next morning, simmering tensions explode into an orgy of bloodlust. But in the midst of the ensuing carnage, despite the darkness of the times, rare moments of unexpected friendship and love also surface.
Winner of the Sahitya Akademi Award, Sahni’s iconic novel about the Partition of India tells the tale of an unfolding riot from different vantage points. In Daisy Rockwell’s definitive translation, this magnificent work comes vividly to life.
One Part Woman
Perumal Murugan, translated from Tamil by Aniruddhan Vasudevan
One Part Woman || Perumal Murugan
Kali and Ponna’s efforts to conceive a child have been in vain. Hounded by the taunts and insinuations of others, all their hopes come to converge on the chariot festival in the temple of Ardhanareeswara, the half-female god. Everything hinges on the one night when rules are relaxed and consensual union between any man and woman is sanctioned. This night could end the couple’s suffering and humiliation. But it will also put their marriage to the ultimate test.
Hangwoman
K.R. Meera, translated from Malayalam by J. Devika
Hangwoman || K.R. Meera
The Grddha Mullick family bursts with marvellous tales of hangmen and hangings in which they figure as eyewitnesses to the momentous events that have shaped the history of the subcontinent. When twenty-two-year-old Chetna Grddha Mullick is appointed the first woman executioner in India, assistant and successor to her father, her life explodes under the harsh lights of television cameras. When the day of the execution arrives, will she bring herself to take a life?
Lajja
Taslima Nasrin, translated from Bengali by Achinta Ghatak
Lajja || Taslima Nasrin
The Duttas-Sudhamoy and Kironmoyee, and their children, Suranjan and Maya- have lived in Bangladesh all their lives. Despite being members of a small, vulnerable Hindu community, they refuse to leave their country, unlike most of their friends and relatives. Sudhamoy believes with a naive mix of optimism and idealism that his motherland will not let him down. And then, on 6 December 1992, the Babri Masjid is demolished. The world condemns the incident, but its immediate fallout is felt most acutely in Bangladesh, where Muslim mobs begin to seek out and attack Hindus. The nightmare inevitably arrives at the Duttas’ doorstep, and their world begins to fall apart.
Cobalt Blue
Sachin Kundalkar, translated from Marathi by Jerry Pinto
Cobalt Blue || Sachin Kundalkar
A paying guest seems like a win-win proposition to the Joshi family. He’s ready with the rent, he’s willing to lend a hand when he can and he’s happy to listen to Mrs Joshi on the imminent collapse of our culture. But he’s also a man of mystery. He has no last name. He has no family, no friends, no history and no plans for the future. The siblings Tanay and Anuja are smitten by him. He overturns their lives and when he vanishes, he breaks their hearts. Elegantly wrought and exquisitely spare, Cobalt Blue is a tale of rapturous love and fierce heartbreak told with tenderness and unsparing clarity.
A Gujarat Here, A Gujarat There
Krishna Sobti, translated from Hindi by Daisy Rockwell
A Gujarat Here, A Gujarat There || Krishna Sobti
Delhi, 1947. The city surges with Partition refugees. Eager to escape the welter of pain and confusion that surrounds her, young Krishna applies on a whim to a position at a preschool in the princely state of Sirohi, itself on the cusp of transitioning into the republic of India. She is greeted on arrival with condescension for her refugee status, and treated with sexist disdain by Zutshi Sahib, the man charged with hiring for the position. Undaunted, Krishna fights back. But when an opportunity to become governess to the child maharaja Tej Singh Bahadur presents itself-and with it a chance to make Sirohi her new home once and for all-there is no telling how long this idyll will last.
Part novel, part memoir, part feminist anthem, A Gujarat Here, A Gujarat There is not only a powerful tale of Partition loss and dislocation but also charts the odyssey of a spirited young woman determined to build a new identity for herself on her own terms.
Goat Days
Benyamin, translated from Malayalam by Joseph Koyippally
Goat Days || Benyamin
Najeeb’s dearest wish is to work in the Gulf and earn enough money to send back home. He achieves his dream only to be propelled by a series of incidents, grim and absurd, into a slave-like existence herding goats in the middle of the Saudi desert. Memories of the lush, verdant landscape of his village and of his loving family haunt Najeeb whose only solace is the companionship of goats. In the end, the lonely young man contrives a hazardous scheme to escape his desert prison.
While we are at it, how can we forget our young readers? So here’s a special list just for them!
Timeless Tales from Marwar
Vijaydan Detha, translated by Vishes Kothari
Timeless Tales from Marwar || Vijaydan Detha
For centuries, Rajasthan has been a gold mine of oral traditions and histories with Padma Shri Vijaydan Detha being one of the foremost storytellers of all time. Timeless Tales from Marwar gives a new lease of life to his folk tales. Retold in Detha’s magical narrative style complete with imagery, this selection offers some of the oldest and most popular fables from the Thar Desert region. Discover tales of handsome rajkanwars, evil witches, exploitative thakars, miserly seths, clever insects, benevolent snakes and more. Vishes Kothari’s vivid English translation introduces one of the most venerated figures in Rajasthani folk culture to a wider audience.
Tales from the Kathasaritsagara
Somadeva, translated from Sanskrit by Rohini Chowdhury
Tales from the Kathasaritsagara || Somadeva
Do you know the story of Phalabhuti, who narrowly escaped a grisly fate?
Or of the kind-hearted Jimutavahana, who was willing to give his life to save a snake from death?
Or of young Shringabhuja, who married a rakshasa’s daughter?
These are just some of the many tales that make up Somadeva’s Kathasaritsagara, a classic work of Sanskrit literature that is full of memorable characters. Within the pages of this book, you will encounter demons and demi-gods, faithful guards and foolish villagers, golden swans, magic pots and even automatons made of wood! Adapted and wonderfully retold by Rohini Chowdhury, this is a timeless classic that will entertain and enchant readers everywhere.
The Final Adventures of Professor Shonku
Satyajit Ray, translated from Bengali by Indrani Majumdar
The Final Adventures of Professor Shonku || Satyajit Ray
In this last volume of Professor Shonku’s escapades, the brilliant and benevolent scientist travels around the world once more to face near death situations. Each nerve-wracking experience is faithfully recorded in his diary. We learn of Shonku being outwitted by his own invention, the Tellus computer; his helplessness when his arch-rival in Rome deliberately misplaces his wonder drug, Miracurall; and the thrilling discovery of a three-and-a-half-thousand-year-old sparkling diamond necklace and a papyrus in an ancient tomb in Cairo.
In Deepak Dalal’s latest adventure story, we meet our beloved duo, Vikram and Aditya, on the chilly terrains of Ladakh! Joining them on this super exciting journey is nine-year-old Tibetan boy called Tsering.
Before you head into their world, we are taking you on a quick walk through Ladakh so that you are well-prepared for the adventure coming your way. Read on!
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Brrr…the summers are cold!
August is the warmest month in Ladakh, and it is still…COLD!
‘Judging from the half-frozen contents of his water bottle, ice must have formed on the lake too. Yet the birds seemed unaffected.
It was August, the warmest time of the year in Ladakh. If this was ‘peak summer’, wondered Vikram, then what could winter possibly be like? He shuddered at the prospect.’
Ladakh Adventure || Deepak Dalal
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Bird-watching
In India, black-necked cranes are found only in Ladakh.
‘Vikram was aware that the spectacle he beheld was a rare one. In India, black-necked cranes are found only in Ladakh. Just fifteen pairs nest in the far-flung corners of the Changthang plateau. Local people treasure the birds, never harming them.’
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Hilly Desert
Ladakh is a desert, with sandy and barren slopes.
‘Although it had been obvious all along, it struck [Aditya] only now that there was not a single tree on its great expanse. There was absolutely no cover on the plain; no place to hide, or for that matter, no spot to shelter behind and plot an ambush. The lack of cover wasn’t confined to the lake basin alone. It extended to the mountains. The slope on which Aditya rode was sandy and barren. Ladakh, as everyone had said, was indeed a desert.’
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View from up above
In the high-altitude landscape of Ladakh, it is possible to see for miles on end.
‘Vikram was visible in the distance, trotting along on his horse. He was in plain sight of the jeep driver, and Aditya was sure that the man was tracking his movements. […] Up there the intense clarity of vision overcomes the distortion of distances.’
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So now that we have got you invested in just a few of the most fascinating facts about Ladakh, we look forward to you joining Aditya, Vikram and Tsering on the journey of a lifetime!
History is full of exciting stories and people! Who wouldn’t want to go back and witness all the events and places that have shaped up our present world?
As always, these diverse books are here to take you on an adventure through time and space!
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Queen of Ice Devika Rangachari
Queen of Ice || Devika Rangachari
Didda, princess of lohara, is beautiful, intelligent—and lame.
Despised by her father and bullied by his heir, Didda’s childhood is miserable and her future, bleak. When she is married off to the dissolute ruler of Kashmira, she must learn to hold her own in a court ridden with factions and conspiracies. But Didda is no ordinary queen. Ruthless and ambitious, she wants to rewrite history. Will she succeed?
A Bagful of History Subhadra Sen Gupta
A Bagful of History || Subhadra Sen Gupta
Let’s take a walk through history
And as you travel back in time . . .
~ Dine with Mughal princess Jahanara Begum
~ Have a jugalbandi with Miyan Tansen
~ Compete with the nawabs of Chandni Chowk in a kite-flying duel
~ Be a part of Raja Ram Mohan Roy’s fight for the education of the girl child
~ Revolt with Indian sepoys in the Mutiny of 1857
. . . and witness many more exciting events!
The Incredible History of India’s Geography Sanjeev Sanyal, Sowmya Rajendran
The Incredible History of India’s Geography || Sanjeev Sanyal,, Sowmya Rajendran
Could you be related to a blonde Lithuanian?
Did you know that India is the only country that has both lions and tigers?
Who found out how tall Mt Everest is?
If you’ve ever wanted to know the answers to questions like these, this is the book for you. In here you will find various things you never expected, such as the fact that we still greet each other like the Harappans did and that people used to think India was full of one-eyed giants. And, sneakily, you’ll also know more about India’s history and geography by the end of it!
Rattu and Poorie’s Adventures in History: 1857 Parvati Sharma
Rattu & Poorie’s Adventures in History || Parvati Sharma
‘Come along, then,’ said Lakshmi Bai and Jhalkari Bai.
‘Come along and listen.’
So begin Rattu and Poorie’s grand adventures in the Uprising of 1857, and their encounters with its heroes: from Rani Lakshmi bai of Jhansi and Nana Sahib of Kanpur to the last Mughal Emperor, Bahadur Shah Zafar.
Let’s go Time Travelling! Subhadra Sen Gupta
Let’s Go Time Travelling || Subhadra Sen Gupta
Did they design jewellery in Harappa? Was King Ashoka fond of chewing paan? Who played pachisi, chaupar and lam turki? Mulligatawny was a soup, but what was pish pash?
Find the answers to all these weird, impossible questions in this fascinating, quirky book about how people lived in the past. Go time travelling through the alleys of history and take a tour through the various ages, from Harappa to the Maurayan, Mughal to the British!
